Huiyi Xiao Wins the 2026 Churchie Emerging Art Prize

Huiyi Xiao Wins the 2026 Churchie Emerging Art Prize

Victorian artist Huiyi Xiao has been awarded the $40,000 Major Prize at the 2026 Churchie Emerging Art Prize, announced at Metro Arts in Brisbane on Friday 24 July. Xiao, who was born in China and is now based in Victoria, works across performance, video and photography, exploring themes surrounding diasporic identity and the Chinese Australian experience. Her winning work, The Fire That Wouldn’t Call Itself Ash, is a performative video largely set in Melbourne’s Chinatown. Through performative autoethnography, Xiao examines the social and psychological complexities of Chinese Australian diasporic identity, including the pressures of patriotic education, multiculturalism and migrant labour. The $40,000 non-acquisitive Major Prize was generously sponsored by BSPN Architecture. Guest judge Jason Smith, Director of the Art Gallery of South Australia, praised Xiao’s work and highlighted the important role the churchie plays in supporting emerging artists. He also emphasised the importance of arts education and continued investment in young creative talent. The 2026 prize also recognised three other artists: Rosemary Tamas-Cao — $5,000 Special Commendation Prize for Squat Tossed, sponsored by Fardoulys Constructions. Georgia Lucy — $2,500 Commendation Prize for Gough and Margaret’s Bullclip, sponsored by Madison Facility Services. Juanita McLauchlan — $2,500 Commendation Prize for Crossing Time, sponsored by Madison Facility Services. The $5,000 People’s Choice Award, sponsored by Hutchinson Builders, remains open for public voting, with the winner to be announced when the exhibition closes. This year’s finalists include artists from Victoria, New South Wales, Queensland, South Australia and Tasmania: Badra AJI, Zena Zada Cumpston, Alannah Dair, Kuweni Dias Mendis, Keroshin Govender, Ena Grozdanic, Olive Guardiani, MeiMei Hodgkinson, Georgia Lucy, Alice McCool, Juanita McLauchlan, Yanti Peng, Aris Prabawa, Jonny Scholes, Rosemary Tamas-Cao, Anna Weston and Huiyi Xiao. Now in its 39th year, the churchie is one of Australia’s longest-running prizes for emerging artists. Established in 1987,…
Private Places for Public Crying

Private Places for Public Crying

Hello Possums! Caitlyn “Caity” Reynolds has made some art for you and asked me to write some words to go with it if that’s the kind of thing you’re into. Maybe you’re looking at the…
Erin Groenenboom: Leave (Get Out)

Erin Groenenboom: Leave (Get Out)

But now there’s nowhere to hide Since you pushed my love aside I’m out of my head Hopelessly devoted to you Hopelessly devoted to you Hopelessly devoted to you [1] Performing is a natural and…
A Synthesis of Abstract Constructs

A Synthesis of Abstract Constructs

With an opening on 10 September 2015 at POP Gallery Woolloongabba, Indirect Response is a selection of new works by Simon Degroot PhD candidate at the Queensland College of Art. This exhibition is a chance for…
Direction Now

Direction Now

The ten artists in this exhibition have come together in a spirit of a mutual exploration of abstraction. Mostyn Bramley-Moore, Terri Brooks, Michael Cusack, Miles Hall, Anton Hart, Anthony T O’Carroll, Claire Primrose, Amanda Ryan,…
Jaden Gallagher: Happy End Problem

Jaden Gallagher: Happy End Problem

Interview between Llewellyn Millhouse and Jaden Gallagher L: Your work up until this project has been mostly sculptural installations, consisting of ready-made and everyday materials and relying on the physical quality or spatial experience of…
Makeshift Musings: A response to Makeshift Monuments

Makeshift Musings: A response to Makeshift Monuments

The spectacle is non-porous. It’s well oiled and frictionless. Like a water slide, which grates with annoying joins, it funnels movement. It’s plasticity knows no bounds. It acts on us and we on it. It…
Louise Bennett: All At Once

