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Miles Hall: Fall To Earth

“As the force of Gravity pulls all animate and inanimate beings towards the earth it perhaps, inversely and paradoxically, that which connects us to something beyond. These recent paintings have been created working under the direct inspiration of the Mediterranean light and the warmth that falls directly into the studio from above. I have tried […]

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Savannah Jarvis: Surgical Fantasies

Surgical Fantasies gives form to fantasies of control and autonomy for those with bodies burdened by chronic pain, specifically endometriosis. Exploring desires to intervene with one’s own circumstances against the inability to do so, Jarvis expands upon historical artistic representations of medical bodies and female objectification, creating a fantastical ‘surgical suite’. Savannah Jarvis is an emerging

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Hoda Afshar: Aura

Early January, 2020. A suffocating smoke has enveloped the city. The sky is burnt black and orange. The sun is barely visible. You can barely breathe, even here in the city. Bushfires are burning across eastern Australia, and images of bright red waves devouring everything play on every television. The pictures merge with the blurred

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Ebony Maurice-Wilmott: Axis and Origin

Axis and Origin is an archive of printed grids and concentric found objects accumulated during travel which engage the conceptual possibilities of pressure and trace to expose the contours of surfaces. Material matrices include ironing boards, manholes, pavements, tram tracks, a bleacher seat, and a bed. Dematerialised and displaced from origin, the works are realised through processes

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Over Thirty

In the final exhibition for 2023, FireWorks Gallery has assembled a significant number of small works, all measuring 30 x 30cm, jovially entitled Over Thirty. Both Indigenous and Non-indigenous artists have been brought together to mark and celebrate Over 30 artists…Over 30 years of the gallery in operation. On display in the ground floor gallery

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Contextile 2024

CONTEXTILE invites all artists (national and international) to present artworks to the competition for the International Exhibition, as part of the programme of its 7th Edition, Contextile 2024 – Contemporary Textile Art Biennial, to be held in the city of Guimarães, Portugal, from the 7th September to the 15th December 2024. In 2024, the Contextile biennial

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First Draft x Metro Arts Exhibition Program

Our Metro Arts x Firstdraft 2024/2025 Program is a reciprocal partnership supporting one regional New South Wales artist/collaboration and one regional Queensland artist/collaboration to exhibit at both Firstdraft (Sydney) and Metro Arts (Brisbane). In Round 1, a New South Wales regional artist was selected through the 2023 Firstdraft Program Callout, to exhibit at Firstdraft in

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Exhibition Opening: 15 Artists

Visit Redcliffe Art Gallery for the opening night of this year’s 15 Artists exhibition. Celebrate as we announce the $20,000 prize winner. Everyone is welcome, come along and let your hair down to the soundtrack of a secret guest DJ. There will be light refreshments and drinks available. The exhibition highlights recent works by Australian artists, presenting

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THE 68TH BLAKE ART PRIZE

Since 1951, The Blake Prize has engaged artists, nationally and internationally, with ideas of spirituality and religion. The prize takes its name from William Blake, the world-famous 18th Century artist, and poet who threaded the religious and artistic throughout his practice. Building on this history, The 68th Blake Prize continues to encourage contemporary artists of varied styles and

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Rick Amor

Rick Amor (b. 1948, Frankston, Victoria) is one of Australia’s most prominent figurative painters and a highly regarded printmaker and sculptor.  Amor lives and works in Melbourne. His supreme grasp of tonality allows him to masterfully manipulate light and transport the viewer into his images. Filled with light and shadow, Amor’s brooding and nostalgic works

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Artisan’s Workshops

artisan‘s workshop vision is to offer bespoke and intimate classes of the highest quality. Classes that are thoughtful and beautifully paced, where students have a personalised experience, and teachers feel supported in sharing their honed skill. We believe that this is the difference artisan brings to the workshop experience.  If you are thinking of doing a

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Yanni Van Zijl: ONE.5C

ONE.5C is an exhibition by Yanni Van Zijl that explores humans’ relationships with their actions and the consequences that follow. Van Zijl takes an environmentalist approach, citing concerns of fire, flood, drought and climate change as driving forces of their practice. These concerns inform material decisions with the artist stating: “sadly there is no shortage of

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Tessa Bergan: Love Suit

A pink body, with numerous pink dishwashing gloves protruding from its chest and stomach, sits half reclined on a beach chair, its legs outstretched, atop a cowskin rug. The figure is armless and has a pink glitter horn extending from its neck, in place of a head. The figure is a projection of the artist’s

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Blacktown City Art Prize

Entries are now open for the 2024 Blacktown City Art Prize. The Blacktown City Art Prize is an annual art prize and exhibition presented by Blacktown City Council and Blacktown Arts at The Leo Kelly Blacktown Arts Centre. The Mayor of Blacktown City, Tony Bleasdale OAM said, “The Blacktown City Art Prize has been instrumental

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Houseful of Heads

Artful Heads is hosting its inaugural art exhibition, Houseful of Heads on October 19th at echo & bounce in Woolloongabba. An exploration of identity and self perception, Houseful of Heads will feature 24 distinctly talented, Meanjin / Brisbane based, early career visual artists and photographers all producing one work, a self portrait fitting the dimensions

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Memories

An intergenerational relationship between three Watson/Brand family women has been expressed lovingly through a new project exhibiting at Side Gallery. Memories explores three generations who actively pursued a ceramic project to document spending precious time together. Leonie Watson, Liz Watson, and Minnie Brand, ages ranging between 70 something, 40 something and 6 years old, have spent months

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Jeanette Stok: Become

Jeanette Stok’s solo exhibition Become, visualises how we create barriers between ourselves and others. The exhibition showcases a comprehensive display of works, including a wearable art piece constructed from black plastic gutter guard, photographs, varieties of sculptures, and hand-drawn black and white animation that analyses the embodied knowledge within embroidery. Visitors are invited to contribute

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Sharmila Nezovic: Provocative

An exciting exhibition of paintings and collages, by original Brisbane artist, Sharmila Nezovic. It explores the paved-over urban experience, through intensely realised, provocative, highly textured abstractions. “I use, what I call, an ‘industrial palette’”, she says. “By directly mixing such materials as road-base crusher dust, washed builder’s sand, sawdust, shards of glass or pebbles into

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Get Me Out!

The outlook for the future can seem bleak, the doomsday clock is currently set at 90 seconds to midnight and there does not seem to be a solution on the table. With this depressing forecast how do we find hope? In Get Me Out!, artists share ways of escape from our current reality – be that

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Clay: Collected Ceramics

A celebration of contemporary ceramics and their imaginative makers. From ancient vessels to figurines revealing the daily lives of people from antiquity, ceramics have been integral to cultures worldwide for millennia. Ceramics have stored our most precious resources, have been vehicles for knowledge and traditions, and passed between generations as heirlooms. Clay: Collected Ceramics is a

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Ross Booker: Hydrosphere

Onespace is proud to present Ross Booker’s latest exhibition, Hydrosphere, which marks a significant turning point in the ‘artist’s gaze’ due to recent significant changes with his eyesight. Once reliant upon personal observation of the landscape and close attention to research photography and memory, recent retina detachments and corrective surgery have necessitated a new way of

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