2018 Mayne Centre Lecture: Amelia Jones

Deadline:

UQ Art Museum

‘In Between Subjects: A Critical Genealogy of Queer Performance’ by Professor Amelia Jones.
Feminist curator, theorist and historian of art and performance

‘In Between Subjects’ performs a critical genealogy of how “queer” and “performance” have interrelated since the 1950s in art discourse and practice in US and other Anglophone cultures. The paper (and the forthcoming book project which it summarises) argues that an understanding of the historical moments when the two terms and related concepts such as “performativity”, “theatricality”, and “camp” come together is vital to grasping the meanings of contemporary performance art as well as broader cultural concepts of performative or genderfluid subjectivity.

Amelia Jones is the Robert A. Day Professor at the Roski School of Art and Design at University of Southern California. A feminist curator and a theorist and historian of art and performance, her recent publications include ‘Seeing Differently: A History and Theory of Identification and the Visual Arts’ (2012), ‘Perform Repeat Record: Live Art in History’ (2012), co-edited with Adrian Heathfield, the edited volume ‘Sexuality’ (2014), and, co-edited with ‘Erin Silver, Otherwise: Imagining Queer Feminist Art Histories’ (2016). ‘Her exhibition Material Traces: Time and the Gesture in Contemporary Art’ took place in 2013 in Montreal and she programmed the events Trans-Montréal (2015) in that city, followed by a related publication “On Trans/Performance”, a special issue of ‘Performance Research’ (2016). Her ‘Live Artists Live’ performance and conference program took place at USC in 2016. Jones is currently working on a retrospective of the work of Ron Athey and a book tentatively entitled ‘In Between Subjects: A Critical Genealogy of Queer Performance’.

Free. Places limited. RSVP is essential
The lecture is followed by refreshments

The Mayne Centre Lecture is generously supported by Philip Bacon Galleries

Image: Rocio Bolivar, with Thibault Delferière, ‘The Sea Anemone and the Hermit Crab’, February 14, 2015, Human Resources, Los Angeles.

Info not available

Info not available

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

Phoebe Fleming: Pulling at the Form World

Phoebe Fleming: Pulling at the Form World

20261029
20261031
Jamie North: Edge Condition

Jamie North: Edge Condition

20261022
20261212
Gulbuuygu: Hope Vale × QUT Fashion

Gulbuuygu: Hope Vale × QUT Fashion

20260814
20261025
Bruce Reynolds: The White Portal

Bruce Reynolds: The White Portal

20261031
20270116
Khadim Ali: Unsafe Haven

Khadim Ali: Unsafe Haven

20261024
20261114
Urbania #3: Hollie Cassidy, Jordache Gage, Padoke & Rhys Viorr

Urbania #3: Hollie Cassidy, Jordache Gage, Padoke & Rhys Viorr

20261020
20261107
In Residence: A Decade of Creative Practice

In Residence: A Decade of Creative Practice

20261017
20270314
The Tucker Portraits: Albert Tucker’s Photographic Archive

The Tucker Portraits: Albert Tucker’s Photographic Archive

20261024
20270227