The Book Plate Art Project is a participatory art project which is designed to strengthen connections between artists, public libraries and the community. Registration is now open for volunteer artists to take part. Artists can share their mini-artwork inside library books for readers to find and keep in June 2025 by registering. It’s free to take part. […]
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This April in galleries 1 and 2, we are presenting In ether, an exhibition of new paintings, drawings and objects by Rosslynd Piggott. In the words of the artist, this latest body of work explores themes of ‘grief, terror, and hope, the present fractured nature of the world, but also its potential for elevated connection.’ Many
Rosslynd Piggott: In ether Read More »
Wentworth Galleries is proud to present the evocative work of Reece George, whose art practice brings Martu cultural narratives to life through a masterful fusion of tradition and contemporary technique. His work celebrates connection and identity, with a profound sense of place, offering a unique perspective on Martu culture. Reece’s paintings are marked by rich
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Moreton Bay resident Joe Furlonger is one of Australia’s most respected landscape painters. His gestural method invokes the vibrance of Kabi Kabi and Quandamooka Country. Roadside sketching sessions flanked by cows are often where Furlonger’s work takes shape. Immerse yourself in the local environment for a morning of guided sketching and natural observation. We’ll start
Outdoor Sketching Workshop Read More »
The Artist as Fundraiser is a free 3-hour fundraising workshop that is ideal for artists, producers and collectives looking to boost their knowledge, skills and confidence to strategically build supporter relationships and grow income from donations. This workshop will cover: Planning your fundraising campaign (individual donations) Building your case for support Mapping your network and
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ArtSpace Teneriffe is pleased to present Pamela Wardell’s latest exhibition, Still, a collection of still-life paintings. Image: Egg shell blue (jug, 4 bottles, 1 bowl) 2023, oil on marine ply, 32.5 x 32.5 cm
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A.J. Taylor’s latest body of work, On Surface, continues his exploration of the Queensland landscape. His paintings capture scenes from locations close to his home in the Sunshine Coast hinterland, such as Stony Creek and Mooloolah River National Park, as well as more distant sites, including Carnarvon Gorge, Lamington National Park, and the Bunya Mountains.
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In richly layered prints, Jo Lankester evokes the texture of Queensland’s north. A recent move onto the foreshore of Townsville’s North Ward, an established beachside suburb which overlooks the sea toward Magnetic Island, has ushered birds into the foreground of her imagery, along with the trees, undergrowth and lichens that attract them. Behind the abstracted
Topographia: harmonies of place Read More »
The National Wool Museum and the City of Greater Geelong announce the opening of the We the Makers Sustainable Fashion Prize, a biennial competition celebrating dynamic and diverse ethical fashion design. Emerging designers from around the world are invited to submit one ensemble that showcases their commitment to sustainable fashion practices. Aligned with Geelong’s recognition as
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Recently completed paintings by Riley P completed during the time period of 2024 to 2025. Image: Doughnuts on a Rainy Night, Medium: Acrylic on board, 50cm by 40cm
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Printmaking is often thought of as a process of multiplication, yet within each edition lies something singular—a mark of artistic exploration, a moment of innovation, a lasting impression. Enduring Proof brings together a selection of printmaking works on paper created over the past 30 years, revisiting the ways artists have engaged with the medium as a
Enduring Proof: 30 Years of Contemporary Printmaking in Focus Read More »
One porcelain pinch-pot. One bird painting. Every day, for a year. In 2024, I embarked on a daily practice—part deep dive into artistic process, part meditation, part activism—that led to a flock of 365 Australian birds. I chose a simple yet profound form: the humble pinch-pot, an ancient ceramic practice that intimately connects the maker
Ingrid Burkett: Feathers and Fingerprints Read More »
How many summers do we get? how many cats eyes will pierce our feet,? How many freckles will I have? how many wild yellow flowers will sweep and carpet the salt kissed grassy hills? The southerly winds will come regardless, rattling across the sea to cool and settle our worried little hearts, and just like
