A powerful celebration of the late Billy Missi (1970–2012), Billy Missi’n Wakain Thamai brings together 26 of the acclaimed Torres Strait Islander artist’s most significant works, including rare and never-before-exhibited monoprints, etchings, and linoprints from Djumbunji Fine Art Press and private collections.
Curated by Dr Russell Milledge in close collaboration with the Billy Missi Estate, family, and friends, this bilingual exhibition highlights Missi’s enduring legacy and his pivotal role in the emergence of Zenadth Kes (Torres Strait) printmaking as a major contemporary art movement.
Born on Mabuiag Island, Missi’s art is deeply grounded in the storytelling, song, and dance traditions of his Wagadagam Tribe. Beginning in the 1990s, his practice fused traditional carving techniques with contemporary printmaking, creating bold, intricate linocuts that earned him international acclaim before his passing in 2012.
Through its bilingual presentation — in both English and Kala Lagaw Ya, the language of the Western Torres Strait — the exhibition offers audiences a profound, immersive experience of Torres Strait Islander culture. Highlights include bilingual labels, an accompanying audio guide, and a short film that contextualises Missi’s work within his community’s living traditions.
“Billy Missi’n Wakain Thamai offers fascinating and important insights into one of Australia’s most influential Torres Strait Islander artists,” said Vicki McDonald AM, State Librarian and CEO. “Visitors will gain a deep appreciation for Missi’s work, reflecting his way of life, traditions, and enduring legacy.”
Developed by NorthSite Contemporary Arts (Gimuy/Cairns) in partnership with Gab Titui Cultural Centre/Torres Strait Regional Authority (Waiben/Thursday Island) and Museums & Galleries Queensland, this national touring exhibition celebrates First Nations knowledge, language, and cultural resilience.
