Assembly Now is a newly commissioned participatory installation, set to inaugurate Metro Arts’ Main Gallery at West Village, and transform it into a light and sound reactive environment.
Developed as a collaboration between Sally Golding and electronic musician and creative technologist Spatial, Assembly Now uses the interface of the mirror to elaborate the psychology and technology of emergent algorithmic software, which functions as a contemporary screen filtering our emotions.
Visitors will be immersed in a work that plays with perception, interactivity, and unexpected encounters, including the viewer’s own reflection captured and integrated within the artwork.
We live in an age of ubiquitous photography– selfie culture, and surveillance capitalism– facial recognition and eye tracking. Emotion analytics software used in neuro-marketing and image recognition is a blend of psychology and technology– capturing data on expression, to assume correlations in mood determined by machine learning.
Cultural references, including folklore and science fiction, provide a lens through which to view the impact of technical ingenuity such as dispersed screens and interactivity, which were first developed in early cinematic prototypes and are now manifested in networked culture. Emergent algorithmic software is the screen through which we filter our emotions and the narrative this creates is a mirror to understanding ourselves.
DATES
3 – 27 September 2020
10am – 4pm Monday,
10am – 7pm Tuesday – Sunday
10am – 11pm, 18 September 2020
WHERE
Gallery One,
Metro Arts @ West Village
KEY CREATIVES
Sally Golding – Artist
Spatial – Collaborating Artist
VISITING US
We take the safety of our patrons, staff and artists seriously. Metro Arts is operating in line with current Queensland Government guidelines and the Stage QLD COVIDSafe Industry Plan. If you are unwell, please refrain from attending events at Metro Arts. Maintaining physical distancing requirements is expected and is the individuals responsibility.
SALLY GOLDING
Sally Golding is an artist from Meanjin/Brisbane whose work considers participation and liveness in audiovisual art as a mechanism for shared experiences and dialogues within technological contexts. Golding’s participatory installations are audiovisual compositions which spatialise the viewer’s presence via reflection and image caption, questioning states of perception across new models of contemporary portraiture. Golding’s live audiovisual performances are edgy and intense– unravelling in the style of a ‘happening’ to incorporate aspects of the performance space. Performances and exhibitions have included: Tate Britain, Serralves Museum (PT), Digital Culture Centre (MX), Whitstable Biennale (UK), CAM2 (ES), Sound of Stockholm, Abandon Normal Devices (UK), San Francisco Cinematheque, Melbourne International Film Festival, Australian Centre for the Moving Image; Institute of Modern Art (AU), Contemporary Art Tasmania, South London Gallery and Tromsø Center for Contemporary Art (NO). Golding received the Oram Award 2017 (New BBC Radiophonic Workshop/PRS for Music Foundation) for women innovating in sound and creative technologies, and was selected for the prestigious SHAPE Platform 2019 for innovative music and audiovisual art in Europe.
SPATIAL
Spatial (Matt Spendlove) is an electronic musician, audiovisual artist, creative technologist and curator from London whose work pushes the dynamics of sound system culture incorporating low frequency vibration, hacked code, and optisonic experiments. Spatial combines a preoccupation with emergent behaviour, rule based repetition and chaotic systems with an ability to shape dubbed out, cracked and reductive sonics into audible geometric form.