James Drinkwater: Kick hard off the ocean floor Read More »
Call for Expressions of Interest: Public Art on the Brisbane Valley Rail Trail Somerset Regional Council is inviting Expressions of Interest (EOIs) from artists in Somerset and South East Queensland (SEQ) to create public artworks for the Brisbane Valley Rail Trail. This opportunity is part of the council’s application for The SEQ City Deal Public
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Museum of Brisbane’s major new exhibition, Precious, brings together over 3,000 extraordinary objects from 30 remarkable collections and collectors. For the first time, these treasured items—often hidden away in suburban homes and institutions—are on public display, offering a rare glimpse into Brisbane’s diverse collecting culture. From Queensland Rugby League memorabilia and international dolls to wind-up
I am old. My Mum and Dad are older. I am thinking about all the different kinds of spaces negotiated in a span of life and living. I like the way the fragility of paper, the transformation of recycled materials into new forms and the slightly ramshackle construction of these objects reflect on the construction
Hollie: Some of those Spaces Tween Life and Death Read More »
Snowy River Toy Inc. is pleased to present its newest line of toy collectables in celebration of Australia’s rich cultural diversity! Fair Dinkies is a series of collectable Koalas ironically tasked with representing the vast cultural diversity within Australia. Simmering beneath the façade of playful innocence, along with promises of equality, safety, and prosperity, is
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A Celebration of Contemporary Australian Ceramics Ceramic Arts Queensland (CAQ) is delighted to announce the winners of the Siliceous Award for Ceramic Excellence and the Gwyn Hanssen Pigott Wood Fired Ceramics Award. The 2025 Siliceous Award for Ceramic Excellence has been awarded to Tamasin Pepper for the work ‘Wrapped Rust and Flight’. Highly commended awards, supported by The Australian Ceramics Association, were
Siliceous Award Winner Announced Read More »
Danie Mellor’s multidisciplinary art practice explores Australia’s shared history through the lens of his Ngadjon-jii, Mamu and Anglo-Celtic ancestry and ongoing connection to Country in the Atherton Tablelands and rainforests of far north Queensland. ‘marru | the unseen visible’ brings together works examining memory and remembrance; the relationship between First Nations people, culture and Country;
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Jan Murphy Gallery presents a compelling group exhibition featuring a diverse selection of artists whose practices span painting, sculpture, ceramics, and photography. Each artist brings a distinct perspective, engaging with themes of culture, identity, memory, and materiality. ZAACHARIAHA FIELDING Born in Port Augusta (1991),Zaachariaha Fielding comes from a strong family lineage of artists and
The Ancient PRESENT brings together two remarkable Aboriginal artists, Tommy Yannimar Pikarli Watson (c1935-2017) and Joanne Currie Nalingu (b 1964), whose works highlight their unique journeys and shared connection to Aboriginal art. Watson, a senior elder from the desert heartlands of Central Australia, and Nalingu, who grew up beside the Maranoa River in South West
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Mitchell Fine Art presents Monochrome, an exhibition showcasing a striking collection of Aboriginal and contemporary artworks that forgo colour in favour of a bold black and white narrative. Monochrome explores the interplay of contrast and harmony within these two shades, highlighting the depth and diversity of artistic expression. Each piece speaks through the universal language
recompose 2021 – onwards, is a tarot reading led by artist Caitlin Franzmann. By engaging with a deck of hand drawn divination cards, audiences are invited to attune to the understory of a forest, its leaf litter, humus, microbes, and symbiotic entanglements as analogies for personal and collective guidance. Learning from decay and regeneration, Franzmann draws our
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Volatile Terrain is an exhibition that explores the intersections and divergences of geography and geology, with consideration to a world in constant flux. The exhibition provides an opportunity to examine how humanity lives on Earth, as well as interacts, destructs and rehabilitates it. Featuring work by Bonita Ely, Cassandra Hodgins, Dylan Sarra, Jim Filmer, Judy Watson,
