Sarah Daly

Share on facebook
Share on twitter
Share on pinterest

Deadline:

WHEN : 2nd – 14th Aug
WHERE : White Canvas Gallery

My current work looks at iconography and language, in particular Arabian (Moorish), Australian Aboriginal, Pacific, Indian and Asian. Street art and graffiti tags are a new phenomenon on this theme and very interesting to investigate. How do global cultures represent ‘mind’? Is it done through language, landscape, or by some other means? Is my interpretation an emergent part of that mind? Is there a separateness of mind?

Characters that represent language allow further investigation into this theme: in some works I create proto sigils that hint at an underlying meaning implicit in their shapes, but are consciously elusive. They evoke the sense of mind that is realised when looking at a foreign language. In other works I reference Indian Sanskrit and Chinese Cao Calligraphy. In some passages I know the deliberate communicated meaning. Others I don’t. It is the unknown mind that I am interested in here.” Sarah Daly, statement extract, 2012.

Image : ‘In Provence (for Claude)’ 2012, Sarah Daly, oil on linen, 610 x 610mm

Info not available

Related Posts

Bill Platz: New School of the Living and the Dead

Bill Platz: New School of the Living and the Dead

20260314
20260606
Karlina Mitchell: Homeplace

Karlina Mitchell: Homeplace

20260320
20260425
Joachim Froese: Alchemy

Joachim Froese: Alchemy

20260310
20260321
Chris Hagen: Dissembling Assembly

Chris Hagen: Dissembling Assembly

20260312
20260328
Momentum to Moments: In Pursuit of Mastery

Momentum to Moments: In Pursuit of Mastery

20260310
20260321
TALL GRASS

TALL GRASS

20260306
20260322