Artists

Jason Haggerty

Currently completing his honours degree in Digital Media, Jason Haggerty has a multidisciplinary practice that spans sculpture and sound, generative and live video, interactive installation and performance. Based on the Gold Coast, Haggerty has a multidisciplinary practice that spans sculpture and sound, generative and live video, interactive installation and performance. He has exhibited across Australia in galleries, festivals, and events, while also moonlighting as a VJ.

Inspired by the ability of media to physically alter bodily sensation, Haggerty explores the overlapping of the body in virtual environments, hybridity, and spatiality. Increasingly engaging with new technologies, he employs various methods such as visual programming, motion-tracking, and interactive video and audio, with the aim of inducing proprioceptive experiences. Additionally, Haggerty has a growing body of work that investigates the natural and synthetic beauty of the Gold Coast, focusing on its shoreline and iconic wave breaks.

With an appreciation and passion for curatorship, Jason has recently taken on the role of Gallery Manager and Curator of Griffith University’s White Box Gallery on the Gold Coast.

For more information please visit the – Artist Website

Image: Surface/Control (2015). Gold Coast City Gallery . Interactive audio and video installation.

Shayna Wells

Shayna Wells is a Brisbane based artist and has been exhibiting since 2008. She is currently in two touring shows – “Bimblebox- Art- Science-Nature” touring nationally throughout Australia (2014-2017) and “crosseXions” first presented at Metro Arts, then touring to Sydney at Alska Projects and Cross Arts in July – August in 2016. In 2014 she completed two residencies – “Bimblebox Artist Camp” and “NES Artist Residency” in Iceland. In 2015 Shayna was in the “Gold Coast Photographic Award” and 2013 “Churchie National Emerging Art Prize.”

Shayna’s current project “Intent/Response” documents participant’s first response to a site on the Northern NSW coast called Lake Ainsworth.  Mostly photographic based, the series presents the body absorbed in semi wilderness, through a process of intimate interaction and bodily vulnerability. Through this submission of power, the subjects’ body lose a distinction between themselves from Nature; the body taking on connotations of authenticity, exotic fragility and a kind of seduction steeped in questions of what constitutes a direct experience. There is political under tones in the work questioning other relationships with the environment and what is its place within our everyday existence.

For more information please visit the – Artist Website 

Image: The Lake Self Reflection, Video still, HD video, Duration: 3:39 mins. 

Zoe Knight

Zoe Knight is an artist based in Brisbane. She completed a Bachelor of Fine Art with Honours at Queensland University of Technology.

Zoe’s practice is shaped by her interest in the materiality of objects, discovering and abstracting found malleable and repurposed industrial materials, as well as relationships between object, exhibition space, and viewer.

Since the materials are sourced locally – found discarded in workshops, as surplus from suppliers, in bins, and on the street  – Zoe’s work reflects the social and industrial environment of the area.

Currently, her practice seeks to draw the viewer’s attention to an awareness of their body in space and the features of the gallery. This is achieved through mapping the floor with miniature-sized objects grouped in relation to one another and coupled with dramatic lighting or architectural intervention. Objects are arranged with their formal and aesthetic features in mind especially balance, texture, and shape.

For more information please visit the – Artist Website

Image: Untitled#5 window object#2 (slate, balustrade wire), steel, slate, 10 x 15 x 10cm, 2016. Photo – Carl Warner

Michael Cook

Michael Cook is from Queensland’s Bidjara people. Adopted as a baby by a non-Indigenous family, he was later encouraged to find his Aboriginal birth mother and to explore his Indigenous heritage. Originally a successful commercial fashion photographer, Cook’s expertise in digital image-making and post-production techniques lends an ethereal quality to his re-visioning of Australian history.

Michael Cook’s practice continues the strong Indigenous tradition of the exploration of photography, which includes the work of Mervyn Bishop, Michael Riley, Fiona Foley and Destiny Deacon, among others. Historically, Aboriginal people have been portrayed as the exotic ‘other’ or they have been photographed for the purposes of scientific inquiry. Cook is from a generation of artists who are reinvigorating Indigenous photography — reclaiming photography for their own purposes and provocatively using the medium to bring attention to Indigenous issues.

For more information please visit the – Artist Website

Image : Michael Cook, Civilised #13, 2012, inkjet print on archival Hahnemuhle cotton paper, 100 x 85cm / Text – QAG

Sebastian Moody

Sebastian Moody was born in Sydney, New South Wales (1979). He currently lives and works in Brisbane where he has completed a Bachelor of Visual Arts at the Queensland University of Technology (2001) and a Master of Museum Studies at The University of Queensland (2009).

Moody ’s text works have appeared in swimming pools, personals ads, kitchen splashbacks, coffee, hang gliders and as shopping receipt ‘portraits’; elsewhere, his messages have manifested as idealised physical environments.

Moody’s projects have appeared at the Queensland Performing Arts Complex, Museum of Contemporary Art, Ryan Renshaw Gallery, Splendour in the Grass, Next Wave Festival 2008, Linden Contemporary Art Space, Bundaberg Arts Centre, Queensland Art Gallery, Livid Festival, Kings ARI, Museum of Brisbane, The Goodwill Bridge, The Queensland University of Technology Art Museum and Southbank Parklands.

For more information please visit the – Artist Website 

Image : Sebastian Moody and Markwell Presents: Younger than a Millionaire (2012) public digital projection, Queensland Performing Arts Complex. 10.00 mins. Commissioned by Brisbane City Council.