Louise Bennett: All At Once

The bulk of human activity is the creation and movement of information.  Twenty years ago the Internet used zero percent of human energy consumption.  Today, the digital economy uses ten percent of the world’s total…
Rebecca Daynes: Sea is Lonely

Rebecca Daynes: Sea is Lonely

A friend I spoke to soon after viewing Rebecca Daynes’ work suggested that there is something so intimate about sitting sans clothes in front of your own computer. The nudity is a metonym for just…
The murmur of surfaces

The murmur of surfaces

For a period in 1991 I became enchanted by a series of small, suspended copper wire constructions that were included in an exhibition at the Queensland Art Gallery.  During the course of this exhibition I…
temporary spaces/ with suspicion

temporary spaces/ with suspicion

when you walk into a gallery space there’s a hierarchy of how to behave, sometimes it feels like that turns into a trajectory of how we are supposed to experience art, you have to see it…
Four Walls

Four Walls

Working closely on common themes to intertwine their visual poetry, Mulder and van Vuuren explore the incapturable essence of memory and experience through a connection to objects, images and the passing of time. There is…
Subject Line

Subject Line

5:49PM. The sun disappears below the horizon of the Gold Coast Highway and the neon signs flicker to life. The textual message is saturated with light. At a glance, we fail to see text, only…
Michelle Eskola - Räjäyttää

Michelle Eskola - Räjäyttää

If one task of representation is to show us how the world looks, abstraction is free to do something else, and reflecting our sense of the world, rather than what’s otherwise visible to the naked eye – whether…
A Little Car Crazy

A Little Car Crazy

Despite a proud history, the place of the motorcar in Australia may well be at a turning point. In the current frenetic era of innovative technology and inbuilt obsolescence, many of the items we only…
Warren Palmer: Now and Then

Warren Palmer: Now and Then

I’ve watched Warren Palmer’s work since the 1970s. He is an artist who exemplifies that feeling we get that something is happening in our own backyard comparable in concept, style and quality to the latest…
Dog Show (wow. much wiki. so amaze.)

Dog Show (wow. much wiki. so amaze.)

Dogs. Why a show on dogs? What kind of cues does a show centred around dogs send out? Too much potential for cuteness, the vernacular, the sentimental. Too much probability of strained humour – of…
Piet Noest: Chrome

Piet Noest: Chrome

Last year, when Piet Noest began a series of paintings in response to Kent Farbach’s compositions Chrome (1995) and Chrome II(2014), his goal was to visually express the dynamics of sound through line, form and colour. He…
2970Degrees – The Boiling Point

2970Degrees – The Boiling Point

2970Degrees – The Boiling Point: Friday Now that the 2.5 days of explosive thought and action that was 2970Degrees – The Boiling Point has ended, I can breathe and process my thoughts into somewhat of…
The Conception Of Abstraction In Audio/Visual Installation: Appropriation, site specificity and reflexivity in the work of Jake Sun

The Conception Of Abstraction In Audio/Visual Installation: Appropriation, site specificity and reflexivity in the work of Jake Sun

  There is no question that the contemporary subject navigates the world via mass-media and televisual representation. As Amelia Jones surmised, those born post-1960 are ‘conditioned on the deepest level by what we might call…
Base Perceptions

Base Perceptions

‘To learn how to use forms … is above all to know how to make them one’s own, to inhabit them’ -Nicolas Bourriaud, 2002   “Select Reshape” examines the tension between technologically created images and…
PISSWRECK DESTINY

PISSWRECK DESTINY

My Kind of Soldier Australia’s “Rum Rebellion” had almost nothing to do with rum. On the 26th of January 1808, exactly twenty years after the foundation of the Colony, Australia had its first and only…
Low Blow: The Myth of Man in the Paintings of Yannick Blattner

Low Blow: The Myth of Man in the Paintings of Yannick Blattner

What is it that makes someone a fair dinkum, true blue, Aussie bloke? In Larrikins: A History, Brisbane based historian Melissa Bellanta posits that an understanding of larrikinism ‘unlocks the secret to Australian national Identity’.¹…
Facts, Fictions and Fabrications: The Work of Svenja Kratz

