Karl Shoobridge: Etymologies

Deadline:

3 March
-
March 9
ArtSpace Teneriffe

Etymology: the origin of a word and the historical development of its meaning

A series of paintings using the metaphor of histories, evolutions and meanings.

Words are spoken and sometimes written. These painted forms consist of delineating blocks of colour and their repetitions within.

Moving left to right through chronological time, highs and lows of hierarchies, we see similar types of compositions. The same syllables, lyrical and repeated. A form may not have a lineage however, repeated sufficiently, harmonies and a greater whole emerge.

Our cognition process quickly delineates the foreign from the familiar. If we speak a word enough times it dissolves into a phonetic exercise – it becomes something new. Our cognitive brain feels safe with these repetitions up until a point.

Having previously lived in Mexico, Cuba and France I was always intrigued by the commonalities between English, Spanish and French. Many phrases exist autonomously but when experienced in the context of the broader language and culture, they become succinct. We try to express ourselves within our vocabularies via inflections, tonal variations and pronunciations. These personal signifiers within our shared vocabularies create the unique.

In these works I’ve chosen to use aerosol enamels and airbrushed acrylics, which are both unforgiving, yet yield serendipitous results. Embracing unexpected imperfections and trying to control them creates an ongoing tension.

Some paintings contain gestures – yet not always the same. Some have been painted within a stencil or using a paintbrush; a decree imposing its arbitrary authority. There are hard lines pitted against the gesture of individuality. There are freedoms overlaid with constraints.

Externally the packages are contained by positive white spaces suggesting boundaries and allowing for comparisons. The painted rhythmic slivers akin to repeated syllables or phrases – coalescing to form a new image. Repetition may create abstraction yet, repeated enough, may also create a new kind of structure – an ordered chaos.

The different, now has a chance to become familiar.

-Karl Shoobridge

Image: Black Sun, 2025, spray enamel on polycotton

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

Shayle Flesser: Open, Enclose

Shayle Flesser: Open, Enclose

20261030
20261031
Petalia Humphreys: Before the Object

Petalia Humphreys: Before the Object

20261023
20261121
Amy Stapleton: Do not go gentle

Amy Stapleton: Do not go gentle

20261008
20261017
Queensland College of Art and Design Graduate Exhibitions 2026

Queensland College of Art and Design Graduate Exhibitions 2026

20261022
20261028
Smokescreen: A Thickness of the Air

Smokescreen: A Thickness of the Air

20261024
20270919
Melt Festival

Melt Festival

20261021
20261108
Lawrence Daws

Lawrence Daws

20261006
20261031