Megan Cope Awarded Inaugural Helen O’Sullivan Artist Fellowship

Megan Cope Awarded Inaugural Helen O’Sullivan Artist Fellowship

Quandamooka artist Megan Cope has been awarded the inaugural Helen O’Sullivan Artist Fellowship from Sheila Foundation. The $25,000 fellowship supports contemporary women artists at a critical stage in their careers, helping fund the development, presentation and documentation of new work at a contemporary art space within the Contemporary Art Organisations Australia (CAOA) network. MEDIA RELEASE_Helen OSullivan Artist Fellowship_Megan Cope.pdf The fellowship will support Cope’s ambitious new project, Tides that Bind, which will be developed with and presented at Gertrude Contemporary in Naarm Melbourne in August 2027. The project extends Cope’s ongoing exploration of Indigenous knowledge systems, ecological care and custodial responsibility. Focusing on the waterways of the Kulin Nation and native flat oyster (Ostrea angasi) reefs in Port Phillip Bay, the project will involve collaboration with local marine ecology groups. Through a series of public workshops, participants will contribute to improving the marine ecosystem of Port Phillip Bay while collectively producing artworks that draw attention to environmental degradation and explore Aboriginal approaches to ecological care. MEDIA RELEASE_Helen OSullivan Artist Fellowship_Megan Cope.pdf Cope is a multidisciplinary Quandamooka artist from the Moreton Bay region of South East Queensland. Her socially engaged practice explores Indigenous stewardship, cultural continuity and custodial ethics, often involving community collaboration and public participation. She is a member of the Aboriginal artist collective proppaNOW and is represented by Milani Gallery in Meanjin Brisbane. In 2024, she received the Creative Australia Award for Emerging and Experimental Arts. MEDIA RELEASE_Helen OSullivan Artist Fellowship_Megan Cope.pdf The Helen O’Sullivan Artist Fellowship is part of Sheila Foundation’s work to address gender inequality in Australian art and support contemporary women practitioners. MEDIA RELEASE_Helen OSullivan Artist Fellowship_Megan Cope.pdf
Sally Molloy: Memorial To All The Animals We've Ever Had To Kill

Sally Molloy: Memorial To All The Animals We've Ever Had To Kill

Dog Day Afternoon I spent a mid-July weekend skirting around Sally Molloy’s show Memorial To All The Animals We’ve Ever Had To Kill. For two days Molloy took up residence in the back of a…
Oh, the Conceptual Places You’ll Go: The Spatial Paintings of Paul Bai

Oh, the Conceptual Places You’ll Go: The Spatial Paintings of Paul Bai

Alongside commercial and public galleries, as well as artworks commissioned for public places, unconventional exhibition spaces are part and parcel of Brisbane’s visual arts community. Artist Run Initiatives (ARIs) exhibit out of dilapidated Queenslanders, the…
Brian Fuata at First Thursdays

Brian Fuata at First Thursdays

Brian Fuata Will Most Likely Die From Suicide or “Minibar” was a delightful insider take on performance art. Using a sheet with a gaffa tape outline, a microphone stand, a printed poster (possibly a plan…
The Authenticity of Shatrick

The Authenticity of Shatrick

Shatrick, the creative duo comprised of artists Shannon Tonkin and Patrick Zaia, briefly returned from Melbourne to their hometown of Brisbane for a series of performances at Metro Arts in mid-June. Their appearances were part…
Christian Thompson: Ritual Intimacy

Christian Thompson: Ritual Intimacy

You may be most familiar with Christian Thompson’s 2008 works Black Gum 1, 2 and 3 a series which has often been on display at GOMA over the past few years. The works feature 3…
Chase Archer: sub-urban

Chase Archer: sub-urban

Chase Archer, a Brisbane-based artist, describes the work in his exhibition ‘sub-urban’ as painted collages inspired from a collection of iPhone images, childhood photographs, drawings, mass media and the historic art canon. Through these means,…
After Hours

