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TEETERING, TITTERING, TITS UP

teetering, tittering, tits up is an exhibition of sculptural works that imagine structures for queer and multispecies intimacies. Playful reconfigurations of outdoor equipment such as tarpaulin, tentpoles, and trampolines offer refuge in their corrugations and curvatures. Developed in response to wetland bird hides and other cruising sites, the exhibition takes an irreverent, ironic, and absurd approach […]

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Suspended Moment

Suspended Moment includes key works by Katthy Cavaliere alongside the fellowship artists who benefited from her enduring legacy. The exhibit brings together new works by three recipients of The Katthy Cavaliere Fellowship: Frances Barrett Sally Rees Giselle Stanborough. The fellowship was established in the name of Italian-born, Australian artist Katthy Cavaliere (1972–2012). It was a one-off

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Robert Brownhall

Robert Brownhall (b.1968, Brisbane) is a realist painter, inspired by his local environment of South-East Queensland. Over nearly thirty years of painting, Brownhall has developed a unique style characterised by a strong connection to place with his moody nocturnes, broad sweeping panoramas and gritty vignettes of urban life. Brownhall’s realism is not slick. The humanity

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Melting into Air

  Presented in conjunction with the Gallery of Modern Art’s blockbuster ‘Air’ exhibition, ‘Melting into Air’ (26 November 2022 – 23 April 2023) is the new, free cinema program at the Australian Cinémathèque, GOMA. It explores screen depictions of this essential element from over the past century, showcasing hidden mysteries within deep fogs, the sublime potential

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Rebecca Ross: Greater Sunrise

Rebecca Ross lives on Kombumerri Country/Queensland’s Southern Gold Coast. Since completing a Master of Fine Art at Queensland University of Technology she has exhibited at the Embassy of Australia in Washington D.C. and Festival 2018 Gold Coast Commonwealth Games, and was awarded the Rome Studio at the British School at Rome by the Australia Council

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Michael Cook: Fake

Michael Cook is a Queensland-based artist of Bidjara heritage. Over  the last decade, Cook has produced works that interrogate the legacy  of colonisation and invite the viewer to experience the other side of the  coin, roles in reversal and histories re-written. His latest series of 12 large  scale photographic works titled ‘Fake,’ follows an Indigenous

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Miri Badger: IKKUNA

“This framed glass is following me, obscuring and cropping my experience. A form of shelter.  Looking over my shoulder, through another window I see muted green and brown encased in a red trim.” I spent 2012 in Turku, Finland. After 10 years, in August 2022, I found myself there again as an artist in residence

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GOMA Talks: Cancel Culture

GOMA Talks returns during ‘Air’ to ask the question – is cancel culture giving us a voice or suffocating us? Public shaming and calling out transgressions are social justice practices that have been around as long as society itself. In our increasingly digital world social media has become the contemporary town square, a place where conflicting

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Air

‘Air’ showcases immersive and large-scale works by leading international and Australian artists exploring the cultural, ecological and political dimensions of air. When artists address the global issues confronting us today, they have the power to change the world – by changing the way we look at it. Chris Saines CNZM, Director QAGOMA Presented across the

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Artist Talks at Studio Gallery

Studio Gallery is proud to present a dynamic panel discussion and evening event on the intersection of art, design, and community. Delve deep into the minds of esteemed Australian artists, including Stanislas Piechaczek, Andy Harwood, Clairy Laurence, and renowned artist and Studio Gallery director Kerry Armstrong. The panel discussion will explore the role that art

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Margaret Loy Pula: UNJANGOLA – MY FATHER’S COUNTRY

Hailing from Utopia in Central Australia Margaret Loy Pula continues a legacy of sharing culture. Painting traditional stories handed down from her father she depicts her homelands, bush foods and ceremonial designs using a series of finely detailed dots. Margaret Loy Pula paints her culture and her father’s dreaming. Her primary story is “Anatye” or Bush Potato dreaming. The

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Julie Gilroy: Curating an Image

Arranging fragments into desirable compositions to steer and guide the observer. Moulding our image to appear effortlessly beautiful, happier, sleeker, camouflaging the chaos. But we must embrace the un-curated fragments, the messy backgrounds which make us unique and interesting. When we lay ourselves bare we find strength and beauty. Navigating the labyrinth of content and

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Renee Kire: Shifting Perspectives

