Fragments That Hold explores identity as something fluid, shaped by migration, memory, and community. Drawing from the ceramicist’s own experience of moving between cultures, these works emerge from in-between spaces where new forms of belonging take shape.
Clay lies at the centre of this practice. Like the migrant experience, it is soft and transformable, shaped by pressure, and refined through process until it becomes enduring. Through atmospheric firing—communal and unpredictable—each piece carries the marks of shared labour and beautiful imperfection.
These works honour the quiet strength of integration and the fragile connections that bind us. They invite reflection on identity not as something fixed, but as inherited, shared, and continually becoming, exploring how we belong to ourselves, each other, and the places we call home.
