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Printed Reverie

Reflecting on the evocative nature of print and its power to preserve memory in a tangible form, Printed Reverie responds to the intersection between memory, time and contemporary printing techniques. Engaging with intaglio, relief, lithography, papermaking, and screen printing, artists aim to connect with viewers to explore how print becomes an indexical mark of past […]

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inFORM

The 2023 QUT Visual Arts Graduate Exhibition, ‘inFORM’, will feature the work of 34 emerging artists graduating from QUT Visual Arts’ unique Open Studio program. Working across diverse media including moving image, installation, performance, painting, photography, sculpture and more, the artists of ‘inFORM’ are creatively and critically engaging with the social, political, and personal conditions

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Sharmila Nezovic: Concrete Mirrors – Constructing Systems of Dust

CONCRETE MIRRORS – Constructing Systems of Dust, is a provocative exhibition of paintings and collages, by Brisbane artist, Sharmila Nezovic. It explores the paved-over urban experience, through intensely realised, highly textured abstractions. “I use, what I call, an ‘industrial palette’”, she says. “By directly mixing such materials as road-base crusher dust, washed builder’s sand, sawdust,

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(un)grounded: as if I was releasing something

(un)grounded: as if I was releasing something is a solo exhibition by Sharna Barker that explores the boundaries of contemporary self-portraiture. Her paintings and sculptures—as somatic (re)constructions of self—foreground disintegration, unpredictability, and failure, as ‘self’ appears and disappears interchangeably. Sharna underscores material and formal precarity to propose alternative modes of representation. In the work, a

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Peter Boggs

Peter Boggs (b. 1949, New Zealand) is one of the leading contemporary painters in Australia, with a career spanning nearly 40 years and 50 solo exhibitions. The award-winning painter is at home painting the mysteries of Italian Renaissance Gardens – most notably the Boboli Gardens in Florence, as he is in unveiling the secret and

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Miles Hall: DISSEVER

Jan Manton Gallery is pleased to present DISSEVER by Miles Hall, our latest online exhibition showing from 13 September. Hall’s paper works capture the process of combining graphite pigment with an oil binder to create gestural qualities and forms. Each piece has been torn into two seperate pieces and is then recombined on the opposite side to reveal its

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James Barth Awarded Copyright Agency Partnerships Commission

The Institute of Modern Art and the Copyright Agency are pleased to announce that Meanjin/Brisbane-based artist James Barth is the third recipient of the Copyright Agency Partnerships (CAP) commission. The $80,000 contemporary art commission is the third in an annual series presented by the Copyright Agency’s Cultural Fund in partnership with leading Australian arts institutions. The commission supports mid-career and established Australian artists

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Daniel Boyd: Rainbow Serpent (Version)

Daniel Boyd is known for his multidisciplinary practice that resituates colonial history within an infinitely expansive universe. In his paintings, videos, and installations, he employs dots as a visual and conceptual tool to explore themes of identity, memory, perception, and history. Reiterated endlessly to form expansive constellations, each dot—or lens—offers a distinct point of knowledge, experience,

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Glow

An exhibition of Aboriginal paintings that draw inspiration from seasonal changes and showcase artworks highlighting luminosity and vibrancy is showing at Mitchell Fine Art in Fortitude Valley from September 14th. Bold splashes of vibrant colour feature strongly in this collection of artworks with the overriding theme emphasizing the glowing quality and abundance of colour. These

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ATHENS DIGITAL ARTS FESTIVAL

The Athens Digital Arts Festival (ADAF) is excited to announce the Call for Entries for its 20th edition, scheduled for 2024. With a rich history of showcasing cutting-edge digital art and fostering creative innovation, ADAF invites artists, scientists, intellectuals, technologists, and creators from around the world to be part of this milestone celebration by submitting

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Jody Rallah: Undercurrents

Exchange is a living process of transformation, like conversations that span across generations. To share and ignite the spirit kept alive between ancient and living relations. Our hearts beat the songs of thousand plus generations, guided in haptic practice,and embedded and encoded in our exchanges. Jody Rallah explores the Undercurrents of life on Yuggera Djara,

