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Stuart Ringholt: Kraft

The IMA is delighted to present Kraft, the first survey exhibition of Melbourne-based artist Stuart Ringholt. As part of his diverse practice, Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performance works that invoke embarrassment, fear, laughter, and love. Ringholt also makes videos, absurdist sculptures, painted mirrors, and collages.Occupying all four of the IMA’s […]

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Young International Contest of Contemporary Art

The competition’s aim is to promote the enrolled artist, giving them chance to join the international market of contemporary art. This aim will be pursued by taking advantage of the opportunities that the contest offers: Euro 3000,00 (three thousand/00) money prize to the first selected Euro 1000,00 (one thousand/00) money prize to the second selected exhibit of

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re: cognition/re-cognition II

The distinct art practices of Michelle Roberts and Sonya G Peters come together in this joint exhibition. Although diverse in their art practices Roberts and Peters share parallels in which the transformative process of mark-making calls into play the very notion of auto-biographical, autographic memory. Memories as such alter over time through voluntary and involuntary

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Five Centuries of Melancholia

The year 2014 marks the 500th anniversary of Albrecht Dürer’s engraving Melencolia I 1514, the centrepiece of a new exhibition presented by The University of Queensland Art Museum (UQ Art Museum) in partnership with the UQ Node, ARC Centre of Excellence for the History of Emotions (Europe 1100–1800). Five Centuries of Melancholia explores how, from

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Dense Plant Scenes

Brisbane-based artist Tyza Stewart is taking part in this year’s emerging artist program at Boxcopy with a four week artist residency in the gallery during the month of August. Come along to the closing weekend events from Friday 29 – Sunday 31 August. Tyza’s practice is a continually evolving self-portrait formed through paintings, digital images

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G(r)azing on Flesh

G(r)azing on flesh looks at the work of Carolyn McKenzie-Craig and Heidi Stevens. Both artists are invested in the gendered bodily experience within contemporary society. McKenzie-Craig investigates the potential for a gendered self free from social constraints whilst Stevens’ pursues an exclusively female symbolic order. The exhibition at The Hold presents a dialogue between McKenzie-Craig

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Linden Postcard Show

The much loved Linden Postcard Show returns in 2014 with a brand new look. This unique open entry competition sees hundreds of small format contemporary artworks adorn the gallery walls at Linden. Over $10,000 worth of prizes are available. Linden Centre for Contemporary Arts is a unique contemporary public art gallery located in the heart of St Kilda

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THIS IS NOT THE WORK – call out for submissions

LEVEL are calling for participants in our feminist reading and resource room as part of the upcoming exhibition project THIS IS NOT THE WORK, to be held in September 2014 at The Block, Creative Industries Precinct, Queensland University of Technology.For the exhibition, THIS IS NOT THE WORK, feminist artist-run-initiative, LEVEL continue their investigation of alternative

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Harvest

The ‘Harvest’ exhibition is a celebration of food in art. With over 150 works from the Gallery’s Collection, ‘Harvest’ includes magnificent still lifes from the seventeenth century to today, contemporary photography, bold video works, and dramatic large-scale installations, with major new acquisitions of works by Argentine artist Tomás Saraceno. Northern European still-life paintings of the

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Tyza Stewart

Tyza Stewart is a visual artist who explores gender identity through an art practice based in continual self-portraiture. Tyza uses documentation and memories from their own childhood as well as more current experiences to inform an interrogation of understandings of normality in relation to gender. Resulting self-portraits depict ambiguously gendered selves that publicly fail to

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Platform 2014

Platform 2014 brings together installation and large-scale artworks from early to mid-career Australian artists working in a diverse range of mediums. Artists include;  Stephen Hart, Michael Doolan, Merete Megarrity  and Gabrielle Courtenay. Stephen Hart’s work is often concerned with the human condition and our relation to the urban and built environment. 2014 recipient of the

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Sophie Bottomley: The Shape of the Mouth

Sophie Bottomley’s sculptures transform everyday materials into seductive forms which exhibit lush and repetitive textured surfaces – alluding to the artist’s hand. Through her attention to the internal and external qualities Bottomley invokes a strong corporeal and visceral relationship between the spectator and the artwork. The sculptures investigate the relationship between interior and exterior, form,

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Genine Marie Larin

Genine Larin seeks, through her art, to transform bodily affect into concrete knowledge. Stone Baby: An Exploration of Affect and Trauma in Visual Art showcases the outcomes of her material and digital explorations, in the form of installation, sculpture and film.Genine’s primary motivation can be described as a relational and ethical attempt to find a

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Lawrence Daws

After winning the Italian Travelling Scholarship in 1957 and spending time in Rome , Daws lived and worked in London, travelling extensively. In 1961 his work was included in the influential exhibition Recent Australian Painting curated by the Whitechapel Gallery, London and was also included in the Paris Biennale des Jeunes, Paris . Since that