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Rachel North is an Ipswich based artist and educator, working across textiles and ceramics. Growing up and living in predominantly rural and regional areas, her connection to landscape is an inherent component of her artwork. This exhibition continues the artist’s exploration of connections between the landscape and memory and how the colours and textures of
Rachel North: Anthology of memory Read More »
Are you a seasoned photographer or a casual snap-shooter? Everyone has a unique creative vision, and the BBA One Shot Award 2025 is your chance to showcase yours. Open to anyone 18+ Submit one image per entry – any theme, medium, or subject is welcome Accepting lens-based, mobile, AI-generated, film, digital, and analogue photography Prizes:
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Known for their distinctive mark-making and textile backgrounds, contemporary artists Kitty Horton & Claudia Mazzotta have teamed up to lead this exploratory and engaging workshop, offering insight into their creative processes while guiding you in making your own stitched multimedia artwork. This hands-on session will introduce a range of experimental techniques, paired with complementary mark-making
Mark Making with Textiles Read More »
15 Artists is an annual acquisitive prize developed to enhance City of Moreton Bay’s Art Collection and exhibition program. Each year, Council invites 15 artists to take part in the exhibition. The winning artist is awarded $20,000 and their work is acquired into the City of Moreton Bay’s Art Collection. The exhibition highlights recent works by
The 17th edition of the Prisma Art Prize is now accepting entries. As an international platform, we aim to showcase a diverse and inclusive array of paintings, drawings, and engravings, reflecting the myriad possibilities of these mediums. Our goal is to act as a prism that reveals the spectrum of artistic expression. Annual Competitions and Awards: Cash
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Applications to exhibit at QCAD Galleries are now open. You can apply to exhibit from July 2025 – March 2026 across our three South Bank spaces. We accept proposals from QCAD students, staff, and external applicants. Please take the time to read through the information listed on the QCAD Galleries website, including the Terms and
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Don’t get too comfortable escapes into a realm of imagination. There are recurring motifs: volcanoes, tents, rodeo bulls, zoos, wild animals, nature – cultured and wild, the topsy-turvy space of the picture plane. Despite its clear escapism, this imagery presents as metaphor, and speaks to experiences we all face in our lives and relationships. Matthew and
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Experience an extraordinary year of art at the Queensland Art Gallery | Gallery of Modern Art (QAGOMA). The 2025 program presents major solo exhibitions, immersive experiences, and powerful contemporary works, including: Archie Moore: kith and kin (27 Sept 2025 – 18 Oct 2026) – The acclaimed Venice Biennale project exploring First Nations Australian histories and
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Emerging from the depths of nature, Tamara Dean’s practice examines the human condition. Leave only footprints is the first survey of the critically acclaimed photomedia artist and traverses more than 20 years of her photographic practice. This immersive exhibition incorporates scent, photography, installation and the moving image to create an environment that engages the senses. Dean’s
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Edwina McLennan’s work is positioned at the intersection of textiles, painting, consumerism, and digital culture. Originally trained in fashion design at the Royal Academy of Antwerp, McLennan deconstructs imagery of mass consumption, sourced largely from fashion magazines. Employing a combination of handmade, mechanical, and digital processes, her works take the form of reconstructed Surrealist landscapes,
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Yianni Maggacis creates a visual conflict between the familiar and the strange through his representation of the strangely familiar liminal space- that which we know and are comfortable with and that which is foreign and unfamiliar. This conflict causes the work to take on new contours, allowing the viewer to actively participate in a construction
The 2025 Milburn Art Prize for Landscape reflects the evolving nature and aims of BIA to honour Paul Milburn, a much loved and respected tutor who began teaching in 1989 at BIA until his death in 2011. With this in mind we offer a prize of $10,000, along with approximately 5 highly commended awards of
The 2025 Milburn Art Prize Read More »