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Steffen Tuck: Bylines

Steffen Tuck’s photographic exhibition, Bylines, delivers a dynamic and compelling collection of an urban environment’s unseen and sometimes overlooked detail. The ordinary is celebrated in an unpredictable acquisition of light, colour and form. Tuck’s architectural vocation is evident in this series; we see the materials and hard lines of buildings and construction that represent the manmade […]

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Kristian Fracchia: Mortality and Fluoro

Mortality and Fluoro is a materially based investigation of mortality. Emanating from Fracchia’s personal near-death experience in the ocean, this body of work visually articulates feelings of impermanence, fragility and the⁣ precariousness of human life. This is expressed as the dichotomous⁣ opposite to the culture of machismo and bravado amongst young male⁣ surfers.⁣ ⁣ Acknowledging

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A.J. Taylor: Pink Ash

For nearly two decades, A.J Taylor has regularly exhibited in Australia in solo and group shows. In 2018, he was the People’s Choice Winner for both the John Leslie Art Prize at Gippsland Art Gallery and the Sunshine Coast Prize at Caloundra Regional Gallery. Taylor’s paintings reflect a sustained engagement with the Australian landscape. In

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Artist Demonstrations

Join members of the Redcliffe Art Society for artist demonstrations in the gallery. This demonstration series is in conjunction with the exhibition RASart Exhibition of Excellence, celebrating the rich artistic community that exists within the Redcliffe region. Thursday 9 May 2019, 10.30am – Pastel with water with Tricia Reust Thursday 23 May 2019, 10.30am – Acrylics

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As a part of both artist’s current PHD candidature, this exhibition unites practices that explore notions of self and metamorphism through the corrupted and unruly body. This exhibition uses interactivity with new-media interfaces to ponder the philosophical implications of enactive perception, the relationship between environment, the body and consciousness. Baker and Reid-Singer mock the notion

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Voies Off Awards

The Call for Entries for the 2019 Voies Off Awards is open. The Voies Off Awards are open to talented photographers across the world and offer an opportunity for your work to be seen at the prestigious international photography event in southern France, Les Rencontres d’Arles. From July to September, the Voies Off Festival proposes an alternative programme focused on the

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Abbey McCulloch: MONUMENT

“Considering the gradual shifts around contemporary female culture right now, it feels necessary to turn up the truth on the things that scare us and anger us and make our big feelings bigger. In this new body of work; colour, clay and glaze, overlapping characters and repetition of line and form create a sense of

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Professional Development Series: Self Directed Residencies

Join current Outer Space studio artist, Courtney Coombs, as they unpack their strategies to get the most out of self directed residencies. This discussion is suited to artists of all levels seeking to undertake residencies locally and internationally. Courtney will cover some of the ways they have undertaken residencies; reviewing the process of applying, seeking

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Curatorial Masterclass – Sara Cluggish and Pavel Pyś

Join Minneapolis-based curators Sara Cluggish (Director of FD13 residency for the arts) and Pavel Pyś (Curator of Visual Arts, the Walker Art Center) for a curatorial masterclass informed by experience working with performance and interdisciplinary contemporary artistic practices. Drawing on the breadth of their professional experiences—from the context of the small-scale public institution and independent

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Second Sight: Zine Fair

Join UQ Art Museum to piece together stories through small books in our pop-up zine, artist, and comic book fair. Meet local and independent publishers, artists and writers, pick up your favourite small-press publications, participate in workshops. Check out UQ Art Museum’s current exhibitions ‘Second Sight: Witchcraft, Ritual, Power’ and ‘Summer Mixer: New Shows, New

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A Sense of Kathmandu

This exhibition presents a fragment of lived experiences of Nepal, through visual investigations into values, current social issues and politics. For three weeks in December 2018, eleven students from the Queensland College of Art, Griffith University who are studying various disciplines joined the infield project Doing Visual Politics with fifty-five other Australian, Bangladeshi and Nepalese

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Bookbinding Workshop

Learn how to make your very own wrap-around soft-leather journal, hand-stitched using a Longstitch binding technique and featuring a magnetic closure. In this workshop all materials are provided, and you can choose from a variety of eco-friendly upcycled leathers, an assortment of different papers for the book’s pages, and a colourful range of waxed-linen threads, all coming

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Woven and Tied: Women’s Work?

Art from the Margins (AFTM) presents our second Inspired AIR (Artist-in-Residence) exhibition Woven and Tied: Women’s Work? a showcase of fibre and textile artworks from Artist-in-Residence Therese Flynn-Clarke and AFTM Outsider Artists. AFTM, a creative initiative of Wesley Mission Queensland, supports, exhibits and promotes the work of artists living with adversity, mental health issues, physical or intellectual disabilities, or

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Dylan Jones: Stripped Back

Jan Manton Art is pleased to announce the upcoming exhibition, Stripped Back, by Brisbane-based artist, Dylan Jones. In this exhibition of new paintings, Jones depicts the nude human form as a vehicle to express his ongoing obsession with the textural qualities of paint. Painted from life, these works reconsider the formal qualities of the human body, rather

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Daevid Anderson: Hold Still

This collection of work represent a selection of still life compositions created over the last few years. They explore the various simple constructs I have used as a framework for my arrangements – suspending various household items with twine; confining them in a box; or lining them up on a shelf. The relationships between these objects,

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Tammy Law: Permission to Belong

The Third Quarter are so pleased to share our first March exhibition ‘Permission to Belong’ by accomplished Photographer and Visual Storyteller Tammy Law. ___ The images and photobook launched in ‘Permission To Belong’ explore the dualities that surround the idea of home: the space between presence and absence, permanence and impermanence and belonging and displacement.

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A Treasured Private Notebook

A treasured private notebook responds to Ella Sowinska, and Thea Jones’ shared childhood experience of discovering the secret writing practices of their mothers. Both Sowinska and Jones actively engage with their mother’s creative practices for this exhibition. Sowinska’s film, 80 Ways, is an observational video work documenting the on-set collaboration between the artist and her mother

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Olivia Lacey: Love Me, Love Me

Love Me, Love Me engages with romantic dialogues as examples of intersubjective language that are repeatedly played out across pop cultural formats. The central work in the exhibition, Give Me All Your Love (2019), consists of an appropriated lyric from a love song, re-presented as an installation of hand-punched confetti suspended between clear acrylic letters. Installed alongside balloons

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Olivia Lacey

Olivia Lacey employs processes of transcription and translation to explore the ambiguities, slippages or humour that can arise in interpersonal interactions. Her works combine referents appropriated from art historical texts, pop music lyrics and everyday conversations in order to examine romantic dialogue as an intersubjective space of exchange. These explorations are primarily realised as multi-

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Robert Brownhall

This is a fascinating time in history to be alive. I want to make paintings that show the way the world looks now and the way the people live in it. What is it about this age that is different to the past? The urban landscape is here now. The story of our civilisation is

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