Author name: admin

Sybil Curtis: Ephemeral

Everything humans construct must pass. Some simply rust and disintegrate over years. Some are destroyed and quickly replaced. Others are only ever temporary. The subject matter of most of my paintings no longer exist, so it does not matter if they are not a true representation of a particular place at a particular time. All […]

Sybil Curtis: Ephemeral Read More »

Robert Mercer: Strange Fiction

Robert Mercer was born in Northern Ireland and immigrated with his family to Melbourne, Australia. His art practice has centred on video, photo-media and installation, the position of contemporary art in post-modern societies, and the relevance of art practices in cross cultural communications. Research into the role of autobiography in contemporary art has led to

Robert Mercer: Strange Fiction Read More »

Dusk of Nations: In Conversation with Fiona Foley, Archie Moore and Keemon Williams

Join Curator Kyle Weise in conversation with Dusk of Nations artists Fiona Foley, Archie Moore and Keemon Williams. Dusk of Nations features selected works by leading Australian-based artists drawn primarily from the UQ Collection. Spanning painting, photography, sculptural objects and moving image, artists explore ideas of national identity and nationhood, and how these concepts are defended and maintained,

Dusk of Nations: In Conversation with Fiona Foley, Archie Moore and Keemon Williams Read More »

Colina Wymarra

Acclaimed Remote Artist Award winner, Colina Wymarra, will unveil two highly anticipated solo exhibitions at two locations across Brisbane this September. Bloodlines at Judith Wright Art Centre from 6th to 20th September, offers a profound exploration of Wymarra’s cultural identity, delving into her rich heritage as both a Gudang/Yadhaykenu Woman from Cape York and a

Colina Wymarra Read More »

Miles Hall: LATENT/BLATANT

Via a direct approach to mark making and a refined choice of materials, Hall’s recent paintings celebrate line, colour and surface, and in doing so question our tactile relationship to the painted image. Visual tensions between chaos/order, organic/geometric, sumptuousness/raw, sight/touch, colour/black & white are exploited by the artist to generate arresting works rich in sensuality

Miles Hall: LATENT/BLATANT Read More »

Pia Murphy: Florescence

Florescence, shapes that form and the compositions that bloom. Always leaning into curiosity and finding my way as I go, I follow what surprises and excites me. Layers of colour & texture; droplets, flowers, stems, bulbs and blocks. ‘Murphy’s paintings aren’t formed by sketches or miniatures, there’s no guidelines. They are rendered straight onto the

Pia Murphy: Florescence Read More »

Natalie Lavelle and Pippa Makgill: About Nothing

About Nothing brings together the practices of Natalie Lavelle and Pippa Makgill. In this exhibition, Natalie’s assertive and vast canvases alongside Pippa’s precarious structures attempt to represent the formless or the presence of ‘nothing’. Sitting on this threshold of almost nothing offers grounds of possibilities and prompts a kind of self-awareness in the here and

Natalie Lavelle and Pippa Makgill: About Nothing Read More »

Dusk of Nations

Dusk of Nations features selected works by leading Australian-based artists drawn primarily from the UQ Collection. Spanning painting, photography, sculptural objects and moving image, artists explore ideas of national identity and nationhood, and how these concepts are defended and maintained, resisted and subverted. Critical hinges of ‘Australian’ national mythology, including the outback, the national flag, a

Dusk of Nations Read More »

Duty of Care – Part One

In the art world, there’s a new emphasis on care, with a focus on gentle attentiveness and good works, and a fear of triggering hurt. In curatorial practice—and in culture more broadly—‘care’ has become a buzzword, and is being used to reset policy and practice. However, too often, the complexity and troublesomeness of care are

Duty of Care – Part One Read More »

Judy Watson: mudunama kundana wandaraba jarribirri

For more than four decades, Judy Watson has created powerful, ethereal works of art channelling the stories of her family’s Waanyi Country in north-west Queensland. ‘mudunama kundana wandaraba jarribirri: Judy Watson’ is a comprehensive survey of the renowned Queensland artist’s incisive meditations on colonial, social and ecological concerns. It is her most extensive solo exhibition

Judy Watson: mudunama kundana wandaraba jarribirri Read More »

