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WWAS Printmaking Prize

The aim of the prize is to celebrate the amazing world of printmaking by showcasing traditional and digital techniques from established and emerging printmakers as well as cross-disciplinary artists exploring print media. 30 Finalists will be selected (15 works from each of two categories: Traditional Print and Digital Print) for an online exhibition. Two winners […]

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2022 Mosman Art Prize

Mosman Art Gallery is pleased to announce that entries are now open for the 2022 Mosman Art Prize. Established in 1947 it is the oldest Municipal Art Prize in Australia. This national acquisitive painting prize is valued at $50,000 with an additional four awards on offer, including an Emerging Artists’ Award. Prizes on offer are:

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HYPERSPECTRAL

HYPERSPECTRAL is the inaugural contemporary arts and music event by PhotoAccess! This immersive showcase will feature the convergence of local and emerging contemporary digital media, video, music and sound artists responding to the themes of Hauntology, Trans/Post Humanism, Otherworldly Events, and more than Human Occurrences. HYPERSPECTRAL calls attention to current questions about the ontological and epistemological

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Wendy Sharpe

Wendy Sharpe (b.1960, Sydney) is a major Australian figurative artist who divides her time between living and working in her two studios in Sydney and Paris. Sharpe is known for her confident, exuberant figurative and narrative style paintings which depict love, passion and daily life. Sharpe draws with paint – her sensuous use of the

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Lab Art Prize ROME’22

Malamegi Lab Art Prize, is a call for submissions open to all kind of artists. Works allowed in the art competition are: drawings, paintings, sculptures, photographs, graphics, mix media and video. A great opportunity for the artists, which can win a cash prize, have the opportunity to exhibit their artworks, and much more. PRIZES: 5000,00€

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Courtyard: Zine Fair

Support Meanjin’s emerging zine makers for our Courtyard Zine Fair, presented in collaboration with NEXTDOOR ARI. There will be zines, prints, stickers, small artworks, recycled tote bags and much more available to purchase throughout the evening! All artists receive 100% of their earnings, so show your support of our local community and come ready to

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Don’t Look Away

Queensland College of Art, Griffith University Postgraduate Visual Arts students come together to share their responses to the current and pressing climate emergency. We are experiencing more climate catastrophes now than since records began. Severe floods and fires have ravished our nation in the last two years alone, each disaster on a larger scale than

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Laura Brinin: Sleepover

A week-long residency at Side Gallery is proposed to further explore components of the artist’s relational aesthetics practice. In previous work, the artist has created installations that were conducive to conversation, prompting dialogue exchange which was later removed from context and formed separate works. Documenting private conversations and removing context from isolated sentences has been

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Kelp Culture 2022: How long Can You Hold Your Breath?

Kelp, an underwater dancer, yields to the tide, regenerating life within our ocean while drawing down carbon from our atmosphere.  With rising temperatures, overfishing and lowering food supply, our ocean ecosystems are dying along with the kelp forests that sustain them. Is kelp(seaweed) a key? Kelp forest regeneration is deservingly prominent within the discourse surrounding

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Celia Gullett: Distillation

Jan Murphy Gallery is pleased to present ‘Distillation’ by Sydney-based artist Celia Gullett. Distillation Noun 1. the action of purifying a liquid by a process of heating and cooling. 2. the extraction of the essential meaning or most important aspects of something. Celia Gullett’s atmospheric paintings capture ephemeral experiences in a more permanent form. Gullett’s

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Who gets to ‘know’: Education and alternative knowledge

Join organisers from Brisbane Free University and The Resistance for a collaborative and hands on workshop to further explore the themes addressed in ‘An Alternative Economics’. We gather on the unceded lands of the Yuggera and Turrbal peoples. We ground our conversations in the material conditions of continuing colonisation and unceded Indigenous sovereignty; reckoning with

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UPROAR

Uproar- Addressing the important issue of sexual violence towards women with the goal of promoting community awareness. UPROAR: Break the Silence on Sexual Violence. The culture of silencing survivors contributes to the impact of the abuse on women’s lives. Shutting survivors down can leave women feeling guilt, shame, isolation, confusion, and doubt and not being

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The Interior

Brisbane-based artist Natalya Hughes invites gallery visitors to dive into the depths of their psyche with a psychoanalysis-inspired exhibition titled The Interior at the Institute of Modern Art, 30 July–1 October 2022. Drawing on the gendered power dynamics between public and private space, the exhibition presents a playfully exaggerated consultation room. Combining sculptural seating, richly

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Botanica: Contemporary Art Outside

