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Book Launch – Absolute Humidity

Absolute Humidity is a new limited-edition volume featuring over thirty conversations with contemporary artists practicing in the Asia-Pacific region. The publication, edited by Brisbane-based curator and writer Tess Maunder, addresses the conditions that many artists are working under today; trans-national relationships, ecological threats, exploitation, anxiety, sovereignty, politics, identity, disputed territories and the shifting weather. Join […]

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Parallel Park: Into Another

nto Another is a new video work by collaborative duo Parallel Park. In 2015, Parallel Park sacrificed their personal double-ended dildo to make a mould for 101 concrete clones, resulting in ‘Boneyard 101′. Unfortunately, the much loved toy did not survive. Into Another documents the loss, celebration and moving on from an object that exemplified the co-dependency and tunnel-vision nature of the artist’s

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Simone Hine: Picture

Picture is a new work by Brisbane-based artist, Simone Hine. Édouard Manet’s Bar at the Folies-Bergère (1882) and Jeff Wall’s Picture for Women (1979) act as precursors for this work. Picture is a public intervention that utilises the context of the Kuiper Shop Front, as a retail site, to re-imagine both works within the context of late capitalism. This work will be on display

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The Wrong Kind of Beauty

The Wrong Kind of Beauty is the Bloom Collective’s embodied, experiential response to the fragility of the landscape produced by the gullying process. The harrowing and ongoing drama of the landscape, simultaneously reveals moments of delicate sculptural beauty, explored here through poetry, movement, sound and visual documentation. The photographs and videos presented are from site at

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Kay Watanabe: Echo

Brisbane-based printmaker Kay Watanabe will show her new works, which are rich in black and texture, in her solo exhibition on Saturday 1 September 2018 at The Wag Bar of The Woolloongabba Art Gallery in Brisbane (613 Stanley St., Woolloogabba, QLD, Australia. +61 7 3891 5551). Entitled “Echo,” the show will be themed around Kay’s

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Keynote Lecture: Julie Rrap

Julie Rrap’s involvement with body art and performance in the mid-70s in Australia continued to influence her practice as it expanded into photography, painting, sculpture and video in an on-going project concerned with representations of the body. A major retrospective and publication Body Double was curated by Victoria Lynn at the MCA, Sydney in 2007 and in

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Jacqui Shelton: Something Like Dancing

Intimate performance and filmmaking are fused to explore embodied communication, familiarity and gesture; looking to the breaks between and hiding behind, the words uttered aloud. Jacqui Shelton’s work emphasises the unspoken: the rules, anomalies, proximities and movements that inhere within our everyday conversations and interactions.   PARTICIPATORY SESSIONS / with Jacqui Shelton / throughout exhibition

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Peter Churcher

 “Since graduating from art school, I have been primarily concerned with the painting of the human figure in a narrative context and the depiction of the human presence – tht is the Portrait. This focus all stems from my devotion to the great figurative masters such as Velasquez and Rembrandt and my firm belief and

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Ari Athans: Remains

“Science underpins all my work,” says Ari Athans. Geography, geology, and topography combine in her paintings to resonate with a sense of the earth and its timeless processes, to explore the fuzzy boundary between organic and inorganic. The physicality of her creative process – building up and sanding back layers of enamel paint, oil pastel

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Future Proof

Future Proof 2018 brings together new work by five recent Queensland graduates: Christopher Bassi, Briony Law, Torin Francis, Olivia Lacey, and Peter Kozak. Curated by Tim Walsh, Future Proof provides an opportunity for emerging artists to develop and exhibit new work post-graduation. In 2018, alongside the exhibition, each artist has been mentored by an art world professional relevant

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Bodies

An group exhibition featuring some of Brisbane’s leading underground artists and their exploration of the theme “Bodies”. ‘In creation the body is a tool to express the mind; and according to Aristotle, the hand is the “tool of tools”. Our hands have the power to excite and to prohibit, to greet and to neglect, to

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Jay Younger: Demagogues and Megalomaniacs

Jay Younger’s first solo show in Brisbane for some years includes two series: Demagogues and Megalomaniacs (2018) and Queensland (2017). Her exhibition is a powerful return to earlier concerns in image making and both photographic series take politicians as their subject matter. Younger uses ‘smoke and mirrors’ to comment on spin, chance, deception, reflection, and obscuration – albeit in

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Ningura Napurrula Gibson

Ningura Napurrula Gibson was born 1938 in the remote desert of Western Australia. As a yougn women she helped her husband artist Yala Yala Gibbs Tjungurrayi in infilling the backgrounds of his canvases. She did not begin painting in her own right until the mid 1990’s and had her first solo exhibition with William Mora

