WHEN : 5th June – 13th July
WHERE : Andrew Baker Art Dealer
ÖMIE ARTISTS (Inc.) is a cooperative of Ömie tribeswomen barkcloth painters from Oro Province in Papua New Guinea.
Barkcloth is the traditional textile of the Ömie tribe. Women wear nioge (skirts) while men wear givai (loincloths). Barkcloth serves important purposes in marriage, funerary and initiation ceremonies as well as being an integral part of everyday life. Ömie barkcloths are still worn today by men, women and children during traditional ceremonies which can involve feasting and spectacular performances of singing, dancing and kundu-drumming. Barkcloth is so important to the Ömie that one of the key events in their creation story details how the first woman, Suja, beat the first barkcloth. Nioge have been produced by Ömie women for gallery exhibitions since the cooperative was founded in 2004.
Women prepare the barkcloth by harvesting the inner layer of bark (the phloem) of rainforest trees which they rinse and dry and then fold and pound repetitiously on flat stones until a strong, fibrous sheet of cloth is produced. The cloth is then left to cure in the sun. Red, yellow, green and black natural pigments are created from fruits, ferns, leaves and charcoal. Ancient clan designs are painted in freehand onto the cloth or the cloth is dyed in river mud and the designs are appliquéd. Common painting implements include strong grasses, fashioned wooden sticks and frayed betelnut husks.
Artists inherit clan designs as young women by birthright or marriage from their mothers, grandmothers and mother-in-laws, and in some instances from their fathers and husbands. Most designs are generations old but some elderly artists who have attained a level of mastery, usually Chiefs, are free to paint their uehorëro (wisdom), creating new designs. The Ömie’s female Chief system is primarily based upon a woman’s barkcloth painting talents and the cultural knowledge she attains over a lifetime. All painting designs originate or are derived from traditional Ömie culture and the natural environment, maintaining and communicating artists’ deep connection to their ancestors and country. Ömie territory’s lush rainforests, wild rivers, fauna, elemental phenomena and sacred creation sites such as the volcano Huvaemo and Mount Obo provide a plethora of subjects from which artists continue to draw inspiration for their painting designs. Certain designs serve the important purpose of upholding jagor’e, customary Ömie law, passing on essential knowledge such as taboos and educating the next generation about how to protect and preserve sacred sites.
For more information please visit the Omie Artists website
