A $30,000 National acquisitive prize for a painting inspired by the Australian landscape, now in it’s 16th year. In addition, UNSW Art & Design will offer a selected artist the opportunity to create a limited edition print and a $3,000 prize sponsored by Chris Antico will be presented to the Honourable Mention recipient. Defiance Gallery […]
Paddington Art Prize Read More »
Acclaimed New York-based artist, Denise Green AM, explores collage, painting and photography in her practice. Born in Melbourne, Green studied in Paris at L’École des Beaux-Arts and La Sorbonne before moving to New York to study under artists Mark Rothko and Robert Motherwell. Her most recent retrospective exhibition was held at the University of Queensland
Denise Green: Marking Memory Read More »
jessie nash – when i was your age jessie nash is an emerging artist based in brisbane whose practice is primarily rooted in oil painting. many of her expressive works feature self-portraits and document uncanny moments, alluding to everyday experience. she explores the push and pulls between the contemporary practice of a female artist and the expectations
Double Exhibition: Holly Anderson & Jessie Nash Read More »
Sydney based painter, printmaker and drawer, Mirra Whale uses her artworks to explore the aesthetics of everyday objects in her exhibition ‘Fodder’. “I want to find beauty in the simplest of objects” says Whale. “To chase shadows that reach across the walls with fleeting light”. Alluding to objects sometimes considered to be of little significance, for Whale, ‘Fodder’
Mirra Whale : Fodder Read More »
Entries are invited for the 2019 Doug Moran National Portrait Prize, Australia’s richest art prize. Now in its 31st year, the prize invites entries of original works from Australian artists capturing Australians from all walks of life, whether a public figure or someone from their own circle of experience. The winner of the 2019 Prize
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Fisher’s Ghost Art Award is an annual art prize inviting artists to submit works in a variety of artistic categories and mediums. With a total of $38,000 in prize money to be won, the Open section is acquisitive to the Campbelltown City Council collection and is valued at $25,000. The Fisher’s Ghost Art Award coincides
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Noosa Regional Gallery invites contemporary Australian artists to submit works for entry into the Lyn McCrea Memorial Drawing Prize 2019, dedicated to the memory of the late Lyn McCrea (1944 – 2015); contemporary visual artist, art educator and art collector. The Lyn McCrea Memorial Drawing Prize was established by John McCrea in 2015 to honour Lyn’s passion for drawing
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The Hornsby Art Prize is an annual art award and exhibition organised and sponsored by Hornsby Shire Council and delivered in partnership with the Hornsby Art Society. The Hornsby Art Prize is aimed at encouraging the creative talents of people and providing a showcase for their works. The prize is open to artists from across
Join the launch of IMA Belltower at the Judith Wright Centre of Contemporary Arts, a new program dedicated to Queensland contemporary art. The first exhibition in the new gallery space is a solo show by Brisbane-based artist and palawa woman, Mandy Quadrio. The Country Within presents a series of large-scale sculptures using a natural material rich with spiritual and cultural
IMA Belltower: Mandy Quadrio and Sebastian Moody Read More »
Early-career Queensland artists are invited to submit proposals for IMA Belltower at the Judith Wright Centre of Contemporary Arts. There are two opportunities: Exhibition as part of IMA Belltower Artwork projection on the façade of the Judith Wright Centre of Contemporary Arts Applicants are invited to apply for either one or both of these opportunities. IMA Belltower
IMA Belltower Call for proposals Read More »
Hone your skills in writing about sound in this workshop with renowned artist, musician, and writer, Seth Kim-Cohen, presented in partnership with Liquid Architecture. Workshop participants will read music criticism and sound studies texts, looking closely at the process of listening, thinking, and writing. Together with Kim-Cohen, you will examine texts in intellectual and poetic
Reading and Writing Sound Workshop with Seth Kim-Cohen Read More »
Visual Thinking helps audiences to build observation skills, improve confidence talking about art, and inspire new ideas. In this session you will form a small group and a trained facilitator will lead a discussion about the artworks on display. You are encouraged to look closely at the artwork and to share what you see. There
