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Hanga: Modern Japanese prints

This exhibition showcases over sixty works from the Gallery’s collection of Japanese prints created after 1950. It highlights the ongoing importance of the printmaking tradition in Japan, where artists continue to draw from centuries-old techniques and imagery, while innovating and experimenting with new forms and technologies. ‘Hanga: Modern Japanese prints’ features works by some of […]

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Forbidden Hollywood: The Wild Days of pre-Code Cinema

    Audiences will have the opportunity to explore the risqué world of film from the early 1930s when ‘Forbidden Hollywood: The Wild Days of pre-Code Cinema’ opens this evening at the Gallery of Modern Art’s Australian Cinémathèque. The free, curated film program celebrates a unique period of creative freedom in North American movie production and features

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23 Degrees

Visual chemistry arises through encounters, interactions and collaborations between 15 artists from varying communities and cultures. Featured Artists : Leecee Carmichael, David Creed, Kazumi Daido, Katina Davidson, Chris Dolman, Lobsang Konchok, Jonathan McBurnie, Robert Mercer, Roland Nancarrow, David Nixon, Stephen Nothling, Warren Palmer, Eric Rossi, David Spooner and Samual Tupou.

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CTRL+SHIFT+SPACE

‘CTRL + SHIFT + SPACE’ is the outcome of a recent collaborative curatorial project facilitated by Inhouse ARI. Three local writers were invited to generate a shared critical discussion surrounding relevant issues present within local artistic and cultural life. From this dialogue, each writer was asked to curate two artists that reflected the overarching conversation.

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Assembling Worlds II

“The collagist must pre-empt the reception of visual information, manipulate the associations each element brings and orchestrate their interaction with one another and the viewer.” O’Reilly, S (2008, p.19) 1Assembling Worlds II presents a selection of predominantly new work by Brisbane based artists, Rachael Bartram and Warren Handley. Rachael and Warren met at the Queensland

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Luke Barker: Street Front’s and Back Alley’s, Brisbane to Melbourne

REDSEA Gallery is pleased to present a new exhibition by Brisbane artist, Luke Barker. Focusing on people in high density urban settings, Luke’s work captures the behaviour,  diversity and spirit of society, and the city environment we have created and  simultaneously adapted to, by living in such a high concentration of numbers. The city environment itself,

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Jarrod Van Der Ryken

Jarrod Van Der Ryken is a Brisbane-based visual artist whose practice is concerned with ideas of unspoken experience. His work attempts to draw relations to wider phenomenologies of thought and language including the difficulties of translating existential experience coherently into language. This occurs in the abstraction of texts, forming works of incomprehensible writing, and also

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OK YEAH COOL GREAT

Kate Beckingham and Anna McMahon met in 2010 during their honours year at Sydney College of the Arts. Drawn together by their love of clean lines and simple aesthetics, Beckingham and McMahon formed OK YEAH COOL GREAT. Collectively they are interested in making art grounded in a common aesthetic understanding rather than a shared conceptualism.

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IN(TWO)ART

The exhibition features an impressive convergence of recent works from significant Australian artists. Twenty five pairs of artist couples have been selected for the exhibition, including internationally recognised local artists James and  Eleanor Avery. The exhibition also includes work by couples Clare Healy and Sean Cordeiro; Rick Amor and Meg Williams; Helen Eagar and Christopher

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String Theory: Focus on Contemporary Australian art

string theory: Focus on contemporary Australian art, is a touring exhibition from the Museum of Contemporary Art Australia, which explores innovative approaches to fibre and art in a contemporary context.  The exhibition brings together Aboriginal artists who work with expanded notions of textile and craft-based tradition, and will present a range of artworks from sculpture

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Monochrome

Muk Muk Fine Art presents ‘Monochrome’, a visually striking display of dramatic black and white Aboriginal artworks from Central Australia. Exhibiting in ‘La Galerie’ within the Sofitel Brisbane Central in Turbot St, the timeless theme of limited palates of shades of black and white creates a sophisticated and elegant look. Artworks on display include a

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Compulsion Loop

Continuing the weekender series is Compulsion Loop, featuring new installation based works by artists Chris Bennie, Marnie Edmiston and Madeleine Stack, curated by Sarah Barron. The term, ‘compulsion loop’ is a recently coined word by the gaming industry to describe the intentionally addictive and repetitive model of pursuing goals for rewards. The pursuit for pleasure and

