Robert Andrew: A Connective Reveal – Community

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Metro Arts

A Connective Reveal – Community, is a new work by local artist Robert Andrew. In the work, Andrew explores the interconnections, links and the layering within local communities. This kinetic work comprises an intricate mass of liquid filled conduits that weave through Factory Lane above the heads of viewers. Pumping water, ochre, soil and minerals through at different intervals, the work will continuously change and evolve over the duration of the festival as the water moves back and forth, staining and settling at different points along its journey. A Connective Reveal – Community is a poetic representation of the exquisite complexities and details inherent in the building of community, knowledge and culture.

A descendant of the Yawuru people, Andrew’s work investigates the personal and family histories that have been denied or forgotten. Known for combining programmable machinery with earth pigments, ochres, rocks and soil, Andrew’s practice mines historical, cultural and personal events that have been buried and distanced by the dominant paradigms of western culture. Speaking to the past and yet articulating a contemporary relationship to his Country, Andrew uses technology to make visible the interconnective spiritual, cultural, physical and historical relationships with the land, waters, sky and all living things.

WHERE

Metro Arts @ West Village

KEY CREATIVES

Robert Andrew – Artist

Image courtesy of the artist.

VISITING US

We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility. Click here for more information. 

ROBERT ANDREW

Robert Andrew is an artist of mixed heritage, a descendent of the Yawuru people from the Broome area in the Kimberley, Western Australia, as well as of European and Filipino descent. Robert uses practice-led research to investigate denied and forgotten personal and family histories, utilising open-sourced, programmable technologies and machinery to erode, expose substrates, build stories and create residue. These works manifest as visually scraped back and built up palimpsests that reference technology, natural materials and the ‘artefact’. Fusing the old and the new, Robert uses earth pigments, ochres, rocks and soil to build stories of relationship to land and culture and to mine historical, cultural, political and personal events that have been ignored, buried and distanced by the dominant paradigms of our western culture. Robert holds a Doctorate in Visual Arts from Griffith University. Robert won the 40th Alice Prize in 2018 for his work White Wash Over The Burn (2017) and has exhibited both nationally and internationally.

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