Facts, Fictions and Fabrications: The Work of Svenja Kratz

  Between the 1840s and the 1860s, a rather curious artifact circulated sideshows and carnivals. The Fiji Mermaid, as it was titled, comprised of the mummified head and torso of a monkey, attached to the…
COLD SHOULDERED

COLD SHOULDERED

In a city weeks after the snow filthy chunks of ice remain in the streets, in gutters and on freeway verges. Cars that have been parked for a number of months drive away leaving holes…
PRESENCE/ABSENCE: the artist’s body in work

PRESENCE/ABSENCE: the artist’s body in work

  Since the twentieth century the tradition of self-portraiture has been re-evaluated, making way for a new physical and psychographic assessment of the artist’s body in art1As a consequence, artists have increasingly employed their own…
Megan Cope: Twice Removed

Megan Cope: Twice Removed

Recently on a train I overheard some teenagers mocking the name of a station. “What a dumb word – what does Kuraby even mean?” I knew what it meant. ‘Place of many springs’, a Bundjalung…
OUR MEMORIES ARE NOT OUR OWN

OUR MEMORIES ARE NOT OUR OWN

NIGHTFALL RECOLLECTIONS An exhibition by Pirrin Francis   “He liked the fragility of those moments suspended in time. Those memories whose only function had been to leave behind nothing but memories. He wrote: I’ve been…
FINDING THE LENGTH OF A PIECE OF STRING

FINDING THE LENGTH OF A PIECE OF STRING

How long is the coast of Britain? This question formed the basis of a research paper by mathematician, Benoit Mandelbrot, published in Science magazine in 1967. What seems like a straightforward question with a finite answer is…
Alasdair Macintyre: The Long Martch

Alasdair Macintyre: The Long Martch

The stormtroopers, in the epic Star Wars films, were a collective of military personnel. They carried out Imperialist duties, prescribed by the evil Lord Vader, with cool efficiency. This is an interesting choice of imagery,…
Fiona Foley: Courage

Fiona Foley: Courage

Fiona Foley has had significant success. Ever since her beginnings with Boomalli Aboriginal Artists Ko-operative in Sydney in the early 1980s, her stature has increased – as an Australian artist with national and international standing.…
Camille Serisier’s ‘Ovid’s Medusa'.

Camille Serisier’s ‘Ovid’s Medusa'.

‘In the performative spectacle everybody is a potential performer, from movie stars to next-door neighbours’ – Sven Lutticken, 2009 Borrowing classic tales and characters from Greek mythology, Serisier’s Ovid’s Medusa, a one-night event at InHouse…
Danie Mellor: Exotic Lies Sacred Ties

Danie Mellor: Exotic Lies Sacred Ties

An exhibition of work by contemporary Australian artist, Danie Mellor, is on display at the University of Queensland Art Museum, St Lucia Campus, from 18 January to 27 April 2014. The exhibition includes works on…
Fred Williams: Painter, Printmaker

Fred Williams: Painter, Printmaker

As a painter, Fred Williams (1927-82) is renowned for his innovative use of aerial perspective and abstract forms to represent the Australian landscape. Trained in Melbourne and England, Williams began his career as a figurative…
Transplantation

Transplantation

The word Transplantation by definition means “something or someone moved to a new place”, and the exploration of this notion is something deeply personal. With our ever increasing methods of travel and international interaction via…
 'Dark Matter' at the Hold Art Space

'Dark Matter' at the Hold Art Space

The Universe is made up of 90 percent dark matter – the only way we know it is there is from it’s gravitational pull. The exhibition Dark Matter a collaboration between Ali Bezer and Mitchell…
Reflections of the glitch

Reflections of the glitch

If you have ever experienced that moment of despair after forgetting your next point of conversation then you will easily understand the concept of Glitch art. Imagine the expression on your face as you tried…