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CURIO

This group exhibition brings together four talented oil painters: Chase Archer, Selway Lampard, Lukifer Aurelius and Ryan Daffurn. With no brief or boundaries, each artist has been allowed to wander freely through their own subconscious.  Drawing on experiences, memories, dreams and fears, they collect their imagery and build their narratives. The result is a collection of dream-like

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First Thursdays: Léuli Eshrāghi

Artist, writer, and IMA Visiting Curator, Léuli Eshrāghi, who is currently working on upcoming exhibition ‘The Commute’ will present a new performance work, ‘paper/s/kin gesture’, for First Thursdays. Eshrāghi has developed this work for the context of Bloodlines by Sancintya Mohini Simpson | Metro Arts, an exhibition by artist and IMA Curator of Public Engagement, Sancintya

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Bernd Oppl: Substanzaufnahme

Sterile spaces, white walls, black doors, no people. A fluid in shiny black swashes in, slowly spreads out on the floor, swallows the white and forms into a sculptural shape. Space-grasping substances, alien, inspirited, puzzling and eerie. Using magnets, Bernd Oppl and Bogomir Doringer form sculptural entities from iron-containing ferrofluid in miniaturised three-dimensional displays. Bodies created

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Silver & Gold: Unique Australian Objects 1830 – 1910

The Ipswich Art Gallery is delighted to present a National Gallery of Australia Exhibition. Silver & Gold: unique Australian objects 1830–1910 showcases exceptional nineteenth and early twentieth century Australian silver and gold objects drawn from the National Gallery of Australia’s significant collection of colonial decorative arts and design. The theme of this exhibition is celebration, with

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Dark Rooms – Women Directing the Lens 1978-98

Group exhibition featuring artists: Maree Cunnington, Destiny Deacon, Linda Dement, Marian Drew, Bonita Ely, Fiona Foley, Elizabeth Gertsakis, Lesley Goldacre, Janina Green, Fiona Hall, Leah King-Smith, Lindy Lee, Anne MacDonald, Ruth Maddison, Wendy Mills, Tracey Moffatt, Jill Orr, Nat Paton, Eugenia Raskopoulos, Julie Rrap, Robyn Stacey, VNS Matrix (Virginia Barratt, Francesca Da Rimini, Julianne Pierce, Josephine

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Sebastian Helling: Then Play On

 “My paintings are neither abstract nor figurative, neither gestural nor compositional. Layers of artistic languages overlap and deny each other. In the same spirit, my wish for communication (or anti-communication) is trapped within the relevance of the artwork.”   Helling’s paintings are conceived by building, erasing and re-working the surfacein an entangled dance back and forth

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GOMA CINÉMATHÈQUE

The Australian Cinémathèque at GOMA provides an ongoing program of film and video that you’re unlikely to see elsewhere. Screenings take place Wednesday and Friday nights and Saturday and Sundays matinees. We offer a rich and diverse experience of the moving image, showcasing the work of influential filmmakers and international cinema, rare 35mm prints, recent

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Jay Younger

Jay Younger is a Brisbane based artist, curator and academic with over 30 years of practice. Generally Younger’s artworks take form as photomedia, public art and installation with the purpose of interrogating the position and status of women within physical space, spatial politics, and the invisible socialised barriers that contain and deny access to other

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BIGSOUND Festival 2018

Now in its seventeenth year, BIGSOUND Festival is your annual opportunity to discover the future of Australian music. Running over four September days and nights, Brisbane’s Fortitude Valley comes alive with a global gathering of musicians, industry, brands, media and music lovers. BIGSOUND continues to cement its place on Australia’s cultural calendar as the place

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Arts Grant Writing Workshop

Hone your grant-writing skills and take your practice or creative project to the next level. Take part in our two-part grant writing masterclass, developed specifically for arts professionals, artists, curators, and writers. Attendees will benefit from in-depth guidance from IMA Assistant Director Madeleine King, who has extensive experience working in the arts and the not-for-profit

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Josephine Ulrick and Win Schubert Photography Award

Entries for the Josephine Ulrick and Win Schubert Photography Award 2018 (JUWSPA 2018) open Friday 2 July. Presented by Gallery at HOTA and supported in perpetuity by the Josephine Ulrick and Win Schubert Foundation for the Arts, the photography award is an exciting platform for established and emerging Australian photographers to showcase their work. Introduced

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