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2025 Perry Prize for Drawing

Presbyterian Ladies’ College, Sydney’s Adelaide Perry Prize for Drawing reaches a milestone in 2025. Established in 2006, ‘The Perry’ has drawn the attention of some of Australia’s most accomplished artists and esteemed judges for the past two decades, and in 2025 the $25,000 acquisitive award celebrates its 20th anniversary by adding an additional $5,000+ acquisition: […]

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RawGround 2025

RAW Moves is calling for proposals from Singaporean and international artists for the next edition of RawGround (RG) 2025/26, which will be running in February 2026. Presented by RAW Moves in Singapore, RawGround is designed to present a curated mini film showcase that fosters dialogue and broadens perception of social norms. The short films, created by artists

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2025 World of WearableArt

The designers and creators of the world are being invited to let their imagination take flight and be seen in new light, with the launch of the 2025 World of WearableArt (WOW) Competition. The 2025 sections for the world’s most prestigious wearable art competition include Air, Neon and Myths & Legends, alongside the annual sections of Aotearoa,

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2025 Ravenswood Australian Women’s Art Prize

The 2025 Ravenswood Australian Women’s Art Prize is now open for entries. The Ravenswood Australian Women’s Art Prize is the highest valued Art Prize for women in Australia and in 2025 will award artists with $58,000 in prize money across three categories – Professional, Indigenous and Emerging. There is also Highly Commended awards as well as a People’s Choice award.

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Australian Geographic Nature Photographer of the Year

The annual Australian Geographic Nature Photographer of the Year competition calls on photographers from around the world to celebrate the fauna, flora and natural formations of the Australia, New Zealand, Antarctica and the New Guinea region. Submitted entries capture incredible moments in time, bearing witness to the unique beauty of the world around us. The

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World Illustration Awards 2025

The World Illustration Awards (WIA) 2025 are here, and illustrators from around the globe are invited to showcase their creativity. Organized by the Association of Illustrators (AOI) in partnership with the Directory of Illustration, this prestigious event celebrates its 10th anniversary this year. Entries are open until February 11, 2025. Why Enter the World Illustration

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SWELL Art Prize 2025

Calling all artists – SWELL’s indoor autumn exhibition is back! Local, national, and international artists working in 2D and 3D multidisciplinary mediums are invited to apply. The 10-day exhibition is an opportunity for artists to sell works and editions, connect with a lineup of emerging and established artists, and showcase art to SWELL’s national audience.

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Neon

Sydney has the King Cross Coca-Cola sign, New York has the lights of Times Square, and Brisbane has Stefan’s rainbow, which is one of 26 original neon signs you will see in Neon exhibition alongside photographs and original footage from State Library’s collection. Neon explores the history of neon across Queensland from the 1940s to today, including the

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Leah King-Smith: rhythm wRites

rhythm wRites is an immersive exhibition orchestrated by Bigambul artist Leah King-Smith, exploring simultaneity, interconnectivity, rhythm, ethereality, spatiality and sound. Rooted in a decolonising framework, the exhibition features new work produced in collaboration with leading First Nations practitioners from the fields of visual art, music and creative writing: Robert Andrew (Yawuru), Nici Cumpston (Barkindji), Keely

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Lionel Fogarty: Moiyum wungumbil mugerra bullonga

Lionel Fogarty since the early 2000s has been creating ‘poem paintings’, where viewers are immersed in the language written by his own hand, rather than by the mechanical typeset of publishing. This exhibition Moiyum wungumbil mugerra bullonga features new paintings that connect to Lionel Fogarty’s longstanding commitment to the liberation of voice, fighting back against colonialism and

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Elysha Rei: Yohaku no bi (the beauty of empty space)

In 余白の美: Yohaku no bi (the beauty of empty space) Japanese Australian artist, Elysha Rei uses hand cut paper and principles of Japanese garden design to explore transcultural identity, family history and the silent narratives of Japanese-Australian migration experience. Drawing upon ancestral connections to Tea Master Katagiri Sekishu, who used tea ceremony as a setting

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Genevieve Staines: Temporary Treasures

Connect with, and contemplate, artefacts from the local natural world in Brisbane, with Genevieve Staines’ current exhibition ‘Temporary Treasures’. Visual Artist and Environmental Educator Genevieve Staines extends on her work connecting with nature as meditation with this series of drawings and watercolours from 2024. Staines lives next to bushland and works closely with various bushland

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Noorderlicht Biennale: Machine Entanglements

Noorderlicht invites image-makers, photographers, and artists working with all forms of lens-based media to participate in the 2025 Biennale: Machine Entanglements. The festival explores the relationship between technology, ecology, and heritage. Do you have work that critically reflects on these themes and examines the impact of technology such as AI on our society and environment?

