Fred Fowler: The Island

Share on facebook
Share on twitter
Share on pinterest

Deadline:

27 August
-
14 September
Jan Murphy Gallery

Fred Fowler’s paintings build up a symbolic order through a type of painterly wordplay. His paintings find delight in disguise: doors, vessels, creatures, and nature recur throughout these works, evoking a sense of place, concealment, and transformation. These tropes suggest unseen truths, carried into being by illusory landscapes – but the symbols are all we see.

Fowler’s new work builds up imagery in layered constructions that repeatedly reorient the picture plane, resulting in seemingly floating compositions. Painted onto hard boards, on which the artist builds and conceals layers of colour and symbols, the works become compelling tableaus, revealing new layers of meaning behind every surface.

The notion of the myth is integral to Fowler’s play of symbols. The exhibition takes its title from the way locals refer to Stradbroke Island (Minjerribah) as simply ’the island’. But in this case the artist is also using the mythology of ‘the island’ in a broader sense as well. Entombed foreign vessels, buried treasure, strange creatures and unique ecosystems are examples of the jumping off points for the iconography in these paintings.

Fowler’s works are painted paradoxes, deceptively spirited compositions that blend embellishments toward a contemplation of meaning. Setting up the tension between the figurative and abstraction, Fowler reframes decoration as a site of philosophical inquiry. His symbols are, on the one hand, sites of false flags and diversion; and on the other, they are sites of creation, truth and depictions of a human story. Like an island, Fowler’s work makes visual the rhythmic dissonance of life’s primal forces.

 

ABOUT THE ARTIST

Fred Fowler graduated with a Masters of Contemporary Art from the Victorian College of the Arts in 2012. In recent years he has been awarded the TWIG regional art residency in Swan Hill, Victoria, the Sculptors in Schools Residency for the Lorne Sculpture Biennale, Victoria and the Artist in Residence in Clayarch Gimhae Museum, South Korea. He has created murals and public artworks in Sydney, Barcelona, Berlin, Paris, Lyon and New York. His work has been acquired by the National Gallery of Australia, Artbank, City of Melbourne and private collections in Australia and overseas.

Image: A forest within a forest 2024, oil paint, oil stick, synthetic polymer paint, solid marker, mica flakes and coarse alumina on, masonite panel, 122.0 x 91.5 cm

Related Posts

Passage of the Sun

Passage of the Sun

20250520
20250615
Ghost in the Machine

Ghost in the Machine

20250530
20250628
Bel Parsons: Down the Rabbit Hole

Bel Parsons: Down the Rabbit Hole

20250527
20250601
Jennifer Allnutt

Jennifer Allnutt

20250530
20250624
Sonya Edney: Burringurrah Dreaming

Sonya Edney: Burringurrah Dreaming

20250427
20250607
Roland Nancarrow: Colour, Leaves, Light and Feathers

Roland Nancarrow: Colour, Leaves, Light and Feathers

20250506
20250517
James Randall: Chromalinea

James Randall: Chromalinea

20250522
20250614
Blatt & Matonelli: Mosaic Morphologies

Blatt & Matonelli: Mosaic Morphologies

20250509
20250613
Flood Lines

Flood Lines

20250419
20250608