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KATI THANDA: Interpretations from the Air

Four incredible and dedicated photographers, an adventurous off-road 4WD trip and four charter plane flights above Lake Eyre, deliver stunning results.When you take to the air its [Lake Eyre] true complexity, variety and immensity is breathtakingly revealed. Salt deposits, eroded channels and inlets, layers of sediment and algal blooms provide endlessly subtle variations of texture, lines, pattern and

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Material: Concrete

Material: Concrete explores the diversity and potential of concrete across all creative fields from the handmade to the industrially manufactured. It brings together architecture, design, art and jewellery to break the moulds of expectation we often unknowingly hold for the material. This exhibition is part of the Asia Pacific Architecture Forum, an initiative of Architecture

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Max Presneill: Cont-Exis

Hot off exhibitions in both Germany and England, showing alongside the likes of Gerhard Richter, Sol Lewitt, Daniel Richter, and David Hockney. Cont-Exis (Contemporary Existentialism) explores an evolving approach to the dichotomy between the individuated loneliness and alienation of Existentialism when an atheistic response is introduced, which supplants the loss of any God from the discussion, with

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Susan Hawkins: The Remainder

Questioning how a culture reliant on rapid production and consumption can shift to address the environmental realities facing it, The Remainder is an exhibition of Susan Hawkins’ latest work. A battle demonstrating struggle for agency, Hawkins uses sculpture, installation and sound to unravel the complex dynamic between [wo]man and material. Drawing upon the philosophies of

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Abbey McCulloch: Zero

Abbey McCulloch holds a Masters in Fine Art from the Queensland College of Art, Griffith University. Named as one of Australia’s 50 Most Collectable Artists by Art Collector magazine, she has been a finalist in the Archibald Prize three times (with portraits of Toni Collette [2007], Nell Schofield [2009] and Naomi Watts in 2013). She has

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Naomi Blacklock

Naomi Blacklock is a Brisbane based artist who has exhibited both nationally and internationally. Working primarily with sound installation, text works and performance, her artworks involve an exploration and examination of mythologies regarding the witch archetype and harmful histories of gender and cultural identity. She is PhD candidate at QUT and is a Co-director of

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Stephen Nothling: Subject to Change Without Notice

“Subject to Change Without Notice” is the name of Stephen Nothling’s upcoming exhibition at Woolloongabba Art Gallery. A collection of paintings that explore ideas and representations of beauty and nostalgia. Stephen paints memories and impressions of his life in Queensland; playfully commenting on how time, technology and commerce have influenced the way he half-sees the

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Rick Amor

RICK AMOR was born in Frankston, Victoria in 1948. In 1965 he completed a Certificate of Art at the Caulfield Institute of Art and from 1966 to 1968 studied at the National Gallery School, Melbourne. He has been the recipient of several Australia Council studio residencies which have allowed him to work in London, New

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The Floating Word

Mika Nakamura-Mather has spent much of her life away from her homeland of Japan, living, working and travelling extensively in Europe, Asia and Australia. Her work draws from the present and the past to examine the role memory plays in our notions of home, and traces how it may influence our emotional responses to geographical

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Francisca Vanderwoude: We Think of You as a Dancer

Beginning with a two week performance residency, the aim of this exhibition is to highlight  the parallels between matricentric and sex-positive feminist frameworks. The title is taken from Carolee Schneeman’s ‘Interior Scroll’ monologue, acting as an homage but also a challenge: to imagine a world where it doesn’t make sense, where ‘object’ and ‘subject’ lack

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New Collage: Recent Works by Rachael Bartram & Warren Handley

New Collage features contemporary collage works by Rachael Bartram and Warren Handley. While each body of work complement each other they also stand in contrast to each other. They both incorporate and reinterpret existing imagery, however one set is analogue and the other is digital. Bartram’s handmade assemblages combine imagery of women collected from nonfiction

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Aishla Manning: Soft Verges

Aishla Manning is a contemporary visual artist with a focus on site-specific, performance-based practice. Her work is primarily concerned with failure, tension and absurdity of the everyday. Manning’s videos engage viewers using absurd humour as a tool to subvert everyday objects, gestures and settings. Tensions arise when the familiar becomes strange through repetitive futile sequences

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Less Than: Art and Reductionism

