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Ms Browns Lounge

Recent Prints by Joanna Kambourian & Darren Bryant at Poly Gone Cowboy A curated selection of work by Darren & Jo since forming the collaboration print & design studio, Ms Browns Lounge in 2010. Opening Night : 15th May, 6:00 – 9:00pm Donation Bar http://msbrownslounge.com.au

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Gerwyn Davies: Paradise

Gerwyn Davies new photographic series ‘Paradise’ depicts tropes of glamour and class in an otherworldly fashion. The series of self-portraits explores the use of dress in self-representation with the fabrication of elaborate bricolage constructions that repurpose everyday materials in imaginative ways. These constructions range in their complexity and detail and result in the shrouding of

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In-conversation

Please join Queensland Art Gallery/Gallery of Modern Art’s Curator of Indigenous Art Bruce McLean, for an in-conversation with Brisbane-based artist Vernon Ah Kee, on Thursday, 16 June, at 6pm. McLean has worked with Ah Kee on a number of occasions, including My Country, I Still Call Australia Home: Contemporary Art from Black Australia (2013) at

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Peter Hennessey: Making it real

This major career survey will reflect on the past decade of Peter Hennessey’s practice. Trained as an architect, Hennessey has established an international profile for his physically imposing, conceptually rigorous sculptures. He is inspired by the science of space exploration and comparable technological advances, and scours the Internet and other publicly available information to produce his work. The resulting sculptures are

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Fine Detail

Muk Muk Fine Art presents ‘Fine Detail’, an exhibition showcasing the delicate detailed dot work of contemporary Aboriginal paintings from Central Australia. Now showing in ‘La Galerie’ within the Sofitel Brisbane Central, each artwork highlights the artist’s intimate knowledge of traditional stories relating to country and culture. The centerpiece is the stunning black and white

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Black Swan Artprize

To the 2015 Black Swan Prize for Portraiture This year the national art prize held in Perth, WA, features the $50,000 Lester Prize, the $7,500 People’s Choice Prize, the $1,000 SJOGHC Online People’s Choice Prize and a $1,000 HU Kendall & Co art supply gift voucher.   Entry Forms Now Available Click here to find

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A NOISY KIND OF RESONANCE

It has been established that soundwaves cannot travel in an airtight vacuum, so it is often assumed that sonic energy does not exist in outer space. This assumption is furthered through film and television, which often represent outer space as an empty, still and silent zone. Yet sound existing in space is feasible because not

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Gareth Sanson: Four Paintings

The exhibition will present four new paintings by Gareth Sansom. Gareth Sansom is one of Australia’s most highly regarded painters. His work engages with issues of personal identity, sexuality and mortality. A resolutely figurative artist, for over five decades the human body has remained the central motif for his musings on the human condition. Born

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Reorganising Principles

This exhibition reconsiders the visibility of colonial settler women within historical narratives. Referencing colonial images and objects of jewellery, this experimental work will extend on existing knowledge of the era. By using the genre of jewellery to navigate the archives, connections can be created between diverse artifactual evidence concerned with the presence of women in

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Sue Pickford

Amaterasu – Japanese Sun Goddess Amaterasu the Japanese Sun Goddess is credited with the creation of the islands of Japan. Before this, the world was only an amorphous mass. When she lay down a necklace of pearls the islands of Japan came into being.The first Emperor was her grandson and she bequeathed to him a

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Art from the Margins

Art from the Margins Since 2008, Art from the Margins (AFTM), a creative initiative of Wesley Mission Brisbane, has been instrumental in bringing artists together and bridging the gap between artists living in isolation, the public and the wider community. AFTM supports and promotes the work of artists living with adversity, disadvantage and social isolation,

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Four Walls

Working closely on common themes to intertwine their visual poetry, Mulder and van Vuuren explore the incapturable essence of memory and experience through a connection to objects, images and the passing of time. There is something unnerving about Mulder’s Neither here nor there (2014). Although beds in exhibition spaces are not new (think Tracy Emin), their

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Mark Whalen: Between the Cracks