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Michelle Xen: Portals

The exhibition Portals includes new light, video and experimental painting works by Michelle Xen. The exhibition features an abstract fluorescent series called Portals, extending the multidisciplinary and embodied gestures in Xen’s video, performance and painting works. Created using fluorescent pigment on 100% cotton rag, the artworks have ultraviolet properties referencing the lighting effects found in

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THE DPS LAB

THE DPS LAB, an evening of theatrical exploration on Tuesday 24th October at The Princess Theatre featuring new visual theatre works from Dead Puppet Society’s 2023 DPS Academy artists. With three bite-sized showcases of original works from local emerging and independent artists on the bill, and The Princess Theatre’s outdoor bar open with a DJ

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Chelsea International Photography Competition

The Chelsea International Photography Competition provides the winning participants an opportunity to exhibit at one of our New York spaces, located in the heart of the Chelsea art district. The sprawling and elegant street-level space attracts hundreds of visitors with its striking exterior. Along with the exciting opportunity to showcase your works in New York, each artist

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MUSE Digital Art Award

A cultural initiative that brings together creative minds with the latest technology to shape innovative solutions to today’s biggest ecological challenges. The award’s exhibition is powered by Philips Tableaux, a display from PPDS using advanced colour ePaper technology to allow a power-free exhibition of the digital artworks. Participating artists in this premiere edition will be

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Kо̄ Nakahira: A New Wave on the Shores of Japanese Cinema

JFF Special Series returns to QAGOMA in 2023 to proudly present the work of filmmaker Kо̄ Nakahira (1926-1978), a pioneering figure in post-war Japanese cinema. Nakahira began his career as an assistant director at Shochiku Studio, where he worked alongside prominent directors including the likes of Akira Kurosawa and Yūzō Kawashima. Later on Nakahira would

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Artists in Conversation Paul Bai & Gemma Smith

How can abstraction tell stories of identity and culture? Join ‘Living Patterns: Contemporary Australian Abstraction‘ artists Paul Bai and Gemma Smith in conversation with Ellie Buttrose (Curator, Contemporary Australian Art, QAGOMA) as they explore approaches to abstraction through the lenses that define their world views and identities. Time: 10.30 – 11.30am, Sat 28 Oct 2023

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Workshop: Analytic thinking and concept development

Join renowned artist and educator, Joachim Froese, for a workshop designed to develop strategies for analytic thinking and concept development. The workshop will combine theoretical and practical exercises that will provide you with new, structured, hands-on tools and strategies in the classroom when communicating ideas about visual imagery.   In this workshop you will learn

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Fierce Visions: Mati Diop and Djibril Diop Mambéty

‘Fierce Visions’ presents the works of French–Senegalese filmmaker Mati Diop and her uncle, Senegalese filmmaker Djibril Diop Mambéty. Both auteurs push the bounds of cinematic language, blending elements of documentary and fiction. Mati Diop began her film career as an actress and her recent debut feature Atlantics 2019 was the first film directed by a Black woman

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Sybil Curtis: Cylinders

When travelling through the flat, monotonous country of inland Australia, agricultural and mining structures are often visible for a considerable distance, rising like giant sculptures out of a flat plain: three-dimensional forms intersecting with horizontal lines. One of the forms encountered repeatedly are cylinders, most conspicuously as tanks or drums for water and fuel. In

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Bridie Gillman: Watching Walls

Perceptions and experiences of place inform Bridie Gillman’s paintings, abstracted to convey the felt rather than the seen. A childhood spent in Indonesia, and many subsequent cross-cultural residencies, has seen her capture the layers of travel in her practice. Watching Walls is a new and sumptuous body of work (paintings, ceramic sculpture, and a soundscape made in

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Cut X Paste

A cut and paste session for collage artists and the collage curious. Beginners will love this introduction to collage – no prior experience is required. Share conversation, dip into a treasure-trove of materials and make collages inspired by a monthly creative brief. All materials are provided but please remember to bring your favourite scissors and/or

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