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Christie-Lee Newsham: Restriction

Christie-Lee Newsham is a dynamic artist using a range of mediums—including sound, installation, and casting—she invites audiences to confront the complexities of limitation in both personal and societal contexts. “Restriction,” is a thought-provoking installation that delves into the myriad limitations and restrictions we encounter in life, exploring their impact on our personal and collective experiences.

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Remembering the Future

Remembering the Future brings together four remarkable artists—Megan Cope, Judy Watson, Taloi Havini, and Ruha Fifita. Image: Kato Kakala 1, 2019-2021, Ivi (Ruha Fifita, Minaira Fifita, Sheida Vazir-Zadeh), konga ngatu (cut section of painted barkcloth),’umea (earth pigments), tongo (natural dyes) 536 x 203 cm

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Dylan Jones: Back to Front

Dylan’s artworks vary in subject matter and medium but regardless of what he chooses to depict there always remains an interest in colour, composition and the simplification of form. The imagery Dylan creates has a relationship to the history of art but more so to everyday life. Working from memory and with models in the

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Dylan Bolger: Leaf SZN

Dylan Bolger is a proud Maiawali, Karuwali, Pitta-Pitta and Gomeroi artist. Over the past three years Dylan has been working on the Leaf SZN project; creating 100 works based on the macaranga leaf. The macaranga is a pioneer species, meaning it is one of the first to repopulate and breathe new life into areas that

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Strange New Ways

“Strange New Ways” invites exploration into the unexpected and uncharted territories of contemporary art, where the familiar is transformed into something strange and profound. Featuring a dynamic array of voices, this exhibition showcases the work of Andrew Arnaoutopoulos, Cheolyu Kim, Daryl Hewson, David Paulson, Dean Rusling, the Laurie Nilsen Estate, Margaret Loy Pula, Matthew Johnson,

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Prita Tina Yeganeh: The Sacred Shared Labour

Onespace is delighted to present The Sacred Shared Labour, the second iteration of Prita Tina Yeganeh’s ongoing series My Soil Farsh فرش. This iteration explores collective labour as a vessel for activating community kinship. In a deeply symbolic and physical act of cultural embodiment, women from Prita’s community came together over 145 hours to hand-grind 45 kilograms of discarded

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Peter Anderson

Peter Anderson (b.1956, Brisbane) is a mid-career Australian painter, who lives and works in his home town of Brisbane. Anderson completed a Diploma of Fine Art (Painting) at the College of Art, Brisbane between 1974-76, before completing a Graduate Diploma of Fine Art (Painting) at RMIT, Melbourne in 1977. Through his formative years Anderson held

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Benjamin Werner: TOTEMS

TOTEMS is Benjamin Werner’s latest series of text-based works, humorously critiquing his experiences in the art world. As Director of All City Arts, Werner brings a nuanced perspective on both local and international art circles.In this exhibition, Werner explores rhyming and pun-laden references to well-known artists and arts workers, both international and Brisbane-based. The series

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The Visual Field

Curious about a career in the arts after school or wanting to immerse yourself in the world of contemporary art? The Visual Field is an immersive program for students in years 10 to 12 to explore career pathways in the arts. This program is a joint initiative between Flying Arts Alliance and the Institute of Modern

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HOME 25: Invisible Cities

Inspired by Italo Calvino’s Invisible Cities, this exhibition will examine the symbolic power of language, gesture, and visual markers like maps and borders. It will ask how these symbols shape our reality and how their complexities invite deeper interpretation. The exhibition will take place across various iconic locations in central Dandenong, including the Walker Street

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