‘This is Not a Drill’ is a collection of the most current work from QUT Visual Arts Honours student’s. The exhibition reflects on an awareness of immediacy as they near the end of their studies and work towards nailing their final studio portfolios. Presenting works across a range of media including sculpture, installation, video, photography […]
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A team of leading Australian artists brings Australia’s chilling atomic history to life in the dynamic transmedia production Ten Minutes to Midnight, marking the 70th anniversary of the Hiroshima and Nagasaki atomic bombings during WWII. Premiering at the 2015 Adelaide Fringe Festival, Ten Minutes to Midnight comprises an immersive projection installation, new digital artworks, and
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Fresh artistic talents will be unveiled in upcoming group exhibition, Anywhere, Elsewhere, which focuses on the practices of emerging QLD artists. In an initiative to support the next generation of contemporary artists, Jan Murphy Gallery is excited to present the work of local artists, Bridie Gillman, Claudia Greathead and Sancintya Simpson. Curated by Brisbane based
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Time is the indefinite continued progress of existence and events in the past, present and future that is regarded as a whole. Despite being an imagined construct, it can contextualise all things. It creates opportunity for death and rebirth, pressure and expectation. Where would we be, or what could we be, without it? ‘Almost a Year’ presents
ALONE TOGETHER is an exhibition that showcases works by four recent Queensland graduates – Karike Ashworth, Alrey Batol, Tayla Haggerty and Sancinyta Simpson. These artists are negotiating the complexities of voicing individual experiences and concerns, by drawing on the language and objects of the everyday. The exhibition also explores the importance of connectivity for artists
Dedicating to promoting the practices of local artists Spiro Grace Art Rooms (SGAR) is delighted to announce the relaunch of our Spring Hill gallery at 6pm on Thursday June 11 with the group exhibition ‘Superlinear’. Highlighting intersections of mathematics and art Superlinear explores line as a point of movement and it’s departure from the two
“For many years landscape, our connection to place and how we think about the genre of landscape painting has been the subject of my work. My paintings of landscapes are as interested in the idea of bringing beauty into being as considering ideas about how landscape is experienced today in this fast paced world. For
Amanda van Gils: E-Motion Read More »
The Float is a community engagement project that embraces the talents of over 100 young people in Australia, North America and China. The Float was initiated by artist Pamela See who introduced students in the traditional Chinese crafts of woodblock printing, calligraphy and papercutting. The ten workshops culminated in a series of papercut installations and
Gemma Smith was born Sydney in 1978. In 1999 she completed a Bachelor of Visual Arts at Sydney College of the Arts and in 2004 an honours year at Queensland University of Technology in Brisbane. Gemma Smith’s work begins with abstract painting, with a specific interest in colour’s ability to subvert the flat picture plane.
Gemma Smith: Weight and Waver Read More »
Jane Burton was born in Brisbane, Queensland in 1966. After moving with her family to Tasmania in 1980s, Burton attended the Tasmanian School of Art, Hobart where in 1991 she completed a Bachelor of Fine Arts (Honours) and in 1993 received an Honorary Research Associate. Burton’s first solo exhibition, The Sweetest Path, was held in
Jane Burton: Devil’s Playground Read More »
A performative installation pursuing a subjective engagement with feminist histories by incorporating video, painting and drawing within the format of a lecture performance. OPENING // 24 June 2014, 6PM ARTIST TALK // 1 July, 6PM
Rachael Haynes: Like A Burden Read More »
The exhibition phase of Imaginary Accord ends with a two-day symposium on Friday and Saturday, 10 and 11 July, departing from the same question as our year-long lecture series,What Can Art Institutions Do? The event will commence and conclude with New Delhi-based artists Raqs Media Collective’s performative works Time Symposium on Friday at 7pm, and the world premiere of Memoraphilia
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Artists: Barry Tate & Glenn Morgan. Tate and Morgan’s work could be described as dynamic, vibrant, humorous, challenging, thought provoking, energetic.. definitely not safe. With wide and varied technique Glenn has been described as an artist who can frighten a laugh out of you with hard hitting social commentary while Barry’s work has a religious
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Lyndal Hargrave is a maker of objects and a painter of shapes. Her current work manifests as complex geometrically inspired paintings and modular, wall based sculptures. Residing between art, science and mathematics, Hargrave is inspired by the patterns that underpin the chaos of life. Her attention is drawn to order and variation within this structure
To mark our fortieth anniversary, the Institute of Modern Art (IMA) is currently embarking on a year-long project, Imaginary Accord, which explores this institution’s historical mission, while imagining what it could mean today and for the future, through an exhibition, a lecture series, a symposium, and a publication. The Imaginary Accord exhibition will grow and change
The Hold Artspace, on behalf of the artists, warmly invites you to the concurrent exhibitions and openings of ‘Beneath our Feet’ by Dennis McCart and ‘A Line from Me to You’ by Shayna Wells. ‘Beneath our Feet’ | Dennis McCart Dennis McCart’s practice focuses on ‘Edgelands’; liminal zones and banal structures often unobserved or ignored.
