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KUNSTBUNKER_01 [JANUS]

KUNSTBUNKER, a new Brisbane-based artist-run initiative, is opening with a bang, and that bang is called KUNSTBUNKER_01 [JANUS]. At our brand-spanking new basement space in Ashgrove, we have invited the Greek god Janus (god of new beginnings) and will be adopting their frame of mind for our first exhibition, which will explore concepts of ‘the […]

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IMA Talk: Inti Guerrero

Join us for a talk by Hong Kong-based curator Inti Guerrero on Saturday, 30 April, at 2 PM. Guerrero (Colombia, 1983) is the Estrellita B. Brodsky Adjunct Curator of Latin American Art at Tate in London. From 2011-2014 he was the Associate Artistic Director and Curator at TEOR/éTica, an independent not-for-profit art space founded in

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The Artist As Collaborator

The Artist As… is a year-long lecture series co-presented with Curatorial Practice at MADA (Monash Art Design and Architecture), Melbourne, examining the multitude of roles artists occupy and adapt today. Curator Emily Pethick will speak about the artist as collaborator through examples from The Showroom, a non-profit independent contemporary art space in London, UK. She

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QUT Art Awards: Teagan Ramsay

Teagan Ramsay is a Brisbane based artist practicing independently across a range of mediums including sculpture, performance, installation, video and sound. Her practice currently interchanges between playfully cross-examining her personal narrative of sexuality and interest in fetishes against the cultural produced narrative of women’s desire and cultural stigma raised in taboo fetishes. On the other

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Michael Cook: Mother

Michael Cook is an award-winning photographer who worked commercially in Australia and overseas for twenty-five years. In 2009, Cook began to make art photography, driven by an increasingly urgent desire to explore issues of identity. His photographic series are unique in their approach, and evocatively recreate incidents from Australian colonial history uniting the historical with the

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Obsessions

Obsessions: Elizabeth and Arthur Bach Obsessions is an exhibition of painting and sculpture that explores the human tendency to hoard and collect items that may be useful in some way. Painting, woodworking and design elements are utilised to make a statement about the lives, actions and habits of both the artists themselves and the greater

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IMA Reading Group

The IMA Reading Group is a monthly assembly held in the Motto IMA bookstore designed to further activate local discussion surrounding contemporary art. The initiative is aimed at university students and recent graduates, and aims to provoke conversation in an open, participatory environment. Public Programs and Publications Officer, Tess Maunder, will lead this session and

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The Annual

Boxcopy is hosting an event on Saturday 16 April to raise funds in support of our future gallery program. Boxcopy alumni have generously donated small works, which will be available for a silent auction on Saturday afternoon from 3-6pm. All works have a reserve price of $250. The proceeds from this event will be utilised

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Queensland Faces

Queensland Faces is a survey of varied, unique portraits from SLQ collections across time and cultures seeking to uncover the stories and lives of Queenslanders. Take a closer look at the people who make this state. Some subjects are famous (or infamous) though most are everyday people whose portraits, for some reason or another, have

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Robyn Stacey: Cloud Land

Imagine stepping inside an artwork. Imagine stepping inside a camera. Imagine seeing your world turned upside down. Welcome to Robyn Stacey: Cloud Land. Robyn Stacey is one of Australia’s preeminent contemporary photographers. Her new body of work for Museum of Brisbane reveals some of our city’s most familiar places, buildings and landmarks in a completely

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Marianne Brandt Contest

Kunstvereins Villa Arte is hosting the 6th International Marianne Brandt Contest, inviting young designers and photographers to participate with works based on the theme for 2016 – Material Effects. The Marianne Brandt Contest is a non-commercial competition, supporting works that ask: What can we, what should we create these days? Works that aim to explore

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Zoe Porter

Zoe is a Brisbane based interdisciplinary artist exploring primarily a drawing practice, which also extends into painting, installation, performance, sculpture, site-specific works and video. Zoe has a Doctorate in Visual Art (QCA) and has exhibited regularly in Australia and overseas. Her work frequently depicts the animal-human hybrid in an attempt at crossing the boundaries between

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Wandering, Wondering

We are taught to think of time as a resource, that we can manage and sort into useful allotments. We are taught to determine the value(s) of our actions, and how to categorise the various forms of value attributed and action performed. We are taught to articulate an ends, and seek a means. We are

