The hopeful/hopeless.
Investigating expanded notions of self-portraiture, using experimental and naïve approaches to materials in order to negotiate a relationship between permanence and impermanence.
Repetitive, transformative and often redundant processes used in the creation of each work function as a way to concentrate on, or examine how one might hold the unremarkable, or insignificant, as meaningful.
– a quiet engagement with mortality –
Image: Build Up, 2021, oil on aluminium with polymer clay and resin, 41cm x 31cm