Shifting Perspectives is a site-specific installation that invites participants to engage with their surroundings. As a continuation into Renee’s research into the overlooking of women artists, she is seeking new ways to occupy space in untraditional ways. The installation slowly reveals itself through the responsiveness of the participant, making them think about their surroundings and

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Dhana Merritt: Soak

Soak is an invitation to collectively restore and revitalise mentally, emotionally and physically within the shared experience of a healing magnesium-rich foot bath. An inclusive, safe and playful sanctum held over two weekends in May, Wreckers Artspace will become a wellness destination. Concerns around the increase of diagnosed magnesium deficiencies in our bodies and decreasing

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Dadang Christanto: LEGACY

Dadang Christanto, widely known for his works surrounding Indonesia’s 1965-66 genocide, returns to Jan Manton Gallery in his new exhibition LEGACY with a continued rigour and commitment to voicing the stories of the countless victims. Christanto grew up in Tegal, Central Java where he lived with his family during the 1960s. When Christanto was 8 years old,

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Ari Athans: Ingrained

Mnemonic landscapes half-remembered through the haze of sun reflecting off plunging hills, landscapes slide from the haze of memory bleeding into bright smears. Ingrained mines the mental topography of memory to draw out emotional landscapes of Ari Athans own life. Time and place are compressed into bleary recollections, where individual points of focus stand out amidst foggy

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Future Projections

Join us for an evening with contemporary musicians and artists under the stars at Griffith University’s South Bank campus. Excite your senses with their new and developing sonic and visual works fusing traditional forms and new media, performing outdoors on the lawns and using the university architecture as a backdrop for projections. Featuring a performance

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Marian Drew: rock fruit flower

Marian Drew’s latest work emerges from her contemplation of the speed of photographic representation and planetary change. The resulting sculptural photographs on aluminium present blurred, vast spaces for asteroid-like forms that are both stationary and adrift. Extending upon Drew’s investigation into the innovation and exploration of representational and still-life photography, rock fruit flower alludes to

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BRISBANE ART DESIGN 2023

Bold, artistic, daring and always tonnes of fun, BRISBANE ART DESIGN (BAD) 2023 is back to highlight local art and design luminaries with an inclusive and immersive program of hands-on workshops, open studios, design talks and arty parties that will colour the town across three exciting weekends and showcase the inventive creatives shaping our city.

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Within These Walls

Returning to BSAF in 2023 for its eighth year, ‘Within These Walls’ facilitates a deeper look into Brisbane’s art scene, moving beyond the iconic murals that are at the heart of the festival and exploring various other creative mediums. With the intersection of different creative fields, Within These Walls Exhibition is a fantastic platform for

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Julie Fragar: Biograph

Julie Fragar makes paintings about the stories we tell, simultaneously chronicling and critically analysing her chosen subjects. Bringing a unique level of psychological enquiry to the activity of painting, Fragar’s practice brings into focus the slippery relationship between reality and fiction. Through her unique language and remarkable aptitude as a painter, Fragar blends intense studies

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Easton Dunne: Main Drag

Main Drag applies aesthetics of kitsch and camp queer visual culture to the stereotypical signs and signifiers of local and communal identity, often seen along the national highway running through Rockhampton, the town in Central Queensland where Dunne resides. Dunne resurfaces images that the area uses to market itself to visitors, and frame its own identity

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Botanica: Contemporary Art Outside

The City Botanic Gardens transform into an outdoor gallery by night. Botanica: Contemporary Art Outside is returning to the City Botanic Gardens between 12-21 May 2023, 5‑10pm. This year will see ten large-scale installations, ranging from sculpture and projections through to augmented reality and interactive creations that will once again transform the gardens into an outdoor gallery. Attend an

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Nicholas Tossmann: Set Present

Set Present is an exhibition of new works by Nicholas Tossmann. Tossmann’s work utilises text in the forms of installation, sculpture, performance and video and is often made site specifically, considering spaces and architecture to imagine how viewers could physically engage and relate to intangible ideas. Tossmann uses text for its ability to give tangibility to intangible

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Artist Talk: What Can an Archive Do?

Archives can function in ways that are harmful to the individuals and communities they represent. They are sites of bureaucratic violence where “decisions are made, knowledge is created, and power is exerted in ways that affect the everyday lives of citizens”.[1] From family albums, legal proceedings, memorial, and art—join artist Raphaela Rosella alongside several of her co-creators

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