Dark Entries delves into the simultaneity of experience, the act of looking back whilst looking forward, and the interpolation of memories into a single, yet multi-dimensional timeline.
Extending on Ross’ July 2020 residency and exhibition Dark Matter(s) at Metro Arts @Hope Street, Dark Entries steps into a void of past realms, remixing spatial and video elements into a matrix of current situations and sensations.
Staged as an installation of video projections and domestic screening devices, the work attempts to synthesise the past and the future, exploring time and zones, and ultimately the moment we find ourselves in…now.