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LANDSHAPES

IS ART NATURAL? The question concerning Art’s relation to Nature is one central to Aesthetics and is bound up with associated problems regarding subject formation, differentiation and freedom. Via F.W.J. Schelling’s 1807 lecture On The Relation of the Plastic Arts to Nature, the task here is to attempt a conceptual illumination of this question that

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Made pink

“I am the self portrait of my father” – Saeed Jones It is important to inaugurate this piece of writing by mentioning that the artist’s father is a truck driver, specifically a transporter of tanked chemicals. By quirk of fate or maybe direct sarcasm, the artwork will accommodate itself in the rear container of a

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Meagan Streader

Meagan Streader is a Brisbane artist currently residing in Melbourne. Constructing site-specific installations, Streader draws visual cues from futuristic and natural atmospheres and systems to engulf the viewer in a sensory experience.  Through multifaceted transformations her artworks redefine conventional spaces, objects, and materials. Employing the repetition and replication of light, form, and textiles en masse,

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Marilyn Schneider: V.V.V.V.V.I.P.

Art fairs are a transient space for commercially motivated consumption. The material-semiotic messages transmitted by Marilyn Schneider’s sculptures and paintings communicate a complex interrelationship between architecture, the designed object, the art object, the environment and its inhabitants: actants that complete a circular capitalist narrative. This artwork, like the art fair environment, is a venue for experience: not just

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R & M McGivern Prize

The theme for the 2016 R & M McGivern Prize is Text. “I used language because I wanted to offer content that people – not necessarily art people – could understand.” — Jenny Holzer Exhibition dates: 22 September 2016 to 11 December 2016. Location: ArtSpace at Realm in Ringwood Town Square, 175 Maroondah Highway, Ringwood.

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Inheritance

Seven local emerging contemporary jewellers and makers of small objects use their art to interpret the perpetual inheritance of social, political, environmental and cultural conditions that occur in our everyday lives. The artists use precious and semi-precious metals, wood, enamel, photographs, prints and found objects to make works around themes of climate change and environmental decay, local and national political concerns, cultural identity and evolving traditions, ideas of

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Daniel Boyd

The IMA presents a the first solo exhibition in Queensland of Cairns-born, Sydney-based artist Daniel Boyd. His acclaimed practice deftly layers colonial history, European modernism and its connections to the Pacific, and the subtle interplay between lenses and techniques of Western and Indigenous art of Australia. Boyd’s exhibition offers a close look at the artist’s

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In Residence: Shift 1

In Residence ARI is proud to announce our first exhibition ‘Shift 1’ ‘Shift 1’ is part one of a two part exhibition series, and will feature artworks that address the themes of physical and psychological displacement. The exhibition will highlight various forms of physical displacement encountered by individuals, for reasons such as relocating to a

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Discipline 4 Launch

Melbourne-based contemporary art journal Discipline published its fourth issue in December 2015. Edited by Nicholas Croggon, David Homewood, and Helen Hughes, with a guest edited section by Ferdiansyah Thajib of KUNCI Cultural Studies Center in Yogyakarta, Indonesia, designed by Robert Milne, and eighteen months in the making, Discipline No. 4 features essays by or on:

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Ocean Connection

Ocean Connection: glass art by Joanna Bone, Scott Coleman, Keith Rowe and Kayo Yokoyama. An exhibition featuring works by artists exploring our connection with the ocean. Each of the four artists has mastered a different glass technique which informs their unique practice. Opening 5.30 for 6pm Friday 5 February 2016 Redcliffe City Art Gallery  

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SHAPE of Things to Come

Celebrating its tenth iteration, SHAPE continues its objective to illuminate emerging conceptual and stylistic trends of creative practice, showcasing works from the next generation of creative professionals as they graduate within the multidisciplinary landscape of QUT’s Creative Industries Faculty. To celebrate this ten-year milestone, The Anniversary Show commemorates SHAPE history by presenting recent works created

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Meagan Streader: W-INTER

Integrating geometric line and light, W-inter presents an interplay between light, geometric line and architecture in an immersive, futuristic form of cyberspace. Featuring a field of illuminated linear structures, this large-scale light installation will respond to the gallery site and extend the architecture of the space through line. The work will exist as a hypnotic

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