After Hours

We pause for a moment to situate ourselves, to plot out the coordinates of our subject positions [1] . As I consider the slow progression of sunbeams that will see themselves into the exhibition space…
Helle Cook - Notion of Home

Helle Cook - Notion of Home

—Betwixt and Between— In general understanding, the term ‘liminal’ refers to the ambiguity or disorientation that occurs in the middle stage of a ritual. It is a term for the threshold between the way one…
Robert Andrew: Our mutable histories

Robert Andrew: Our mutable histories

Entering into Robert Andrew’s exhibition “Our mutable histories” at Museum of Brisbane, I am immediately confronted with a warping mechanical sound. This is coming from Andrew’s most recent work, “Data Stratification.” Combining the sleek aesthetic…
Sit. Pose. Snap. Exhibition Review

Sit. Pose. Snap. Exhibition Review

Sit. Pose. Snap. at Museum of Brisbane is an exhibition curated by Philip Manning consisting of photographs from the extensive collection of Marcel Safier, amassed over nearly four decades. Considering the enormity of the collection,…
The Expansive Temporality of the Duplicated Rock: a Review of Tremor of Form.

The Expansive Temporality of the Duplicated Rock: a Review of Tremor of Form.

Helga Groves’ solo exhibition Tremor of Form, held at Woolloongabba’s Milani Gallery, consists of artworks which represent geological or cosmic objects whose timelines verge on the incomprehensible. These include minerals and stones which form underground…
Less Than: Art and Reductionism

Less Than: Art and Reductionism

“Less is more”, architect Ludwig Mies van der Rohe’s oft-quoted and appropriately sparse mantra goes. In contemporary art practice especially, it seems that sophistication is the result of simplicity. The current exhibition at QUT Art…
Connection through Difference: A Review of Folds of Belonging

Connection through Difference: A Review of Folds of Belonging

Folds of Belonging, curated by Tess Maunder, is an exhibition of lightbox images in Brisbane’s CBD. It runs concurrently with the BrisAsia Festival (27th January – 19th February, 2017), and features works by both emerging…
Michael Phillips: Recent Works on Paper

Michael Phillips: Recent Works on Paper

For Michael Phillips – Recent Works on Paper, the artist and curator Beth Jackson have formulated a collection of minimalist installations. Throughout the exhibition, Phillips experiments with the form of the grid by manipulating colour,…
A Celebration of Queer Arts and Culture

A Celebration of Queer Arts and Culture

The annual MELT Portrait Prize, a celebration of queer arts and culture, is a lively visual exhibition that showcases the works of global artists at the Brisbane Powerhouse. In MELT, it is a time of…
Mote

Mote

Many of the online definitions for ‘mote’ relate it to a perceptual impediment, a speck of dust in our eyes. The dynamic nature of perception, constantly reshaping the reception and evaluation of an artist’s creative…
Between You and I

Between You and I

‘Beginning to think again – to grasp, to connect, to put together, to remember… Only to remember to remember, or at least remember you have forgotten…. Each forgetting a dismembering. I must never forget again……
Don’t dive shallow in dark deep water &  From ideas of tending

Don’t dive shallow in dark deep water & From ideas of tending

Don’t dive shallow in dark deep water by Hew Chee Fong and From ideas of tending… by Judith Kentish are simultaneous exhibitions at Caboolture Regional Art Gallery that juxtapose the work of two mid-career artists.…
The ‘Self’ in Self-Portraits

The ‘Self’ in Self-Portraits

“A picture is worth a thousand words.” This widely known and used proverb refers to the simple notion that complex ideas can be conveyed more effectively with a single image. It is important to consider…
Uncanny-self

Uncanny-self

We are looking. Seeing. Peering, through the two skin-wreathed holes in our skull. The two holes situated slightly apart from each other, each containing an evolutionary feat. An eye. Together they make our stereo vision. They give…
Everything That Rises Might Converge

