Maluw Adhil Urngu Padanu Mamuy Moesik

Deadline:

28 January
-
April 29
Institute of Modern Art

 

Maluw Adhil Urngu Padanu Mamuy Moesik (Legends from the deep sitting peacefully on the waters)

Selected works from the 23rd Biennale of Sydney: rīvus

The Institute of Modern Art has collaborated with the Biennale of Sydney to commission a new work from the Torres Strait 8, a collective on the frontlines of advocacy for the climate crisis in Zenadh Kes (the Torres Strait Islands and surrounding seas). Led by Yessie Mosby, a Kulkalgal Traditional Owner and member of the group, Torres Strait 8 present a hybrid art-as-protest piece featuring campaign materials created as part of the Our Islands Our Home campaign. Yessie Mosby and the Torres Strait 8’s participation in the Biennale and IMA project will continue to magnify the campaign fighting for justice for the communities of Zenadh Kes in holding the Australian Government accountable on climate change policy.

This commission will form the anchor for a broader curation of select works from the 23rd Biennale of Sydney: rīvus that speak to our enduring connections and responsibilities to the natural world. Through the exhibited work, Maluw Adhil Urngu Padanu Mamuy Moesik (Legends from the deep sitting peacefully on the waters) will explore how these potential relationships might decentre the human, prioritise care for Country, and pursue justice in an epoch of rising temperatures and seas.

This partnership is part of the Casiquiare | Biennale of Sydney new national collaboration project, which involves collaborating with leading cultural institutions across Australia, presenting co-commissioned artworks in the Biennale of Sydney and, separately, in unique curated shows at institutions across Australia.

Exhibition Opening: 27th Jan, 6:00 – 9:00pm

Image: Yessie Mosby, ‘Maluw Adhil Urngu Padanu Mamuy Moesik (Legends from the deep, sitting peacefully upon the waters)’ (detail), 2022; Torres Strait 8, ‘Poster wall’ (detail), 2022. Posters by Mooki Pen, Dylan Mooney, Guy Ritani, BlakSeed, Waniki Maluwapi, and Jaelyn Biumaiwai. Installation view, 23rd Biennale of Sydney: rīvus, 2022, Pier 2/3 Walsh Bay Arts Precinct. Photo: Document Photograph

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

Sally Anderson: Houses and Horses for Dad

Sally Anderson: Houses and Horses for Dad

20261111
20261202
Alexandra Davies & Jana Koelmel: Interior

Alexandra Davies & Jana Koelmel: Interior

20261113
20261120
Pat Hoffie: Artefacts from a bigger picture

Pat Hoffie: Artefacts from a bigger picture

20261103
20261128
Eliza Adam: Holding Force

Eliza Adam: Holding Force

20261031
20261205
Eleanor Louise Butt: Tangled Resonance

Eleanor Louise Butt: Tangled Resonance

20261021
20261110