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Shannon Brett

Shannon Brett is a descendant of the Wakka Wakka, Budjula and Gurang Gurang clans; tribal inland and coastal groups which surround South East Queensland. She creates and designs artworks indicative of her experiences as an Aboriginal woman living and surviving in modern, urban Australian society following a childhood in outback and small town Queensland. Technically

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Copperart

WHEN : 24th September, 6:00 – 9:00pm WHERE : Level 2, The Fox Hotel, 71-73 Melbourne Street, South Brisbane You are invited to come and see David Creed and Angela Rossito’s copper showroom. David and Angela have recently taken up residence at the newly refurbished Fox Hotel’s art space, Fish Lane Studios. Inspired by alchemy,

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Ah Xian: Metaphysica

WHEN : 17th August – 5th October WHERE : Caboolture Regional Gallery Ah Xian is a senior Chinese/Australian artist who is best known for his contemporary use of the ancient mediums of porcelain, lacquer, cloisonné and jade. The human body is of central importance within his work, which incorporates traditional Chinese iconography to reference past

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DECEASED ESTATE

WHEN : 20th – 27th September / Opening 20th Sep, 6:00pm WHERE : A-CH Gallery, 75 Vulture St, West End Artists : Cameron Hawes, Robert Vagg & Glen Schenau. Combinations of mundane objects observed in parts of fringe Australian subcultures have come to represent something of a continued fascination for Cameron Hawes. Hawes’s drawings illustrate

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Contemporary Vernacular

WHEN : 19th September, 6:00pm WHERE : Institute of Modern Art As architects and designers turn away from globalised spectacular forms in favour of more nuanced and responsive approaches to place, ‘contemporary vernacular’ has become a fashionable, yet contested, term. Does it mean modern interpretations of traditional building techniques or simply using local materials and

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Smoke and Mirrors

WHEN : 2nd – 26th September WHERE : Lust For Life Smoke and Mirrors is a collaborative exhibition from established Brisbane – based artists Caitlin Sheedy and Belinda Sinclair that will be on show at Lust For Life Gallery from the 2nd of September. Working within the realm of figurative landscapes inspired by distorted reflections

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Surface Tension

WHEN : 18th – 28th September / Opening 19th Sep, 6:00 – 9:00pm WHERE : The Hold Artspace An exploration of the spacial qualities of photgraphy. The work of these three artists highlight the texture of photographs, the fallibility of human percemption and the relationship between images and objects. Artists : Sid Coombes, Charlie Donaldson,

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Imaginary Noise

WHEN : 6th September – 19th October WHERE : Artisan IMAGINARY NOISE: AN EXHIBITION OF COVERS FOR IMAGINARY ALBUMS. Rock’n’roll is littered with stories about possibilities and permutations. The Beach Boys’ “Smile” remained in a vault for forty years. The Beatles nearly called their final album “Everest”. David Bowie re-recorded his pre-fame hits on an

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Native

WHEN : 8th – 15th September / Closing event, 15th Sep, 6pm WHERE : The Box Where in other cities it is bountiful, here it is not. The digital made tangible; the language need not be confined to the computer screen. This is life, this is accessible, this is social, this is creative, this is

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Group of Five

WHEN : 13th – 26th September / Opening 14th, 3:00 – 5:00pm WHERE : Lethbridge Gallery 136 Latrobe Terrace, Paddington Lethbridge Gallery presents their second Group of Five exhibition featuring another collection of the artists to watch that have been sourced from our annual art award, the Lethbridge 10 000. Artists – Sarah Hickey’s series

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Hearts of Gold 10

WHEN : 10th – 16th September / Opening 13th September, 5:00pm WHERE : Bleeding Heart Gallery Hearts of Gold is a series of art shows curated by Bleeding Heart that showcase local emerging artists as well as donating all opening night bar takings to a great local cause. As with all Hearts of Gold art

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OPENSOURCE

DEADLINE : 13th September, 2013 Openly Sourced focuses on variance in the interpratation of light, and is one in a series of exhibitions throughout 2013 exploring the use of crowd sourcing within moving image; including Visual Art, Film, Music Videos, and Animations. Throughout the year we have been researching the use of crowd sourcing within

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Wilgefortis13

WHEN : 13th – 15th September / Opening 13th, 6:00 – 9:00pm WHERE : Jugglers Art Space Following last year’s successful Wilgefortis exhibition at the Art Factory Gallery, we have decided to present another show tangentially inspired by the fictional Medieval saint of anxiety, grief, escape, and liberation, patroness of the oppressed and beleaguered. The

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Converted Realms

WHEN : 13th September, 7:00 – 10:00pm WHERE : Upstairs 199. 199a Boundary Rd, West End Where should people sit in relation to the digital and analog realms? Is there more authenticity in the use of either technology, for the purpose of art or the construction and manipulation of our environment around us? Why is

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Discipline Launch

WHEN : 12th September, 6:00pm WHERE : Institute of Modern Art Discipline, the new contemporary art journal, has an agenda. It fosters writing on contemporary art that does not fall back on the ‘crutch of pluralityʼ as a means for theorising art in the wake of postmodernism and globalisation. With writers from Melbourne, from Australia,

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Bryce Anderson

WHEN : 12th – 16th September / Opening 12th Sep, 6:00 – 8:00pm WHERE : Substation Gallery and Studio, 150 Enogerra Terrace, Paddington Bryce Anderson is a Modern Impressionist painter. Capturing the moments in what it is to be an Australian, how it feels to be a young man in a sexually intensified era and

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Ralph Wilson

WHEN : 3rd – 28th September WHERE : Philip Bacon Galleries “A few years ago I found something I had been searching for – a sailing boat of a certain type. Large enough to paint on and set up well enough to stay out on in all sorts of weather and yet small enough to

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New Dawn

WHEN : 11th – 28th September WHERE : Metro Arts Artist – Chris Howlett (AUS) New Dawn is an exhibition of sculptural works that have been in development since 2010, combining 3D printing technology with traditional studio based sculptural practices, activating an immersive space from which to critically and creatively consider how reality and simulated

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