We’re used to seeing dance on film. But what is lost—and gained—in the translation? And, in a time when film has become the key medium for recording and disseminating dance, how can dance itself—live, momentary, in the flesh, in the round—be sustained?
Choreographer Amy Hollingsworth (Australasian Dance Collective) and dance-film director Ryan Renshaw (Kiosk Films) discuss the pros and cons of dance on film, and the competing virtues of their mediums.
Time: Sat, 1 Feb, 2pm – 3pm AEST
