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Undergrowth

Undergrowth is an invitational exhibition dedicated to showcasing some of the most innovative and conceptually coherent work being produced by undergraduate students in Contemporary Australian Indigenous Art, Photography and Fine Art. These artists and works have been nominated for invitation by Academic Staff and Program Directors as exemplary of QCA’s high standards of material inquiry

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Clive Murray -White: Smokework

Please join us for the restaging of Clive Murray-White’s ‘Smokework’ (previously titled ‘Smokebomb sculpture’) 1971 on the lawn in front of the Forgan-Smith Tower, adjacent to the UQ Art Museum. ‘Smokework’ was originally presented at The University of Queensland in an event sponsored by the Contemporary Art Society of Queensland. The artwork was an early

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Magic Demonstration: Acid Money, Malin Nilsson

Experience a one-of-a-kind live magic demonstration that conjures up the sleight-of-hand routinely used by actors on the financial market, performed by magician Malin Nilsson. For the past seven years artist duo Goldin+Senneby has worked with Swedish magician Nilsson to produce work that helps us recognise that financial trading is analogous to magic– indeed the mechanisms

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2018 Mayne Centre Lecture: Amelia Jones

‘In Between Subjects: A Critical Genealogy of Queer Performance’ by Professor Amelia Jones. Feminist curator, theorist and historian of art and performance ‘In Between Subjects’ performs a critical genealogy of how “queer” and “performance” have interrelated since the 1950s in art discourse and practice in US and other Anglophone cultures. The paper (and the forthcoming book

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Live Performance: Amalia Pica – please open hurry

See a live performance in the gallery of Amalia Pica‘s work, ‘In alphabetical order (Catalogue of great ape gestures)’ (2018), choreographed with and performed by dancer Michael Smith. In this piece, dancer Michael Smith interprets gestures used by great apes to intentionally communicate to one another. Taking the ‘St Andrews Catalogue of great ape gestures’

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Queensland State Archives Artist in Residence: Matt Mawson

Queensland State Archives welcomes the first ever Artist in Residence, Matt Mawson, on Thursday 1 March 2018. The Queensland cartoonist and illustrator has been invited to create new works in response to the upcoming exhibition surrounding the release of the 1987 Cabinet Minutes, Sunshine Rebooted: the final Bjelke-Petersen Cabinet Minutes. Matt is a Gold Coast

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Absolute Humidity

Absolute Humidity is a volume that aims to re-position conversations about the climate, weather and the environment by placing artist’s voices at the centre of the discussion. The publication focuses on contemporary artists from the Asia-Pacific region, including twenty-eight new conversations and other contributions that form a new constellation of inquiries. Through this project, contributors

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Jan Murphy Gallery Protégé

Protégé represents a fresh initiative, extending representation of young or emerging artists, while maintaining the gallery’s aesthetic, to provide a new level of opportunity for clients. Gallery director Jan Murphy has selected artists on the basis of their achievements and the potential in their developing practices. The gallery will offer work by selected artists through

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STARTS Prize

On behalf of the European Commission, Ars Electronica in collaboration with BOZAR and Waag Society is issuing an open call for entries to a competition that will determine the third recipients of STARTS Prize, prestigious and—with two €20,000 prizes—highly endowed awards. Expressly encouraged are innovative projects at the interface of science, technology and art. Science, Technology and Arts (=STARTS) form a nexus

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Visiting Artist-in-Residence

Applications are currently being invited for Ignite Studio @ NRCG  2018 Artist-in-Residence (AiR) program Ignite Studios @ NRCG is an extension of the Northern Rivers Community Gallery (NRCG), a community-engaged cultural hub in the Northern Rivers region, owned and operated by Ballina Shire Council. The Ignite Studios @ NRCG AiR program provides a single artist time and space to expand on

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World Illustration Awards

Each year, the World Illustration Awards invite entries through an open call. Projects in any media can be entered into eight categories and can be submitted as either Professional entries, or as New Talent for work by students or recent graduates. The Awards receive over 2,000 entries from 60+ countries, showcasing the breadth of illustration being made around