As observed through Mark Whalen’s eyes, the world is a strange and curious place. His paintings, ceramics and sculpture explore darkly comic, elegant tableaux alive with futuristic mini-dramas. Sexual play, arm wrestling competitions, and ominous rituals are the norm. Potted plants, smiley faces, and scientific information vie for our attention: fences and dead-ends abound. He

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The Clarence Prize for Excellence in Furniture Design

The Clarence Prize is a biennial, acquisitive exhibition open to Australian designers and craftspeople. The aims of the Clarence Prize are to promote excellence and innovation in art/design practice, to enhance the City of Clarence art collection with the acquisition of significant works and to present a high quality exhibition of furniture design. Prizes: One

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Young Blood

REDSEA Gallery is proud to present an inaugural group exhibition showcasing Brisbane’s next generation of artists. By utilising its position as an established international art gallery, REDSEA aims to help launch the careers of these seven outstanding student artists, whose work displays incredible promise and ambition. Young Blood will prove to uncover the forefront of

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JUMPstart Pilot Intern Program

The JUMPstart Pilot Intern Program is a unique initiative of the UQ Art Museum, presented in conjunction with the Art History program of The University of Queensland’s School of English, Media Studies and Art History. In 2014 the program offered five graduate-year students professional experience in the visual arts industry. Over three months students shadowed UQ Art Museum staff, gaining professional skills

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A Thousand Words

A Thousand Words showcases portraits by artists Cheryl Creed and Nickeema Williams as they capture Queensland Aboriginal and Torres Strait Islander identities in fleeting moments in time. The artists’ vibrant, thought provoking works capture the personality of their subjects — community leaders, youth, family and friends from communities including Cairns, Woorabinda, Cherbourg and Brisbane —

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Dog Show

Dogs. Why a show on dogs? What kind of cues does a show centred around dogs send out? Too much potential for cuteness, the vernacular, the sentimental. Too much probability of strained humour – of clichés and corniness. Too much evidence of easy anthropomorphisms as a way of revealing human traits. And yet the representations

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Subversive Space

The exhibition ‘Subversive Spaces’ at The Hold Art Space (Brisbane), features the work of six women artists whose art practices have at their core an engagement with disruption, and activation of media forms to challenge and overturn normalised art histories. The ‘subversion’ of the title is linked to the artists’s awareness of context — a

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Rebecca Daynes: Sea is Lonely

Rebecca Daynes is a New Zealand born artist now residing in Brisbane. She is currently a PhD candidate in the Visual Arts at the Queensland University of Technology. Her practice-led research project investigates the phenomenological aspects of sincerity through screen-based and traditional media. Accompanying essay by Lilly Heenan (One Night Only Event)

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The Renshaws

ENGINEERED TO BE ETERNALLY MODULAR, THE RENSHAWS’ IS A CONTEMPORARY ART PROJECT REIMAGINED.   OUR MISSION IS TO PROVIDE INDIVIDUALISED OPPORTUNITIES AND OUTCOMES FOR THE VARIOUS ARTISTS WE WORK WITH.  WE OFFER AN INNER-CITY ARTIST STUDIO AND LIVING QUARTERS, OPERATING IN CONJUNCTION WITH PUBLIC PROGRAMS, PROFESSIONAL CONNECTIONS, COLLECTOR STUDIO VISITS AND PRIVATE EVENTS.  THE RENSHAWS’

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Analogue Digital

In 2015 we are proud to announce that we have found our new home at the Brisbane Powerhouse. This heritage listed venue delivers an Analogue Digital experience like nothing before. Sit closer to the action than ever before with over 500 stadium seats towering two and a half stories into the creative atmosphere that is:

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The Order of the Third Bird

Madame Banksia: Margaret Preston’s Flower Gazing and the Japonist Protocols of Félix Regamey Across a career that reshaped Australian art, the celebrated and controversial Modernist Margaret Preston brought an uncanny intensity to the depiction of flowers. During her student years in Paris, might she have mingled with the bohemian circles around French orientalist Félix Régamey,

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