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IMA Talk: Kitty Scott

Join us for an insightful afternoon with internationally renowned curator Kitty Scott, who has been invited to Australia by the IMA, and will be giving a presentation at the gallery. Don’t miss this chance to hear from one of the leading voices in contemporary art! Scott is the Carol and Morton Rapp Curator of Modern […]

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Alone, Together

CLUTCH Collective in collaboration with People’s Pride BNE Presents: ‘Alone, Together’ – facilitated by Courtney Coombs. ‘Alone, Together’ presents the writing practices of Brisbane-based artists Anastasia Booth, Kinly Grey and Kate Woodcroft. Anastasia Booth is a Brisbane based artist that works across sculpture, moving image, photography and poetry. Booth’s practice interrogates the portrayal of femininity in

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Kiah Reading: Be Your Own Boss

Be Your Own Boss! presents an interruption to today’s economic environment (which subjects social behaviour to techno-linguistic governance) and asks the audience to claim their agency and “un-work until you’re fired”. Through digital coding, video, sound and WiFi configurations Kiah will intervene with the technological and immaterial systems found in any modern corporate setting and rewire

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Water Stories

Water Stories, an international exhibition of images from 31-year-old intertnational photographic artist Mustafah Abdulaziz is coming to Brisbane. Water Stories has toured through Stockholm, London, Hong Kong, New York and Vancouver – it’s just been in Sydney and the next stop is South Bank. Mustafah was working for the Wall Street Journal as a photographer when he decided to drop

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The fashioning of identity: bodies, politics and performative strategies

Panel discussion – The fashioning of identity: bodies, politics and performative strategies with Dr Nadia Buick, Luke Roberts, Gerwyn Davies and Chantal Fraser. Christian Thompson’s photography, video and performance works often utilise the armature of his own body, focusing on the exploration of identity, sexuality, gender, race and memory. In his live performances and conceptual portraits he

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Alone, Together

CLUTCH Collective in collaboration with People’s Pride BNE Presents: ‘Alone, Together’  – facilitated by Courtney Coombs. ‘Alone, Together’ presents the writing practices of Brisbane-based artists Anastasia Booth, Kinly Grey and Kate Woodcroft. Anastasia Booth is a Brisbane based artist that works across sculpture, moving image, photography and poetry. Booth’s practice interrogates the portrayal of femininity

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J Valenzuela Didi: Life Below the 27th Parallel

J Valenzuela Didi’s latest exhibition ‘Life Below the 27th Parallel’ is an unconventional exploration of Brisbane’s urban environment.  The works in this collection portray familiar Brisbane landmarks in deserted, unearthly dreamscap­­es. “This town has an enchantingly peculiar atmosphere. If you look closely enough you can sense eternity in its unassuming streets and forgotten buildings.  Where ghostly monoliths silently

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Fran O’Neill: Next Move

Born in Wangaratta, Australia, Fran O’Neill lives and works  between Newcastle, Australia and Brooklyn, New York. O’Neill attended Monash University, Melbourne, Australia, earning a BFA. Her post-graduate work was at the New York Studio School’s Certificate Program, and her MFA was completed at Brooklyn College in 2012. In 2007 she received a Joan Mitchell Foundation

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Jason Benjamin: As you love… I love

Jason Benjamin’s exquisitely rendered oil paintings, with their careful distillation of light and space, invite contemplation and emotional engagement. While his memory and experience of particular locations may ignite each new body of work, Benjamin’s paintings are rarely literal or precise. Elusive and prophetic titles invite a narrative and an attachment between viewer and painting,

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2017 Daphne Mayo Lecture

‘Arms on the Brain’: Virtual Reality and a New Era of Storytelling and Immersion Angela Ndalianis Professor in Media + Entertainment, Department of Media and Communication Swinburne University of Technology “Entertainment media have always engaged audiences – in varying degrees – through combinations of storytelling practices, emotional and sensory experiences, cognitive processes and bodily impact.

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Talisman 

Humans have spent thousands of years crafting and creating objects. From sharpened rocks to roman antiquities, our history and identity as people has been mapped through the objects we make. How do we define the value of an object? By its material? Function? Historical significance? Monetary value? Five artists explore the material and making of

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IMA First Thursdays X MONO: Tetsuya Umeda & Ross Manning

Based in Osaka, Japan, Tetsuya Umeda’s work focuses on the creation of profoundly dynamic environments, through the combination of architectural structures, sound and light, and considers their impacts on human behaviour. This event takes place against a backdrop of Ross Manning’s largest sound sculpture to date in his exhibition Dissonant Rhythms, where both artists will perform their own custom instruments. This

