An Acquisitive Instinct

Deadline:

23 November
-
January 28
The University of the Sunshine Coast Art Gallery

The story of Arija and Richard (‘Dick’) Austin’s personal art collection cannot be separated from their life story. Arija and Richard led lives marked by extraordinary experiences including travel and work opportunities that at times sound like myth or legend. They also faced significant challenges: Arija immigrated to Australia from Lithuania due to conflicts of war, and Australian born Richard was a prisoner of war during World War II. The Austins’ motivations in collecting were in part driven by these individual and shared personal histories as well as by a deep and abiding love for art, culture and aesthetics.

In 2015, Arija bequeathed just over 200 artworks and objects from their collection to the University of the Sunshine Coast Art Collection as well as part proceeds of the sale of the estate for a major capital works project to redevelop the University of the Sunshine Coast Art Gallery, completed in 2020.

An Acquisitive Instinct: The Arija and Richard Austin Collection includes artworks and objects from the Austin collection to express the story of two people, each with a discrete yet complementary collecting instinct; Richard’s focus on traditional artworks and artefacts from across Asia, and Arija’s passion for design, animals, and contemporary and naïve art from Europe and Australia form the basis of their collection.

The works in the Austin collection held by UniSC predominantly originate from Asia, the Pacific and Australia, with a small number of European pieces. An Acquisitive Instinct marks the first public exhibition of many of these pieces. Additional objects from the Austin collection now held with the De Deyne Family are also on display.

Installation view of An Acquisitive Instinct: The Arija and Richard Austin Collection at UniSC Art Gallery. Photo: Carl Warner.

Conversation
11am, Saturday 28 January 2023
With exhibition co-curators Rachel Harris and Megan Williams and objects conservator, Melanie Fihelly.
Book now

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

Bianca Tainsh: Convergent Bodies, First Leap

Bianca Tainsh: Convergent Bodies, First Leap

20260918
20260920
Peter Booth: Paintings

Peter Booth: Paintings

20260912
20261010
Alexandra Matthews: Time Honoured

Alexandra Matthews: Time Honoured

20260828
20260922
Sybil Curtis: Abandoned and Renewed

Sybil Curtis: Abandoned and Renewed

20260902
20260919
FORM: MOVEMENT

FORM: MOVEMENT

20260906
20260920
Essay Club No. 8: Holly Eddington on Six Years

Essay Club No. 8: Holly Eddington on Six Years

20260930
Joanna Logue: I was the River Gum and the Pond Lily

Joanna Logue: I was the River Gum and the Pond Lily

20260909
20260929
Rae Haynes: Ecstatic Threads

Rae Haynes: Ecstatic Threads

20260910
20260919
Idris Murphy: Incantation

Idris Murphy: Incantation

20260908
20261010