Everything That Rises Might Converge

Snatches of conversation and the sounds of cars are rising from the street to be funneled into this space. Passersby may look up and see—through the second floor window that Marnie Edmiston’s exhibition A Plant…
Flawed - An Annotated Interview

Flawed - An Annotated Interview

“I’m trying to be a realist but it’s unrealistic,” Coleman muses before considering the turn of phrase. She and I laugh, but the quote brings to mind an earlier theme of our discussion, the minimalist…
crosseXions

crosseXions

crosseXions is an exhibition where feminist and environmental concerns can be said to cross over. Though nothing is quite as obvious as this may suggest. Beth Jackson the curator of this quiet and somewhat diffident…
The Transcendence Of Time In Australian Indigenous Art

The Transcendence Of Time In Australian Indigenous Art

Time is a fundamental and axiomatic philosophical concept that has long been a chief subject in several areas of study. Numerous different values, meanings and ideologies can be linked to it, which makes defining time…
you, me and a weirdo

you, me and a weirdo

The story goes: As a child, D discovered a Zero fighter plane crashed in the bush behind her house. The wings were beat up, the nose was crumpled and banksias had started growing through the…
The Alien Show

The Alien Show

The first aliens I saw were in the house of my grandmother in Townsville. Constrained safely within the television and the Dr Who universe, they could do very little to me other than give me…
The Cult of Forgetfulness

The Cult of Forgetfulness

When you move away from a home, a place that feels so familiar, almost part of your identity, I knew everything, I had entered into it, I bore it within me, I made it live[1],…
Jannah Quill: NO INPUT

Jannah Quill: NO INPUT

Do you suffer from the 31st Century’s Sickness? Am I suffering? I don’t want to believe what comes next. Perhaps it’s too late to find myself beyond clickbait retro­virals eating up cartilage across all known…
Catharcissism (save me make me keep me take me)

Catharcissism (save me make me keep me take me)

Catharcissism (save me make me keep me take me) dredges Katie Porter’s creative and written past to resuscitate and release words frozen on a hard-drive by the anxiety of sharing one’s creative production. Each of…
Dominic Byrne: Bust This Flesh Pit

Dominic Byrne: Bust This Flesh Pit

“The body is our general medium for having a world.” ― Maurice Merleau-Ponty, Phenomenology of Perception ​Interdisciplinary art practice facilitates multiple forms of engagement. By expanding the boundaries of medium specificity the attention shifts from its…
Wandering, Wondering

Wandering, Wondering

We are taught to think of time as a resource, that we can manage and sort into useful allotments. We are taught to determine the value(s) of our actions, and how to categorise the various…
LANDSHAPES

LANDSHAPES

IS ART NATURAL? The question concerning Art’s relation to Nature is one central to Aesthetics and is bound up with associated problems regarding subject formation, differentiation and freedom. Via F.W.J. Schelling’s 1807 lecture On The…
Dhana Merritt: DM Teahouse

Dhana Merritt: DM Teahouse

Make a delicious bowl of tea: Lay out the wood charcoal to heat the water. Arrange the flowers as they are in the fields. In summer, evoke coolness; in winter, warmth. Anticipate the time for…
Made pink

Made pink

“I am the self portrait of my father” – Saeed Jones It is important to inaugurate this piece of writing by mentioning that the artist’s father is a truck driver, specifically a transporter of tanked…
Marilyn Schneider: V.V.V.V.V.I.P.

Marilyn Schneider: V.V.V.V.V.I.P.

Art fairs are a transient space for commercially motivated consumption. The material-semiotic messages transmitted by Marilyn Schneider’s sculptures and paintings communicate a complex interrelationship between architecture, the designed object, the art object, the environment and its inhabitants:…
Jordan Azcune: Raw Prawn

Jordan Azcune: Raw Prawn

Dear Diary, Jordan Azcune’s object relations are familiarly uncommon. They negotiate actions of strapping, balancing, leaning, extending, buggering, blending, bending, shrouding, hanging, twisting, puncturing, spilling, stretching, strapping and tying. His assemblages emit and scramble the…