Discover a stunning open-air art exhibition in the heart of Brisbane City at Botanica – Contemporary Art Outside from 20-29 May 2022, in the City Botanic Gardens from 5-10pm daily. As the sun sets over Brisbane’s iconic urban skyline, Brisbane’s City Botanic Gardens will come to life with state-of-the-art projections, unexpected installations and interactive artworks to captivate children and adults. Enjoy

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Jacinta Giles: False Continuity

The photographic works in False Continuity are a continuation of Jacinta’s ongoing interest in questioning our understanding of our contemporary visual world, particularly our experience of the moving-image. In seeking to expose the temporal pulse, shifting velocities, and gestures of women across different genres of cinema, False Continuity materialises the language systems used by film to mediate ideas

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Samuel Tupou in conversation with Miranda Hine

In conjunction with our current exhibition, join curator, writer and artist Miranda Hine, as she sits down with artist, Samuel Tupou to discuss his current exhibition, LOW RESOLUTION DREAMZ. Samuel will discuss themes addressed in his latest body work: memory; nostalgia; family; culture and speak in more detail about his vibrant, pixelated painting style. In a recent review published by Garland

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Petalia Humphreys: Prompt

Prompt, as a verb means to cause or bring about (an action or feeling). As a noun it is an act of encouragement.  Humphreys’ works are these things.  They stand inert, yet they encourage the viewer to be active, to become ambulatory in the viewing and comprehension of forms that reveal the potentiality of dimensional

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Nadine Sawyer: Flotsam Poetry

Based on Lamb Island (Ngudooroo), a suburb outside of Brisbane, Nadine Sawyer is a multi-disciplinary artist with a degree in fine arts from RMIT and a Master of Arts from Monash University, Melbourne. In Flotsam Poetry, precious and discarded objects, both manmade and organic have been collected from amongst the detritus of the recent floods in

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Ephemerality

An exhibition by artist Dennis McCart presents the artists ongoing investigations of the landscapes edging the Brisbane river and their transitory nature. McCarts practice explores landscapes within the ‘margins’, places not commonly looked upon for an experience of beauty or meaning. This exhibition focuses on the sites that edge the Brisbane river bringing together video

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Devil’s Ivy

Within the social context of the pandemic, which created an increased collective focus on the home and garden as an expression of identity, this exhibition looks at our desire to feel kinship with the natural world. Artists in the exhibition address how plants are owned, displayed, cultivated, and related to by contemporary culture. They examine

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Belynda Henry: Further Afield

The physical act of painting is the final outpouring of our personal observations, thoughts, experiences, life. A realisation best known through a kind of summary, a distillation. What we dream can never materialise as the subconscious has no form. The artistic process begins with the flickering of the imagination – thoughts that seem as fragile as

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Bowness Photography Prize

Over the last 16 years, the William and Winifred Bowness Photography Prize has emerged as an important annual survey of contemporary photographic practice in Australia and one of the most prestigious prizes in the country. In 2005 the MGA Foundation was established with the aim of supporting MGA and its significant collection, as well as

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The churchie 2022 finalists announced

The churchie emerging art prize and the Institute of Modern Art are thrilled to announce the 2022 prize finalists. Over 400 entries were received from across Australia, with 12 talented artists selected by the pre-selection panel to exhibit their work at the IMA. Congratulations to the 2022 finalists: Darcey Bella Arnold (VIC), Emma Buswell (WA), Jo Chew (TAS), Kevin Diallo (NSW), Norton Fredericks (QLD), Jan Griffiths (WA), Jacquie Meng (ACT), Daniel Sherington (QLD), Linda

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International FiKVA Award

The International FiKVA Award for painters 2022 is a global online competition, open to all artists age 18 or older, worldwide. Enter the paintings produced the last two years you are most proud of and you could win up to €5000 in cash and other prizes. The FiKVA Award welcomes entries in all genres: hyperrealism, photorealism, classical and modern

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The Hopper Prize

We are offering artist grants in the amount of $3,500 (2 available) and $1,000 (4 available) to artists worldwide working in all media. In total, 6 artists will receive unrestricted cash grants. Submissions will be juried by: — Jody Graf, Assistant Curator, MoMA PS1 — Pamela Meadows, Curator, Boulder Museum of Contemporary Art Our open

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Cornelia Van Rijswijk: It is not there, It never was

Cornelia Van Rijswijk is a Multidisciplinary Artist & Designer primarily exploring the boundaries of 3D digital forms and landscapes, with an interest in the utilisation of technologies to create soothing environments and objects. These forms are initially generated in a virtual space, after being augmented and distorted, the artefacts are plucked when deemed aesthetically ripe,

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