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Eyeline Magazine

Eyeline is a contemporary art magazine which publishes criticism and analysis of contemporary art, craft and related media. It is recognised for the quality of its writing, ideas and visual style, its extensive coverage and wide readership. In a unique content mix, Eyeline brings together exhibition and book reviews, artist interviews and monographs, specialist columns

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FireWorks Gallery Celebrating 25 Years of Exhibitions

Since 1993, FireWorks Gallery has been located in four spaces throughout Brisbane: George Street, CBD 1993-1995; Ann Street, Fortitude Valley 1995-2001; followed by Stratton Street 2002-2007 and later Doggett Street 2007-2018 (both in Newstead). Director Michael Eather comments that “the ongoing curatorial theme underpinning the gallery’s exhibition program and associated projects remains the desire to

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Dana Lawrie: Grasp The Nettle

Utilising handmade dyes and pigments from natural materials, Lawrie’s experimental and naïve works are a dialogue between permanence and impermanence, creating a quiet personal engagement with mortality. Subtleties of flowers and natural imagery, such as scent and symbolism, are harnessed to express the vulnerability of the body to time; represent comforting or familiar greater forces;

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Amalia Pica: Please Open Hurry

Amalia Pica’s two-part exhibition will begin with recently made works that respond to the artist’s 2014 residency at the Gashaka Gumti National Park in the rainforest of Nigeria. Pica’s practice often explores communication, misunderstanding, translation and listening. This trajectory takes on a new subject through her experience observing the lives of chimpanzees in Nigeria. Pica’s fascination

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Mao’s Last Dancer the exhibition: A portrait of Li Cunxin

Discover one man’s incredible journey from poverty to world-famous artist in this exclusive  Museum of Brisbane exhibition. Features never-before-seen interviews, performance footage and personal artefacts in an intimate portrait of a contemporary Australian icon. Born into bitter poverty during the height of Mao’s Communist China, Li Cunxin grew up in a world few of us

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Director’s Choice

Mitchell Fine Art launches its 2018 exhibition calendar with the annual group exhibition ‘Director’s Choice’. Curated from the gallery collection, Director Mike Mitchell has carefully selected artworks from various artists, showcasing some of the galleries finest works. Comprised primarily of artworks by represented artists, the exhibition includes new paintings from two artists recently added to the gallery’s

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Face Off with Julie Fragar

Join us for the second of our Drawing at the Art Museum events. Date: Wednesday 21 February 2018 Time: 6 – 8.30pm Cost: $15.00 per person Location: Griffith University Art Museum Face off against your drawing buddy in this special class facilitated by Dr Julie Fragar—one of Australia’s most respected contemporary artists. Participants will be paired

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Goldin+Senneby: Standard Length of a Miracle

For the past ten years, Goldin+Senneby has used methods and tools inspired by the financial sector to illuminate and subvert our late-capitalist system. The IMA is pleased to present the second iteration of their mutating retrospective, Standard Length of a Miracle, which premiered at Tensta konsthall, Stockholm, last year. Responding to the challenge of mounting a retrospective in Australia

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The Critic as Artist: Mieke Bal

UQ Art Museum is pleased to present two film works, drawn from large-scale multimedia installations, that explore new possibilities in literary and art criticism. Creative, collaborative, and highly experimental, Simon Palfrey’s Demons Land: a poem come true (2016) and Mieke Bal’s Reasonable Doubt (2015) take up the traditional tasks of arts criticism and scholarship – to interpret and evaluate

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Zoe Porter: Penumbra

Onespace is pleased to commence our 2018 Program with Penumbra – an exhibition comprising recent works on paper, artist’s books and photographic documentation of recent live collaborative performances by Zoe Porter. Penumbra brings together a curated selection of works on paper produced over the last twelve to eighteen months. These intriguing works explore various in-between

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