In today’s world of ‘reduce, reuse, recycle’ and bestselling books on the Japanese art of decluttering, this exhibition delves into the artist’s pursuit of nothingness–or at least the next best thing. Reductionist techniques–repetition, limited or monochrome colour, seriality and plain-spoken materials–have been used by artists working in geometric abstraction, colour field painting, conceptualism and minimalism

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First Thursdays: Chantal Fraser

In her performance To Be Humble, artist Chantal Fraser invites you to take part in a mass act of artistic, social, and cultural penance. For this First Thursdays experience, she draws on the Samoan ritual tradition of ifoga, which is a ceremonial practice of forgiveness.   Fraser uses material culture and adornment in her installations, performances, and digital media works. Her interdisciplinary practice

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gcbrv: Dirty Laundry

gcbrv is the embroidery project of Canberra based artist Astrid Barta. Her current work uses found fabrics in an easily-installed textile and sculptural context. Expression through the process of making and subject of the works, Dirty Laundry is a showcase of the artists’ acquired skill as an art form. gcbrv (good Canberra vibes) Mount Address:

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MONO x Liquid Architecture : Áine O’Dwyer (IE) & Kusum Normoyle

Áine O’Dwyer makes multi-layered works that celebrate chance choreographies, acoustic phenomena, acts of listening and the search for alternative scorings through instruments, drawings, space, time, memory and the body. In recent years she has developed a unique specialisation for improvisation with pipe organs, culminating in the albums ‘Locusts’ and ‘Gegenschein’ which follow her acclaimed ‘Music

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Charlie Hillhouse: Watering a Flower

“Watering a Flower” is the latest photographic series by Charlie Hillhouse since returning from Japan. This body of work focuses on the impervious visual language of distinctly Australian settings. These scenes, furnished with the sculptural forms of twisted and refashioned barbed wire, highlight an otherwise inconspicuous aspect of urban locations. Marrying these oftentimes dismissed or

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BIGSOUND 2017

Join the @BIGSOUND Festival design team for #BIGSOUND17 . Be mentored by the best and kick start your career in Festival Design. Call out for disciplines include: animation, design, digital media, architecture, installation and performance. For more information please visit the – Website

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Kiyosato Young Portfolio

Young Portfolio is a program organized by the Kiyosato Museum of Photographic Arts (K*MoPA) in Japan to support young photographers from around the world by exhibiting and acquiring their works for the permanent collection. Anybody under the age of 35 is welcome to submit their works. The organisers are looking for works by devoted photographers

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I AM KARACHI

Open call from I AM KARACHI for artists to submit design concepts for transforming public space walls and facades in the city of Karachi, Pakistan and further develop the Peace Walls concept initiated in 2015. I AM KARACHI currently works on different elements of a robust program where public facades, walls and pathways are being

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Helle Cook – Notion of Home

—Betwixt and Between— In general understanding, the term ‘liminal’ refers to the ambiguity or disorientation that occurs in the middle stage of a ritual. It is a term for the threshold between the way one previously structured their identity, time, and community, and a new way once the ritual completes. In contemporary sociology, the term

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SNAP 17

Every year, Aspire runs an Open Call Photography Exhibition – ‘SNAP- to give Photographers a space and chance to showcase their unique styles and skills with Photography.‘SNAP is an open theme group exhibition for anybody who manipulates or captures photographs. The only requirement is that a camera needs to have been incorporated sometime before the

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Tim Johnson: Metamodernism

Sydney-based Tim Johnson presents ‘Metamodernism’, an exhibition of new paintings alongside selected works from key periods of his practice. These will include paintings from Johnson’s influential punk period, portraits of Clifford Possum Tjapaltjarri, conceptual works, photographs from Papunya, and paintings from his Vietnam series. Opening Event: Saturday 29 April, 3 – 5pm IMAGE: Tim Johnson with

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Robert Andrew: Our mutable histories

Entering into Robert Andrew’s exhibition “Our mutable histories” at Museum of Brisbane, I am immediately confronted with a warping mechanical sound. This is coming from Andrew’s most recent work, “Data Stratification.” Combining the sleek aesthetic of modern technology with natural materials, Andrew has developed a number of kinetic installations which speak of his Indigenous Australian

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