Beth Mitchell: No Land In Sight

26 August

September 20, 2022

Lethbridge Gallery

There are new elements in this collection of works. It encapsulates raw, explorative self portraiture, which was a new avenue for Mitchell in the last 12 months due to COVID. It draws on both traditional digital photographic techniques as well as more complex digital techniques. It explores a myriad of emotion, from the searching for inner peace, through to the turbulent state of mind. There are also digital collage “still life” works which speak to an impeding environmental decline society is facing.

“My work utilises water to explore contemporary feminine stories. Screaming in a crosscurrent, there’s a deep yearning to contribute constructively to the future for women and our planet. Equally, I long to escape the noise of our hostile social, political & environmental landscape to find peace. Both drive me to create.”

Image: Eye of The Storm, 100 x 100cm | Photographic print on metallic pearl paper

Related Posts

Living Patterns: Contemporary Australian Abstraction

Living Patterns: Contemporary Australian Abstraction

20230923
20240211
Brisbane Portrait Prize 2023

Brisbane Portrait Prize 2023

20230928
20231029
Bianca Tainsh: Intimate Organisms

Bianca Tainsh: Intimate Organisms

20231007
20231028
Sam Cranstoun: You Are Neither Here Nor There

Sam Cranstoun: You Are Neither Here Nor There

20230826
20231028
Peter Boggs

Peter Boggs

20230912
20231007
Yanni Van Zijl: ONE.5C

Yanni Van Zijl: ONE.5C

20230909
20231107
Miles Hall: DISSEVER

Miles Hall: DISSEVER

20230913
20231013
Kahli Perkins: The event of a thread

Kahli Perkins: The event of a thread

20230909
20230930
Amber Wallis: Hidden mothers and ghost flowers

Amber Wallis: Hidden mothers and ghost flowers

20230919
20231007
Bruce Reynolds: How Soon Is Now?

Bruce Reynolds: How Soon Is Now?

20230812
20231029
Daniel Boyd: Rainbow Serpent (Version)

Daniel Boyd: Rainbow Serpent (Version)

20230909
20231216