Seeds and Sovereignty

Over countless generations, Aboriginal and Torres Strait Islander people developed an intricate understanding of their Country’s unique environments and ideal ecological balance. Intertwined with cultural knowledge and ceremonial practice, this insight is embedded into societal systems, wherein totemic relationships of responsibility to flora and fauna ensure ongoing land management and sustainability. Native plants provide nourishment,

Seeds and Sovereignty Read More »

Art Futures Fellowship: Greece

Art Futures is calling for applications from performing artists for the Art Futures Fellowship 2025. The Fellowship includes a two-month residency at Space for International Cooperation [SIC] in Athens, Greece from mid-February to mid-April 2025. The Fellowship prioritises proposals with a clear view on how the fellowship, including the residency period, is embedded in the

Art Futures Fellowship: Greece Read More »

Primavera: Young Australian Artists

The Museum of Contemporary Art Australia’s annual Primavera: Young Australian Artists exhibition showcases the work of Australian artists aged 35 years and under. In its 32nd year, Primavera has been guest curated by Talia Smith, who considers what artists are creating to challenge society’s prescribed structures. Through works of various media, including installation, video, painting, sculpture, mark-making and text,

Primavera: Young Australian Artists Read More »

Unleashed

Artists: Alicia Allan,  Ash and Kirralee Robinson, Anita Wano-Sumner, Aurora Elwell, Bunda Art, EB Jewellery, Julya Hegarty, Rick Hayward. Celebrating Queensland’s rising craft & design practitioners.   artisan is thrilled to present the 2024 edition of our long-standing Unleashed exhibition, shining a spotlight on the next generation of Queensland’s most promising craft and design talent. For over two decades,

Unleashed Read More »

Necessary Images: The Films of Robert Bresson

Robert Bresson (1901–1999) is one of the monumental figures of French cinema. Over an iconoclastic career spanning six decades, he embraced poetic asceticism in his pursuit of a new kind of truth in filmmaking. This program presents a rare comprehensive retrospective of Bresson’s films, from his early comedy short Public Affairs 1934 to his haunting final treatise L’Argent 1983.

Necessary Images: The Films of Robert Bresson Read More »

Bone Drift

The Machinery St Gallery space will show evolving exhibit outcomes from a series of workshops conducted for the ISEA2024, disability and artisan communities – these outcomes promise to generate a fascinating installation at the intersection of art and science that explores concepts around disability identity.   Image: Habitation, 2021, Helen Pynor. Unglazed bone china (made from the

Bone Drift Read More »

Vibrant Matter

Bringing together works from the UQ Collection and beyond, this exhibition is attentive to the agency of materials and to the vibrancy of matter. The artists included in Vibrant Matter have co-produced their work with material components of drawing, sculpture, and sound art. Welcoming the active participation of these more-than-human materials and beings as co-creators, the works

Vibrant Matter Read More »

As Above, So Below

The term ‘as above, so below’ has its origins in an ancient, cryptic text known as the Emerald Tablet. Drawn from a Latin interpretation and adopted by a number of different belief systems, the phrase is commonly used to describe the idea that the microcosm mirrors the macrocosm and vice versa. It can be interpreted

As Above, So Below Read More »

Sculptures in the Garden

Sculptures in the Garden will return in 2024 as one of the largest sculpture exhibitions in rural NSW. This year marks the 14th annual Sculptures in the Garden event, and we are eager to continue providing artists with a platform to exhibit their stunning works alongside both local and interstate artists. Participating artist will also

Sculptures in the Garden Read More »

Paula Condon: Inter-Vene: Re-En-Vision

Inter-Vene: Re-En-Vision is an anarchival assemblage and installation by current Queensland Art and Design student Paula Condon. Everyday objects and materials are recontextualised and embedded within the architecture of the site, fracturing and reframing the space. Informed by a critique of archival logics, these material explorations seek to reveal and inform different ways of seeing and

Paula Condon: Inter-Vene: Re-En-Vision Read More »

Clayton Utz Art Award

Open to Queensland-based artists or artists with a strong connection to the state, the Clayton Utz Art Award offers a $20,000 winner’s prize and exhibition space for the finalists. Over the last decade we’ve attracted some of Queensland’s finest talent, a cross-section of cutting-edge artists working in a wide variety of art forms united by

Clayton Utz Art Award Read More »