We Are Electric

Deadline:

14 February
-
June 24
University of Queensland Art Museum


We Are Electric
is an exhibition about energy: its bodily and planetary flows, the politics of its extraction and exchange, and its inextricable connection to human evolution and industrial expansion. From the frequencies that careen between our cells—communicating with our hearts, instructing them to beat—to the electromagnetic fields that encompass the Earth and its rhythms, our bodies resonate with planetary vibrations. We are, quite simply, electric beings.  

However our relationship with energy has come at a cost. We have trespassed deep into the past, burning ancient sunshine—in the form of fossil fuels—to irrevocably alter our future. Anthropogenic climate change and the settler-colonial lineages of extraction have reshaped the planet beyond human timescales. We Are Electric is a call to think (and act) beyond petro-capitalism, in sympathetic resonance and solidarity with planetary and non-human systems. 

In this exhibition, artists centre eco-critical conversations around energy futures and extinction, raising questions around pathways to decarbonisation. Artworks harness renewable energy resources such as solar power, attract electromagnetic forces and ambient currents, and evoke the sacred energy fields of ancestral Country. They register and articulate weather patterns, act as material witness, and channel soundings of the Earth. Calling upon queer manifestos and ancestral knowledges around care for Country through First Nations worldviews, they challenge the narratives of human supremacy to move beyond our current carbon imaginary. 

Opening Event: 24 February

Artists: Will Benedict, Diane Borsato, Eglé Budvytytè, Megan Cope, Michaela Gleave, Jack Green, Haines and Hinterding, The Institute of Queer Ecology, Mavis Ngallametta, Dane Mitchell, Elise Rasmussen, Cameron Robbins, Yasmin Smith, George Tjungurrayi, Girringun Art Centre: Daniel Beeron (Galaman), Davina Harries, Judith Henry, Clarence Kinjun, Doris Kinjun, Debra Murray, and Eileen Tep

Curator: Anna Briers 

Image: Haines and Hinterding, “Encounter with the Halo Field”, 2009-2015. Single-channel video, colour, sound, 3 min 38 sec. Courtesy of the artist.

 

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

Creating Impact for First Nations Communities

Creating Impact for First Nations Communities

20261008
Brisbane Portrait Prize 2026

Brisbane Portrait Prize 2026

20260919
20261108
Boneta-Marie Mabo: In Blak and White

Boneta-Marie Mabo: In Blak and White

20261009
Mitch Cairns: Artist’s Mouth

Mitch Cairns: Artist’s Mouth

20261010
20261220
Making Of: Richard Bell

Making Of: Richard Bell

20261015
Baylee Griffin: The Space Here

Baylee Griffin: The Space Here

20260911
20261017
Daniel McKewen: Kairos

Daniel McKewen: Kairos

20260912
20261010
Pat Hoffie: Party Gone Bad

Pat Hoffie: Party Gone Bad

20260901
20261010