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Kelly Hussey-Smith: apart & a part

apart & a part is the result of a long-term dialogue with individuals who spent time in institutional and out-of-home care in Australia in the twentieth century. The resulting artworks create an ‘expanded archive’ of visual responses and narrative fragments that address the felt experiences often absent from institutional records and historical accounts. Drawing on the notion of trauma as

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Public Forum: Ecstasy: Art, Literature, Religion, History

Public Forum: Ecstasy: Art, Literature, Religion, History 8:30 am – 1:00 pm Saturday 16 September 2017 UQ Art Museum 8:30 am – 9:00 am Registration and coffee 9:00 am – 11:00 am Session One Andrea Bubenik The University of Queensland ‘Curator’s talk: Ecstasy: Baroque and Beyond’ In this opening presentation, exhibition curator Dr Andrea Bubenik will share some

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Benjamin Crowley: Other People

Other People is a 30 minute single channel video by Benjamin Crowley consisting of appropriated footage from predominantly western horror and thriller movies. In collaging the footage, the artist followed a strict material approach, resulting in a work which undermines the potential for a semiotic approach to narrative. With no meaningful linear narrative the video

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An Intimate Distance

Launching September 16, An Intimate Distance is an online group exhibition displayed on the SGAR website. It will feature new works from four emerging local artists: Holly Anderson, Jessie Lee Nash, Kristian Fracchia, and Bennett Gordon, all working in the area of figurative painting. The paintings in the exhibition centre on a recurring dichotomy of distance

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Carolyn Craig: Mechanisms for Leaning

Carolyn Craig’s work reflects her research within the coded construction of subjectivity and relates this to ideas of the performance of self and the sustenance of gendered typologies. These investigations focus on inscriptive performance as an active form of power and social control. Craig deconstructs particular gestural actions which she has identified as demonstrating specific power

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From a Northern Canopy

‘From a Northern Canopy’, showcases work by artists Daniel O’Shane (Kuku Yalanji, Miriam Mer, and Kulkagal) and Michael Boiyool Anning (Yidinji). This exhibition represents an exciting point of alignment between two artists at different ends of the professional career spectrum, one emerging and one established. Anning’s boldly patterned rainforest timber shields and fire-makers and O’Shane’s

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‘PMARA NURNAKANHA PARTA-KURTA’ Our Place With Hills

Iltja Ntjarra (Many Hands) Art Centre present a selection of watercolours and prints by descendants and kin relatives of Albert Namatjira. To coincide with the Queensland premiere of Namatjira Project (a documentary created by Big hART with the Namatjira family), renowned members of the Hermannsburg School of Art, Lenie Namatjira and Gloria Pannka are in Brisbane as

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Presentism

Presentism looks back at ten years of Boxcopy’s history, through the lens of current practices of Brisbane-based artists who have participated in the program over that time. The title of the exhibition describes a tendency to interpret past events in terms of modern values and concepts. While often used negatively to critique particular accounts of history,

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Aaron Butt: Missed Encounter II

Aaron Butt’s Master of Fine Arts (Research) graduate exhibition Missed Encounter II explores disavowal and apophenia as studio processes, presenting a system-based salon of seemingly disparate objects to facilitate a space for unexpected, subjective and affective (missed) encounters. Exhibition venue: Frank Moran Gallery (Z11) Creative Industries Precinct 7 Musk Avenue, Kelvin Grove Opening Hours: Monday

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James Hornsby: Simple Future

The vivacious and vibrant collages of SIMPLE FUTURE consolidate photographer and visual artist James Hornsby’s exploration of our digital and ‘real’ lives. Through his first solo exhibition Hornsby deconstructs the presumed ‘truth’ of photography and the industrial processes behind the advertising and media photographic industry. His practice incorporates photography, painting, found objects and other media

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Mirroring Minjerribah

Presenting the work of 16 Brisbane artists, Mirroring Minjerribah is an exhibition that brings the stories and landscape of Minjerribah/North Stradbroke Island into focus through photographic projections and prints coupled with a live music performance. This one night only event features site-specific work by emerging artists from Griffith University’s Queensland College of Art and Queensland

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Tammy Law: Away From Home

Away From Home The story of the transnational diaspora from Burma is significant to further our understanding of the world, as people fleeing conflict is an increasing dominant story of our time. Because of the complexities of their repeated movements, these narratives disclose an ongoing negotiation of their inner self with the external world across time

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Oh, the Conceptual Places You’ll Go: The Spatial Paintings of Paul Bai

Alongside commercial and public galleries, as well as artworks commissioned for public places, unconventional exhibition spaces are part and parcel of Brisbane’s visual arts community. Artist Run Initiatives (ARIs) exhibit out of dilapidated Queenslanders, the back of trucks, underneath houses, and give impromptu performances in public spaces. Approaching the Spring Hill house of Dirk Yates

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