First Thursdays: Seth Kim-Cohen

Deadline:

Institute of Modern Art

In this edition of First Thursdays artist, musician, and writer Seth Kim-Cohen invites you on a morbid joy ride through the physical and financial violence of late-stage capitalism.

Careening like a tech stock IPO from krautrock to investment banking to Marxist terror, this investigative performance titled ‘Bargeld ist die neue Liebe (Cash is the new Love)’, is comprised of video, music, slapstick comedy, and a disquisition on the debasement of democratic ideals in the age of finance capital.

This event is presented in partnership with Liquid Architecture.

Find out more on the IMA website here

Historical Background:
Multiple lines of history—past, present, and future—converged when a mass of copper was propelled at more than 2 km per second through the armor-plated door of Alfred Herrhausen’s Mercedes in 1989. At the time of his murder, Herrhausen was Chairman of Deutsche Bank and had led the institution’s expansion from a regional lender to a major player in global finance. The assassination is thought to have been carried out by the Baader-Meinhof gang, left wing radicals responsible for bombings, kidnappings, and killings over a three-decade span, starting in 1968. Uwe Nettelbeck, was an early champion of the Baader-Meinhof gang, publishing an article about the trial of Andreas Baader in Die Zeit, and subsequently serving as editor of the underground magazine Konkret, which served as the revolutionary mouthpiece for Ulrike Meinhof. Nettelbeck went on to form and produce the band Faust, part of the generation of German bands which would create the genre known as “krautrock.”

Meanwhile, Alfred Herrhausen’s vision for Deutsche Bank survived his murder. In the 1990s Deutsche Bank made increasingly aggressive incursions into the New York investment banking market. One of their high-profile clients was a real estate developer who had burned his bridges with every lender in the city. With Donald Trump unable to secure a loan from any other financial institution, Deutsche Bank saw an opportunity and a late-night, late-capitalist swipe-right marriage of convenience was born. Had it not been for Herrhausen’s vision for Deutsche Bank, Trump may have forever remained a mid-level bit player in New York real estate.

Seth Kim-Cohen is presented in Australia by Liquid Architecture with the support of Melbourne Law School and the Digital Citizens Research Network.

Info not available

Info not available

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

MOTH

MOTH

20260701
20260731
Philip Wolfhagen

Philip Wolfhagen

20260616
20260711
Brendan Huntley: A Meadow, A Clearing

Brendan Huntley: A Meadow, A Clearing

20260607
20260717
MONO x IAG

MONO x IAG

20260711
LORE and LAND: First Nations Artists in the Art Collection

LORE and LAND: First Nations Artists in the Art Collection

20260703
20260816
Marisa Culpo: Between Form

Marisa Culpo: Between Form

20260626
20260719
Responses to Kukunna Wurraweena

Responses to Kukunna Wurraweena

20260628
Sarah Mufford: Ornamental

Sarah Mufford: Ornamental

20260622
20260628