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The IMA Re-Launch

The Institute of Modern Art (IMA) and its recently appointed Directors, Aileen Burns and Johan Lundh, are delighted to announce the re-launch of its venue on Saturday, 11 October, at 5pm. We will reopen with updated premises designed by Studio Miessen, a Berlin-based collaborative agency for spatial strategy and cultural analysis, which will include a new branch of Motto, a worldwide network of stores dedicated

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BARI Festival

Brisbane Artist Run Initiatives (BARI) Festival is about exchanging ideas, exploring arts practice and highlighting Brisbane’s creative spaces. BARI Festival 2014 celebrates Brisbane based Artist Run Initiatives (ARIs), artist collectives practicing and exhibiting beyond commercial gallery spaces. Over two weekends the BARI Festival will showcase ARIs in locations around Brisbane with exhibition opening nights, live art events, artist talks

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THE DAPHNE MAYO LECTURE 2014 – Cinema After Film: A Poetics of Obsolescence?

This lecture examines the increasingly strategic role played by art spaces in the preservation and promotion of a certain idea of ‘cinema’. Museums and galleries have to stake their claim to be the guardians of cinema as cultural memory and the patrons of moving image installations in the face of the easy accessibility of the

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Screen Daze

Poly Gone Cowboy invites you, this Friday evening,  to the opening of ‘Screen Daze‘, a group exhibition of new screenprints by local Brisbane and interstate artists: Clinton Barker / Benn Driscoll / Robert Chalender / Charles Street / Samuel Tupou / Mini Graff / Franck Gohier / Chayni Henry / Joanna Kambourian / Darren Bryant.

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Rob Andrews: Residual Risk

Within this exhibition Robert Andrew investigates the combination of contrasting natural and technology-based materials, to highlight the contradictions that exist within the duality of his combined background. The repurposing and merging of these disparate elements give the opportunity to talk about the conflict, as well as the strengths that have surfaced within moments of chance

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Out. Back.

An exhibition of images from the 2014 Vast Arts Photography Competition. With a new name and renewed focus on regional photographers, the annual Vast Arts Photography Competition and Exhibition aims to develop and enhance the skills and opportunities available to western Queensland photographers and showcase their images and talents to a wide audience across Queensland.

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John Aslanidis

Inviting us to intertwine our rational side with our intuition, John Aslanidis’ elegant chromatic paintings offer a vision firmly grounded in knowledge of physics, mathematics and music theory. His colour and line create a poetics of the interval – the space between – and blur the normative boundaries between what we see, hear, feel and

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Julie Dowling: Wiru Bandyi – Spirit Possessions

Julie Dowling was born in Subiaco, Western Australia. Working in a social realist style, Dowling draws on diverse art traditions including European portraiture and Christian icons, Mexican mural painting, Papunya Tula dotting and Noongar iconography. Dowling works like an ethnographer, recording the deep-seated injustices in the Indigenous community. Her pictorial works have a strong political

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PHILIP HUNTER

Landscape painting has a long and illustrious history in Australian art, however few artists have tackled the subject in such a way that the use of landscape represents a creative leap forward. This can be said for Sir Russell Drysdale and Sir Sidney Nolan in the 40s and 50s, John Olsen and Fred Williams in

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David Band: Milestones

“I have known Band’s art since his first exhibition in Australia in 1987 and I have always been moved by it. Band has a profound talent to create beauty, to make beautiful art. Band has a serious relationship with colour, shape, line and texture and the expression of these elements is as essential to him

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Lethbridge 10000 Finalists

Lethbridge 10000 Finalists exhibition features a collection of the artists to watch that have been sourced from our annual art award, the Lethbridge 10000 Art Award. The Artists are: Selene Cochrane Julie Cane Martin Tighe Michelle Caitens Anne-Marie Zanetti Lisa Christensen These six artists each demonstrate exceptional skill with their paint medium and showcase the talent

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Andy Harwood: Emerald

‘Emerald’, a solo exhibition of new works by Brisbane based artist, Andy Harwood. Harwood has retreated into a mathematical labyrinth of warped geometry, grasping influence from colour presently consuming him, ‘EMERALD’. Modernism was a dirty word through the nineties and well into the two-thousands, however in that always-cyclic way it has returned and brought to attention

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Alexander Jackson Wyatt: Observe: + Alrey Batol, Rachael Archibald, & Kiah Reading

 A-CH Gallery presents ‘Observe’ as part of Dispatch, a window space exchange program. The exhibition will feature an installation by Alexander Jackson Wyatt as per an exchange with SLOT Gallery, Sydney. A-CH Gallery’s curator Kate Mackenzie has used Jackson Wyatt’s work as a starting point for the exhibition, inviting Brisbane artists Alrey Batol, Rachael Archibald,

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