Don’t miss your chance to enter Art from the Margins’ (AFTM’s) National Biennial Outsider Art Awards, now open to all artists across Australia. AFTM encourages all artists living with disadvantage to enter, including new and emerging practitioners. Entries close Friday 19 July and cost $10 per artwork entry. For more information and entry forms, please
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Chase Archer’s new series invites viewers to engage in a sense of visual glossolalia, transcending the confusion that is deliberately at play. Glossolalia is a phenomenon where a person speaks a language unknown to them. “Glossolalia is like the moments when you are lying in bed trying to get to sleep and your consciousness slowly
Chase Archer: Glossolalia Read More »
The Ipswich Art Gallery presents the only South East Queensland showing of the Bundanon Trust National Touring Exhibition “Arthur Boyd: Landscape of the Soul” spanning the life of one of Australia’s most significant modern artists. From light-filled early landscapes to tormented figures in the bush, more than 60 paintings, prints and drawings drawn from major
Arthur Boyd: Landscape of the Soul Read More »
Tools are the key to understanding humanity. As a society develops, so too does its use of tools. We’re wholly dependent on them, and use them from each moment to the next. Whether you’re popping in a nail, stitching up a hole, or just tightening a few bolts, thousands of years of human evolution has
MAKE IT: Tools, Time & Technique Read More »
Grace Blake’s exhibition will be comprised of predominantly new work that considers a future dominated by non-human and hybridised beings. Blake will model formative anatomies and ecologies through the use of digital modelling software and 3D printing combined with 2D elements. OPENING / 6pm, 24th July 2019 The gallery is free to visit. Visiting hours
Grace Blake: Silica Read More »
Flash Lights in Low Visibility investigates the detachment of incarcerated members of our community, who are never returned to full citizenship. The exhibition is concerned with the way that the legal framework and isolation of prison reproduces specific individualizing and moralizing systems. Heightened rates of Indigenous and Transgender incarceration undermine the validity of these systems.
Nicholete Brocchi: Flash Lights in Low Visibility Read More »
Birdcage of the Bay is a recreation of the St Helena prison stockade, using plans from the collection of the Queensland State Archives and other historical sources to show the extent of the prison establishment and its myriad of prisoner stories. From unique island records and objects through to discoveries and a virtual reality recreation,
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Join sonic artists RAUM, Amateur Childbirth and Slupr for a free performance at Griffith University Art Museum, programmed by Ross Manning.
Sound Event: Incursion – RAUM, Amateur Childbirth & Slupr Read More »
Altered explores the idea that moments of recognition do not entail a direct correspondence between a subject and an object but can occur aesthetically in moments of strange familiarity; in which neither consciousness nor the object discovers its place. These strange murmurings an uncanny origin-less memory that appears displaced, fragmented and incomplete. Reveries able to
Jacina Giles: Altered Read More »
Bringing together a selection of recent acquisitions from the QUT Art Collection, Vis-ability has been conceived as a project to broaden understanding of the lived experiences of people who are blind or with low vision. Drawing on research in QUT’s Creative Industries Faculty, Vis-ability proposes alternative ways of engaging with the Art Collection, considering how technologies can deepen our
The second in our Portrait of an Artist series for 2019 offers a unique insight into the life and the politically-charged work of Queensland artist Gordon Hookey. A proud Waanyi man, Gordon was born in Cloncurry in north-west Queensland. He is an oil painter and sculptor whose art is located at the interface where Aboriginal and
Portrait of an Artist with Gordon Hookey Read More »
In 1935, Walter Benjamin published The Work of Art in the Age of Mechanical Reproduction. He argued that although art maintains its distinction from the reproduction, it is nevertheless irrevocably changed by the existence of reproductive technologies. This exhibition updates Benjamin’s enquiry, asking what is the impact of selfie culture on contemporary practice? The Work
The Work of Art in the Age of the Selfie Read More »
