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Triple Oh! Symposium: Art and Object-Oriented Ontology

It seems counter-intuitive to put together art – a form or medium dominated since Kant by questions of intentionality – and the object-oriented ontology arising out of the recent philosophical movement of Speculative Realism. However, undoubtedly one of the corollaries of Speculative Realism’s unchaining of ontology from ‘correlationism’ – the assumption that reality must somehow […]

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Pasifika Coiling Workshop

Maryann Talia Pau is a practicing weaver, artist and designer. She is an exhibiting artist, collaborator, sista and lover of Pasifika crafts, bling and material culture.  Born in Apia, Samoa, Maryann grew up in Auckland, Aotearoa New Zealand and has recently moved to Brisbane with her family after developing her art and work in Melbourne.

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Art Teachers Day @ IMA

The IMA welcomes teachers to join us on Art Teachers Day for an immersive professional development program engaged with peers, educators, curators, and artists working today. In association with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA), the morning session is located at Cinema A, GOMA. The afternoon program is located at the IMA. View

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QUT Creative Industries Precinct: Call Out

QUT Creative Industries Precinct is calling for submissions from independent artists, curators and/or collectives to be a part of the 2015 Exhibition Program at The Block. We’re seeking applications for an exhibition/project/performance which considers the unique spatial and technical capabilities of The Block and embraces experimentation and inter- or trans-disciplinary practice. The successful applicant/s will

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Burnie Print Prize

The Burnie Regional Art Gallery is now calling for entries for the Burnie Print Prize 2015, which will be held for the fifth time after the inaugural competition in 2007. The Prize has been increased from $12,000 to $15,000 making it, alongside the Fremantle Print Prize, the equal-first richest prize for printmaking in Australia. The judges for

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In Out

Please join us for two solo exhibitions by Genevieve Reynolds and Jared Worthington, opening 6pm Friday, 12th September at The Hold Artspace, West End, Brisbane. In Genevieve Reynolds’ paintings, overlapping layers of translucent colour obscure and reveal earlier compositions, forming tunnels leading into the work’s history. The resulting forms protrude and recede, oscillating between reading as objects or

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RARE CUTS: Volume 1

RARE CUTS Volume 1 is a fundraiser with all profits going to DVConnect, a not for profit outfit that arrange assistance such as counselling, intervention, transport and emergency accommodation for Queenslanders who are in danger from a violent partner or family member. They also assist in moving between 12 and 20 pets to safety each

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Art Start Grants

The ArtStart program has been created to give financial assistance to recent arts graduates, helping you make the challenging transition from studying to having a professional career in the arts. If you’ve completed an accredited Certificate IV arts course or higher in the past three years – or are about to complete one – you could be eligible.

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Elisa Carmichael and Ellie Anderson: Pull of the Moon

Pull of the Moon showcases works by Brisbane based artists Elisa Carmichael and Ellie Anderson. Thematic connections with the natural world are explored by both artists in individual and collaborative art works. Both Elisa and Ellie explore the moon’s effect on tides, marine life, and the earth through their own artistic processes. The artists’ backgrounds,

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Asialink’s Arts Residency Program 2015

The aim of Asialink’s Arts Residency Program is to create meaningful and enduring relationships between individuals and organisations in Australia and Asia. Asialink works in partnership with arts residency centres in the region to realise this goal. Asialink Arts Residencies are professional development opportunities, aimed at being mutually beneficial to both host and resident. This

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Franz Ehmann: Many Things (It’s a colourful world)

Franz Ehmann is an internationally recognised artist, working with installation, performance and video for over 20 years. Prepared food and its waste have dominated the theatrical language of Ehmann’s practice, giving rise to their symbolic and metaphorical significance. Previously beeswax, honey, milk and eggshells have been employed to construct allegories that synchronise imagery and language.

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How to: Set up & run your arts business

Professional Development for Artists This is a comprehensive program of activities for artist interested in improving their business skills. The program consists of workshops, forums, master classes, artist consultations and a new workshop series and exhibition for emerging curators. For more information please visit the – Website DATE WORKSHOP FACILITATOR Sunday 14 September How to:

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Feel The Quality

An exhibition of works made in collaboration, Poulgrain and Millhouse create intimate scenarios through a process of collection and construction, asking the audience to engage with the ‘quality’ of materials and sensations. Feel The Quality explores the potential for objects, forms and narratives to act as historical documents that describe their social and cultural context. Sarah