Zoe Porter

Zoe is a Brisbane based interdisciplinary artist exploring primarily a drawing practice, which also extends into painting, installation, performance, sculpture, site-specific works and video. Zoe has a Doctorate in Visual Art (QCA) and has exhibited regularly in Australia and overseas.

Her work frequently depicts the animal-human hybrid in an attempt at crossing the boundaries between the animal and the human, real and imaginary states, chaos and order. Much of her work explores a personal mythology that presents the human form undergoing transformation, which suggests the possibilities for other ways of being or existing. Her performance-based works are often collaborative and merge art, theatre, sound and physical performance highlighting the artistic and creative processes involved in producing artworks.

Zoe has undertaken a number of international residencies including Burgundy, France (2006), Geidai University, Tokyo (2010) and Crane Arts, Philadelphia (US) (2012). She has exhibited in a number of group exhibitions and most recently held solo exhibitions in Melbourne (2015) and Brisbane (2016) as well as receiving funding through Australia Council for the Arts (2014).

Artist Website: http://www.zoe-porter.com
Facebook: https://www.facebook.com/zoeporterartwork
Instagram: https://www.instagram.com/zoe_zo

Image: Hybrid Brothers (2015) watercolour on paper

Meagan Streader

Meagan Streader is a Brisbane artist currently residing in Melbourne. Constructing site-specific installations, Streader draws visual cues from futuristic and natural atmospheres and systems to engulf the viewer in a sensory experience.  Through multifaceted transformations her artworks redefine conventional spaces, objects, and materials. Employing the repetition and replication of light, form, and textiles en masse, her works are realised through the construction of installations, sculpture, video, and soundscapes.

Streader’s recent explorations push the limits of light within sculpture and installation through reinterpretations and extensions of surrounding spaces. Considering sites in their past, present, and future states she investigates the interplay between light, line, and form. These works visualise immersive cyberspaces through the appropriation of architectural and spatial details.

Artist Wesbite – www.meaganstreader.com

Image: W-INTER (2016). Photo by Louis Lim

Sha Sarwari

Sha Sarwari is a multidisciplinary visual artist who came to Australia as a refugee. In 1999 he had to leave his home country Afghanistan. Since then he has called Brisbane home.  In his work Sha aim to explore the contemporay discourse of refugee and sylum seeker. His work is influenced by his personal experience of seeking asylum in Australia and the journey that he went through becoming a refugee and ultimately anAustralian citizen.

Sha holds a diploma of Graphic Design from TAFE (2005) and a Bachelor of Fine Art from the  Queensland College of Art, Griffith University (2015) where he shortlisted to show in their annual Graduate Art Show (GAS).

He has participated in group exhibitions and has hold solo exhibition locally. in 2015 Sha was selected as a finalist in The Churchie National Emerging Art Prize and was awarded high Commendation Prizes.

For more information please visit the – Artist Website

Image: National Icon, Digital print, hahnemuhle archival photo rag matt paper. Edition 3/5. 102cm x 92cm

Benjamin Crowley

Benjamin Crowley is a contemporary visual artist based in Brisbane, Australia. Crowley’s practice is primarily concerned with questions of existentialism and identity. He engages viewers through moments of ambivalence and uncertainty, often presenting work that is dichotomous or with ambiguous intentions in order to provoke an element of doubt. Through this provocation he aims to incite self-reflection, critical thought and self-awareness. Using qualities of induced scepticism he approaches topics such as identity, masculinity, philosophy and the absurd in contexts of contemporary Art and Australian culture. Outcomes most often take the form of performance, video, installation, text and sculpture.

For more information, please visit the – Artist Website 

Image: YeahBro (2014)

Chris Bennie

Chris Bennie is an artist living in Mermaid Beach, Queensland, Australia.

His work has been included in national and international group exhibitions including Innerspace, Canberra Contemporary Artspace (2015); The National Artists Self Portrait Prize, University of Queensland Art Museum, Brisbane (2013); New Psychedelia, University of Queensland Art Museum, Brisbane (2011); Photo LA, Los Angeles (2010); Biennale of Sydney: Revolutions – Forms That Turn (2008); Contemporary Australia: Optimism, Gallery of Modern Art, Brisbane (2008); and +Plus Factors, Australian Centre of Contemporary Art, Melbourne (2006).

His solo exhibitions include: When Will We Ever be Forever Together, Alaska Projects, Sydney (2015);Control Rooms + The Waves, PhotoAccess, Canberra (2015);  Five Films of Fortuitous Frivolous Fervent,The Wandering Room, Brisbane (2012); A Wee Sunset, Linden Contemporary Art Centre, Melbourne (2010); Jordie, Contemporary Art Centre of South Australia Project Space, Adelaide (2009); Chris Bennie Doctorate of Visual Art Exhibition, Queensland College of Art, Brisbane (2009); and Slower, Institute of Modern Art, Brisbane (2003).

He is the recipient of numerous awards including the Clayton Utz Art Award (2014); Gold Coast Art Award (2012); Swell Sculpture Award (2013); Australia Council for the Arts mid-career New Work grant (2013); and Regional Arts Development Fund (2013). In 2014 Chris researched tsunami-affected communities and objects in Japan as part of an Asialink Residency at Youkobo Art Space, Tokyo.

Chris lectures in Fine Art at Griffith University Queensland College of Art and Southbank Tafe.

For more information please visit the – Artist Website

Image: Chris Bennie, Container Ships 2015, projection on Fern Studio, Bundanon Trust, NSW. Image courtesy the artist