Crit Sessions: Gemma Smith

Deadline:

Outer Space (Online)

‘Crit Sessions’ provides early career artists the opportunity to receive feedback on work-in-progress.

Join us for the fifth event in our suite of Crit Sessions, led by artist, Gemma Smith. Bring along your works-in-progress for feedback in a safe and generative environment. Due to COVID-19 restrictions and time limitations, capacity is limited, so please only register for the event if you are definitely attending.

ABOUT GEMMA

Gemma Smith studied at Sydney College of the Arts, University of Sydney, between 1997 and 1999; and in 2004 at Queensland University of Technology, Brisbane. Since 2000, Smith’s work has featured in more than 100 exhibitions. Notable among them are: Rhythm Sequence, UNSW Galleries, Sydney, 2019; Superposition of three types, Artspace, Sydney, 2017; Painting. More Painting, Australian Centre for Contemporary Art, Melbourne, 2016; Pittsburgh Biennial, Pittsburgh Centre for the Arts, Pittsburgh, 2014; Forcefields, Art Gallery of New South Wales, Sydney, 2014; Case Study: Gemma Smith Considers the Work of Margo Lewers, Penrith Regional Gallery, Sydney, 2011; Cubism & Australian Art, Heide Museum of Modern Art, Melbourne, 2009; Gemma Smith: Entanglement Factor, Gertrude Contemporary Art Spaces, Melbourne 2009; Contemporary Australia: Optimism, Gallery of Modern Art, Queensland Art Gallery, Brisbane, 2008; Primavera, Museum of Contemporary Art Australia, Sydney, 2008. Smith has exhibited regularly with Sarah Cottier Gallery since 2006 and with Milani Gallery, Brisbane since 2008.

Smith’s work is held in museum, corporate and private collections, including those of the National Gallery of Australia, Canberra; Museum of Contemporary Art, Sydney; Art Gallery of New South Wales, Sydney; Queensland Art Gallery | Gallery of Modern Art, Brisbane; Art Gallery of South Australia, Adelaide; Art Gallery of Western Australia, Perth; Queensland College of Art and Griffith Artworks, Brisbane; Queensland University of Technology, Brisbane; University of Queensland, Brisbane; Monash University Museum of Art, Melbourne; Murdoch University, Perth; Deakin University, Melbourne; Artbank, Sydney; KPMG, Brisbane; Gaden’s Lawyers, Brisbane; QIC, Brisbane; and UBS, Sydney.

Smith has produced several public artworks, including Triple Tangle, Museum of Contemporary Art Australia Foyer Commission, 2018; Collision and Improvisation (ceiling), 2012, Queen Elizabeth II Courts of Law, Brisbane; and Synchro (Peach/Red Oxide), 2010, Brisbane Airport.

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