Visit the World Press Photo Exhibition 2019 on its world-wide tour showcasing the stories that matter with photography from the 2019 World Press Photo Contest. The 2019 exhibition features the World Press Photo of the Year, and for the first time, the World Press Photo Story of the Year. The winners were chosen by an
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Boxcopy’s ‘Sound Offerings’ is an ongoing monthly program that invites sound artists and experimental musicians to produce an evening of listening. Each performance will be followed by a critical discussion with the artist as a way to generate discourse around contemporary sound practices. For this instalment, titled ‘I am engulfed, I succumb’ artist Rachael Archibald
Sound Offering III – Rachael Archibald Read More »
This lecture will consider curatorial practice and responsibilities in relation to questions of diversity and inclusion in exhibition programming and collection acquisition and display in museums of modern and contemporary art. Taking as a model for study one of a number of categories of creators routinely marginalised in modernist theory, self-taught and folk artists, it
Keir Lecture by Lynne Cooke Read More »
In this edition of First Thursdays artist, musician, and writer Seth Kim-Cohen invites you on a morbid joy ride through the physical and financial violence of late-stage capitalism. Careening like a tech stock IPO from krautrock to investment banking to Marxist terror, this investigative performance titled ‘Bargeld ist die neue Liebe (Cash is the new
First Thursdays: Seth Kim-Cohen Read More »
“Perceiving colour is like exercising a muscle that is enhanced by use. I feel that one can become attuned to perceiving colour in a more nuanced way.” Gemma Smith Join artist Gemma Smith and exhibition curator, Director of UNSW Galleries, José Da Silva, for a conversation about Smith’s art practice and survey exhibition ‘Gemma Smith:
Compelled by colour: In conversation with Gemma Smith Read More »
Thomas ‘John’ Lee Hammer (Thomas Lee Hammer) is a Brisbane-based emerging artist, of Gubbi Gubbi descent. House Conspiracy wishes to invite you to spend some time with his current work and in conversation with John for ‘The Falls’ showcasing work in development from John’s time as Artist in Residence at House Conspiracy. Showcase 4pm –
Conversations: Realities of War 6.30–7.30pm, Tue 30 Jul Cinema A, GOMA | Ticketed $19 | QAGOMA Members $16 Ben Quilty’s portraits of Australian war veterans are imbued with their complex experiences of war and its aftermath. In 2011, Ben witnessed this firsthand when he toured Afghanistan as an Official War Artist with the Australian Defence
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Responsibilities to Time is a new research-based project by Meanjin (Brisbane) based artist Callum McGrath. Stemming from McGrath’s research into public memorials dedicated to queer subjects and communities, this exhibition presents a selection of LGBTQIA+ memorials arranged into an anonymous family photo-album. Referencing museological presentation, Responsibilities to Time works against the grain of linear archival
Callum McGrath: Responsibilities to Time Read More »
2019 marks the 10th Marie Ellis OAM Prize for Drawing competition and as such is a significant milestone in this now national prize, founded in consultation with the Hopkins-Weise family in memory of their aunt, Marie Ellis. Marie was the former owner of 103 Brunswick Street, Fortitude Valley – the home of Jugglers Art Space from 2002-2018. The prize
Marie Ellis OAM Prize for Drawing Read More »
At first glance, Gold, silver & rough diamonds – the second exhibition of Donna Marcus’ work to be held with Andrew Baker Art Dealer – continues her exploration of the overlap of domestic and industrial aesthetics, but there is something exceptionally distinctive at play here. The exhibition includes a series of new artworks that feature vibrant as found pigments, only
Donna Marcus: Gold, silver and rough diamonds Read More »
Entering the space at Dumb Dumb, Jefferies’ audience is met with a sort of anti-wonderland, an inverted fairytale, in which the characters — who have, for the most part, emerged from the local urban environment of East Brisbane — take the form of plaster-cast construction weights, image-covered chipboard and casts of the ARI architecture itself.
Tiana Jefferies: Cavitation Read More »
‘What is Performance Art? Australian Perspectives’ is a new publication that brings together texts from leading theorists and practitioners in the field, creating an extensive critical archive documenting Australian performance art’s first fifty years. Join a conversation with publication contributor Laini Burton and featured artist Simone Hine at the IMA. Burton and Hine will discuss
In Conversation: What is Performance Art? Read More »