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Vivienne Binns is an important figure in the history of Australian visual art. Binns rose to prominence in the 1960s with her psychedelic depictions of sexual imagery, which anticipated the feminist art movement. Since that time, she has continued to shape some of the most significant developments in Australian visual culture, both within and beyond

Philip Wolfhagen (b.1963, Launceston) is a leading Australian contemporary landscape painter who lives and works in Longford, Tasmania. He is inspired by the atmospheric landscape of northern Tasmania and the emotive qualities of light and weather. Wolfhagen’s paintings are unique in his use of beeswax mixed with oils. His work is physical, dense in its

 An Australian-American, Fran O’Neill, was born in Wangaratta, Australia, and currently lives and works between Australia and Brooklyn, New York. O’Neill attended Monash University, Melbourne, Australia, earning a BFA and Post Graduate Degree. Her post-graduate work continued at the New York Studio School’s Certificate Program, and her MFA was completed at Brooklyn College. She has

Disappearing Act examines feelings of anxiety and concern toward landscapes under threat. In these paintings, curtains of patterned textiles are drawn back by disembodied hands, creating portals to seemingly idyllic environments beyond. Against the depth of these vistas the fabrics flatten into abstract designs that hinder and distract the eye, drawing attention to the way

Australia is the world’s third largest exporter of yellowcake; a concentrated form of uranium ore in powder form. Yellowcake is a multidisciplinary exhibition of paintings, ceramics, installation, and photography developed in response to the Mary Kathleen Uranium Mine in North Western Queensland. The mine finished rehabilitation in 1986, however the open pit remains accessible to