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This body of work investigates the changing architectural façade of Brisbane. The recycled materials sourced from old “Queenslander” houses, shops and buildings either being demolished or under renovation in Brisbane suggest themes that correspond to social, historical, architectural and domestic concepts relative to the local region. These works are connected to Brisbane in a way
James Watts: Facets of the Heart Read More »
A pioneering street artist in Brisbane, *Lucks has worked in a variety of situations as an artist and community worker. He’s inspired by found objects, tattoo art, graffiti, domestic animals, ongoing battles with colour, styles, tags, definitions, word play and religion. His inquiry into good luck / bad luck and all the lucks in between
*LUCKS: Cats and Rabbits Read More »
Please join Brisbane-based artist, Daniel McKewen for a tour of our current exhibition Imaginary Accord on Saturday, 27 June, at 3pm. McKewen is an artist whose practice investigates the intersections of contemporary art, popular culture, and the entertainment and financial industries. He appropriates elements from screen culture in order to examine and critique how these
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Please join us for the opening of ‘Wild Tasmania’ on Friday 26th June to be opened by Bob Brown, environmentalist and former Parliamentary Leader of the Australian Greens Wild Tasmania features photographs by two of Tasmania’s finest nature photographers, Wolfgang Glowacki and Arwen Dyer. Arwen and Wolfgang portray the stunning Tasmanian wilderness through their macro,
Art Gets Hot With Those Who Dare 2970° is the boiling point for gold. Extreme heat catalyses the metal causing it to melt. Art has a similar alchemy when applied to society. The properties of art cause society to become something other than what it was – it is transformative. 2970° is three days of
In 1938 the Australian artist Thea Proctor claimed that “it is well known that the majority of women art students have a good sense of colour” and conjectured that male-dominated art gallery boards might suffer from the absence of this gendered ‘colour sense’. Quaternary explores this enduring aesthetic relationship by surveying women graduates of QUT
The finalists for the 2015 Lethbridge 10 000 Small Scale Art Award have now been selected and the artists are now preparing their artworks to send to the gallery for the exhibition. For a sixth year, Lethbridge Gallery has supported artists and held the Award offering $10 000 prize money to the winner. Lethbridge Gallery
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Louise Bennett’s exhibition All at Once explores screen-based mediation as an unstable fluid space of rainstorms and unpredictable futures. All at Once investigates the conditions of the present moment of experience by exploring the emotional, spiritual and technical properties of digital media. Bennett questions the shape of time, place and mood in our increasingly digitised
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The tedious old adage about art, about painting, being the marriage of form and content is just that old adage because it’s true. What is Tim’s content? All art, and painting too, is essentially autobiographical if it is to have any value, any meaning, any credibility, any authenticity. Art is the exploration and manipulation of
“Science underpins all my work,” says Ari Athans. Geography, geology, and topography combine in her paintings to resonate with a sense of the earth and its timeless processes, to explore the fuzzy boundary between organic and inorganic. The physicality of her creative process – building up and sanding back layers of enamel paint, oil pastel
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New in 2015, Access Arts presents Undercover Artist Festival at Queensland Theatre Company from Friday 26 – Saturday 27 June 2015. Artists from across Australia and New Zealand will showcase their work at a festival accessible to all artists and audiences. Undercover Artist Festival is led by founding Festival Director Belinda Locke, a theatre-maker and arts
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Rex Butler considers the history of artistic interaction between Australia and South America as part of his ‘UnAustralian’ project with A.D.S. Donaldson. This lecture concludes with a consideration of Chilean-Australian artist Juan Davila’s series Un-Australian (2014) and, in conversation with Gillian Whitlock, the ‘unAustralian’ art of the detention camp. Rex Butler is an Associate Professor
Public lecture: Rex Butler on ‘UnAustralian Art’ Read More »
Be transfixed by the beauty of illumination in this interactive display of specially commissioned light installations. A collaboration between Brisbane Powerhouse and The Edge has enabled a selection of visual artists to create an exhibition that explores interactivity, the heritage listed architecture of Brisbane Powerhouse and the alluring quality of light. Responding to the iconic architecture of Brisbane Powerhouse, and led by how far their
Bianca Beetson is a Gubbi Gubbi/Kabi Kabi (Sunshine Coast) Waradjuri (NSW) woman, Born in Roma Western Qld. She completed a Bachelor of Arts Visual arts at the Queensland University of Technology from 1993 – 95 and Completed her Honours in 1998. Bianca’s is a visual artist who works in a broad range of media including: painting,
Stone, water and living earth is a series of creative responses to the environment and its elements by artists Glenda Hobdell, Catherine Schoch, Virginia Jones and Craig Tapp. The theme offers the artists and audience an opportunity to consider both the creative and destructive cycles of elemental forces. Each of the works is presented as
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Belinda Sinclair & Clairy Laurence Ceramics. Through A Glass Darkly is an exhibition of new and recent works. Both artists are inspired by esoteric mythologies and folklore in developing their work. Opening Night: July 3rd – 6pm – 9pm
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Applications are now open to proposals for the 2016 UTS Gallery Exhibition Program. Our annual program incorporates curated, solo and collaborative projects across a broad range of media, with a focus on critical practices that reflect and engage with current dialogues surrounding cultural production. We’re seeking proposals from artists, curators, designers and other creative innovators
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Gain skills from three industry professionals who will guide you through drawing techniques for different lettering styles and the various effects that can be utilised in many beneficial uses for hand painted lettering. This workshop is exciting and friendly in an intimate and hands on setting and is designed for those who have the basics under control and want to learn
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As an amateur photographer, Elliott captured our city at the beginning of an exciting era – a time of population growth, advances in technology and significant global events and social change. Coupled with glimpses of his family life, this exhibition explores one man’s fascinating views of a forgotten Brisbane. The historic collection of glass plate
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when you walk into a gallery space there’s a hierarchy of how to behave, sometimes it feels like that turns into a trajectory of how we are supposed to experience art, you have to see it a certain way or you don’t get it, sometimes this imposes a logical structure on works that are more intuitive, it’s better
temporary spaces/ with suspicion Read More »