Yhonnie Scarce: Missile Park

Deadline:

Institute of Modern Art

Yhonnie Scarce is an artist known for sculptural installations which span architecturally-scaled public art projects to intimately-scaled assemblages replete with personal and cultural histories. Scarce is a master glass-blower, which she puts to the service of spectacular and spectral installations full of aesthetic, cultural, and political significance. Her work also engages the photographic archive and found objects to explore the impact and legacies of colonial and family histories and memory.

Featuring a major new commission and drawing upon existing works over the past fifteen years, the Institute of Modern Art, Brisbane and the Australian Centre for Contemporary Art, Melbourne, are collaborating to present a major survey of leading contemporary artist Yhonnie Scarce.

Scarce’s work often references the on-going effects of colonisation on Aboriginal people. Her research has explored the impact of nuclear testing and the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Family history is central to Scarce’s work, drawing on the experience and strength of her ancestors, and sharing their significant stories from the past in the present. Her work also engages with the disciplinary forms of colonial institutions and representation—religion, ethnography, medical science, museology, taxonomy—as well as monumental and memorial forms of public art and remembrance. Her work is both autobiographical and ancestral, ensuring that her family are never forgotten or lost within the labyrinthine administration of the colonial archive.

Aboriginal and Torres Strait Islander viewers are advised that this exhibition contains images of deceased persons.

Developed, and with a new co-commission, in partnership with Australian Centre for Contemporary Art, Melbourne, where the exhibition will travel from 27 March–14 June 2021.

More Information

Image: Yhonnie Scarce, ‘Prohibited Zone, Woomera’, 2021, research photograph. Courtesy the artist and THIS IS NO FANTASY, Melbourne.

Info not available

Info not available

Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing •  Exhibition •  Solo Exhibition •  Group Exhibition •  Artist Talk •  Artist Run Initiative •  Workshop •  Festival •  Painting •  Sculpture •  Photography •  Drawing •  Printmaking •  Installation •  Performance •  Video Art •  Digital Art •  Emerging Art •  First Nations Art •  Conceptual Art •  Opportunities •  Call Outs •  Funding •  Residency •  Art Prize •  Design •  Fashion •  Jewellery •  News •  Review •  Writing • 

Related Posts

Shayle Flesser: Open, Enclose

Shayle Flesser: Open, Enclose

20261030
20261031
Petalia Humphreys: Before the Object

Petalia Humphreys: Before the Object

20261023
20261121
Amy Stapleton: Do not go gentle

Amy Stapleton: Do not go gentle

20261008
20261017
Queensland College of Art and Design Graduate Exhibitions 2026

Queensland College of Art and Design Graduate Exhibitions 2026

20261022
20261028
Smokescreen: A Thickness of the Air

Smokescreen: A Thickness of the Air

20261024
20270919
Helena Jackson-Lloyd: Shorelines

Helena Jackson-Lloyd: Shorelines

20261024
20261111
Melt Festival

Melt Festival

20261021
20261108
Lawrence Daws

Lawrence Daws

20261006
20261031