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AGENDA

In a sense, all art is political. The perspective of the artist—a view that is inextricably tied to their unique social landscape—informs their art; likewise, those seeking to wield influence over others have used art as propaganda to promote political and social agendas. In recent history, some of the most potent examples of the use

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Kaleidoscope

Exhibition featuring Zhong Chen and Bruce Earles. Zhong Chen was born in Zhongshan, China in 1969. At the age of 19 he moved to  Australia, completing a Bachelor of Visual Arts at the University of South Australia.  Zhong completed his Masters of Fine Art from Chelsea School of Art in London. Zhong has gained acclaim as a three-time

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DRAWN IN

Featuring Ian Smith, Ron McBurnie, Peter Hudson & Euan Macleod. The visual sources for the four artists in this exhibition extend from the letter box to the cosmos. Ian Smith contemplates the social and emotional implications of the “unavoidable images” of women in underwear regularly delivered to him as junk mail from large chain stores.

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Teo Treloar: Dark Matter

Teo Treloar’s intensely thought provoking work refuses to shy away from uncertainty, giving voice to duality, vulnerability and fragility. Notions of isolation, and tension recur in Treloar’s work, slowly teased out in his quiet yet intense images; in the faceless man that appears and reappears, busily engaged in cryptic activities. The subjects struggle and strive

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Triple Oh!

It seems counter-intuitive to put together art — a form or medium dominated since Kant by questions of intentionality — and the object-oriented ontology arising out of the recent philosophical movement of Speculative Realism. However, undoubtedly one of the corollaries of Speculative Realism’s unchaining of ontology from “correlationism” — the assumption that reality must somehow

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Collaborating in Queensland: Remember or Revive Talk

Join Maison Briz Vegas designers Carla Binotto and Carla Van Lunn and curators Nadia Buick and Madeleine King in a discussion of collaboration, sustainable design, and Queensland aesthetics. This special event is a part of the Mercedes Benz Fashion Festival program. Remember or Revive is an ongoing series by The Fashion Archives that connects contemporary designers with treasures from the past to

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CONTEMPORARY WEARABLES

This is a Toowoomba Regional Art Gallery touring exhibition of their biennial of contemporary jewellery award. It showcases artworks in metals, ceramics, plastics and other wearable media by experienced and often internationally renowned craft practitioners. Each year Contemporary Wearables unearths and presents challenging and inspiring works by young, innovative artists which keeps the exhibition at

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VIRION FESTIVAL

Virion is a biennial digital art exhibition, and online archive of digital creative practice, shown via a global network of public screens, exploring the internet’s potential in making connections between contemporary art, the environment, and the public. Each site provides a unique viewing experience while interacting with the social, cultural and day-to-day activities of the site’s

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Artist Talk: Kelly Hussey-Smith

Brisbane based artist Kelly Hussey-Smith will discuss her work in the animal fanfair exhibition. Kelly is a PhD Candidate from the Queensland College of Art, Griffith University where she also teaches in the Photography program. She is interested in sharing human experiences through photography and storytelling.  Refreshments provided. Image: Kelly Hussey-Smith, From Series – History Alive Date:

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MONO 17: David Grubbs

The IMA and Room 40 are pleased to present a concert and a lecture by artist and musician David Grubbs. For over twenty years, Grubbs has left an indelible impact on music and art. Grubbs is an Associate Professor in the Conservatory of Music at Brooklyn College, CUNY, where he teaches MFA programs in Performance and Interactive Media Arts (PIMA), and Creative Writing. As a

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Jacqui Stockdale in Conversation with Marian Drew

EDWINA CORLETTE GALLERY presents JACQUI STOCKDALE In Conversation with an Introduction by MARIAN DREW RSVP: gallery@edwinacorlette.com Jacqui Stockdale is highly regarded for her practice as a painter, drawer and photographer and has been recognised in major awards, prizes and institutional exhibitions. Stockdale’s work is both exuberant and serious. She sets up theatrical scenes using carnival masks, costumes and objects

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Tim Johnson: Conceptual Work / New Paintings

  Tim Johnson’s highly individual contributions to the practice of making art and to debates about art in Australia, as well as his sustained engagement with diverse communities of Australian society, have constituted one of the most passionate, provocative and productive contributions to our cultural life by an Australian artist in recent decades. At the very end of the 1960s, after painting

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Ash, Needle, Pencil, Match

This collaborative exhibition blends the material thinking of artists Glen Skien and Tachika Yokota who embrace process and the hand-made object as a means of exploring the poetic and transformative nature of everyday objects. Through the reconfiguring of familiar objects fabricated through a variety of mediums both artists reflect on the loss and erasure of

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