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THIS IS NOT THE WORK

For the exhibition THIS IS NOT THE WORK, feminist artist-run-initiative LEVEL continue their investigation of alternative curatorial methods. Surveying a selection of community-engaged artist projects from different locations around the world, this exhibition followed the pathways of women-centred social networks in order to initiate further collaboration and conversation. The projects documented in this exhibition are examples

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Sarah Poulgrain

Sarah Poulgrain is a Brisbane-based artist interested in distorted reconstructions of experience. She works primarily through sculpture, painting and installations, using objects and images to create sets or scenes. Often using materials of a precarious nature, her practice is concerned with re-enactments of momentary occurrences and seemingly inconsequential narratives in transition from the experiential to

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Tom Nicholson: Comparative Monument (Ma’man Allah)

Tom Nicholson’s new work Comparative Monument (Ma’man Allah) begins with the shared histories between Australia and a remarkable site in Jerusalem. Conceived as a sibling work to his 2012 project Comparative Monument (Palestine), this large-scale work has evolved over two years of research in Jerusalem, Ramallah, Tel Aviv, Beirut, London and Melbourne. The work is premiered in Brisbane,

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COLD SHOULDERED

In a city weeks after the snow filthy chunks of ice remain in the streets, in gutters and on freeway verges. Cars that have been parked for a number of months drive away leaving holes in the ice. There’s a desperate feeling of weight, the simultaneous heaviness and lightness of opening a large stone door

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Daniel Mafe : Grandiflora II

I work with and against a broad range of cultural references such as contemporary abstract painting, gestural and colour field, Chinese ink painting, and the decorative excesses of the rococo, oriental carpets and chintz.  My paintings are cyphers to this inclusivity where a gestural exploration of the surface and paint is combined with an understanding

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Vive L’ Homme

Inspired by the great success generated over the last 3 years from our Ladies only exhibition Viva La Femme, LUST FOR LIFE is proud to present our inaugural VIVE L’ HOMME exhibition. This exhibition will showcase the work of 20 male artists touching on subjects such as fatherhood, brotherhood, strength, boldness, male form, machismo, virility, masculinity and anything

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Mytho-Poetic – Print and Assemblage Works by Glen Skien

MYTHO-POETIC is a constellation of postcards, letters, photographs and drawings that are stitched together and are obscured through the process of etching, drawing, collage and construction. Fish and birds, boats and houses, solitary figures and cryptic inscriptions appear frequently as myths and icons. These motifs are highly evocative of familiar places, lost encounters’ life histories

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Deb Mansfield: Get Out Of The Water

Deb Mansfield is an Australian photomedia artist whose area of research looks at liminal geographies and spaces of in-between. In particular, interstitial sites that problematise assumptions about the nature of boundaries. Mansfield draws on ideas evoked by journeys to remote littoral spaces including Moreton Bay (Queensland), the Mississippi River Delta (Louisiana), Kleinmond (South Africa), the

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Madonna Staunton: Out of a Clear Blue Sky

As Staunton’s first major exhibition at QAGOMA since 1994, this presentation reveals the artist’s full progression through the restrained elegance of her collage and sculptural assemblage, to the more philosophical and personal content of her print-making and recent painting. ‘This exhibition continues the Gallery’s important program of exhibitions celebrating the work of Queensland artists, including recent

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Nicholas Harding

Swimming in the sea has an ecstatic aspect, communing with the sublime; swimming in a river is a more reflective, even melancholy experience. But rivers are seldom uninteresting; Mallarme said in the autobiographical note he composed for Verlaine that one could spend whole days boating on a river and never feel that time had been

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TOOLS OF THE TRADE

The Wandering Room invites you to be part of a collaborative project.  As a follow up to our 2013-2014 residence in Auckland we will be hosting Justin Jade Morgan from Development AIR in Brisbane with his international traveling showcase Tools of the Trade. Tools of the Trade is a snowballing project where willing creatives are invited to

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Galaxy Express

As part of Brisbane Fringe festival, Poly Gone Cowboy presents ‘Galaxy Express’, a selection of new works from New Zealand based artist Felix Harris. Harris filters subtly sharp and witty observations of socially awkward situations through pop/surrealist spectacles with strong ritualistic overtones.   Opening night Friday August 22nd, 5pm – 7.30pm Show runs August 22nd  –

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MYTHOGRAPHIES

Mild Manners Gallery is pleased to present Mythographies. A collection of new paintings and hardwood sculptural works by one of Australia’s most exciting young street artists Mik Shida.Kicking off his painting career in Brisbane in mid 2000’s, Shida’s distinctive style is now recognised internationally, having created ethereal works in both galleries and outdoor spaces across the globe.

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