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EightONE

EightONE signifies the union of eight graduating art students into one cohesive exhibition. We are the South Bank Institute of Technology’s first Advanced Diploma group and we are excited by the potential to introduce ourselves to South East Queensland’s creative arts community.   Eightone ‘s opening night celebrations begin Wednesday the 4th of June from 6 […]

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Remembering Brian and Marjorie Johnstone’s Galleries

Between 1950 and 1972, galleries run by Brian Johnstone were Brisbane’s foremost forums for contemporary Australian art; Marodian Gallery (1950–1952), and The Johnstone Gallery run with his wife Marjorie (1952–1972), represented an impressive range of Australian artists. The Johnstone Gallery was arguably Australia’s most famous commercial gallery at that time, exhibiting the works of Charles Blackman, Arthur Boyd, Ray Crooke, Lawrence Daws, Donald

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Artists Parents Meeting

Where do artists come from? Is it a matter of choice to become an artist, or do some predefined qualities make it inescapable? As part of The Working Life, Vilnius-based artist Darius Mikšys will host an Artists Parents Meeting at the IMA on Thursday 5 June, where these and other questions will be addressed in a private forum. Artists Parents Meetings are live

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The Working Life

Featuring works by Richard Bell, Andrea Fraser, Marianne Flotron, Melanie Gilligan, Jesse Jones, Darius Mikšys, Stuart Ringholt, and Superflex. Representations of labour have a long tradition in art; and anxiety, fear and terror equally so. In the years since the 2008 global financial crisis, many artists have showed a renewed interest in examining the relationship between

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Natalya Hughes: Looking Thrice

Natalya Hughes deconstructs, reconfigures and rewrites figurative images to form partially abstracted and highly patterned psychological worlds. Working broadly across painting, collage, print, animation and installation, Hughes conflates the boundaries between realism and the fantastical, grotesque and kitsch in an intense and often humorous exploration of decadence and the grossly familiar. Based in Sydney, Hughes’s

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Jasper Knight: Kurilpa Bridge

Painter Jasper Knight completed a Master of Arts at the University of New South Wales. His broadly coloured, painterly works viscerally depict icons of the urban landscape. Knight has held solo exhibitions in Melbourne, Sydney, Perth, Adelaide, Alice Springs and internationally in London. He was awarded the Helen Lempriere Travelling Art Scholarship in 2003, the

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Megan Cope: THE BLAKTISM

The Blaktism, a new video work by Megan Cope, is a high-energy performance and ritual that sees a young female “Fair-Skinned Aborigine” undertake a sacred ceremony in which she receives the rite of authenticity validated by cultural authorities ever present in the Australian cultural landscape. The sacred ceremony itself (too mystical to discuss in media ephemera)

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—Svenja Kratz

—Svenja Kratz is a contemporary Brisbane based artist interested in interdisciplinary and transdisciplinary creative practice, particularly the intersections between science and art. Svenja’s work gives rise to the complex relationships between humans and other organisms, engaging with the human endeavour to understand, manipulate and control the world around us, particularly through scientific research. Through her

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Woollahra Small Sculpture Prize

Established in 2001, the Woollahra Small Sculpture Prize attracts strong support from artists, collectors and critics and is the first and only national acquisitive prize that showcases the quality and diversity of sculptures of smaller dimensions. Over 500 entries from national and international artists are received annually and approximately 40 finalists’ works are exhibited over

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LUMEN PRIZE 2014

The Lumen Prize Exhibition celebrates the very best fine art created digitally from emerging and established artists globally. Our goal is to focus the world’s attention on this exciting genre of fine art through an annual competition and global tour of the works selected by our eminent panel of judges. We are seeking the most compelling

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CONTRIBUTE YOUR PINEAPPLES

Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Director Chris Saines today called for Queenslanders to contribute to a major new art installation being created by Los Angeles artist collective, Fallen Fruit. Fallen Fruit of Brisbane: Pineapple Express! is a large, site-specific artwork that has been specially commissioned for ‘Harvest’, GOMA’s major exhibition exploring the production,

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Professional Development: Mixed Media Assemblage

Educators will explore the theme of “sustainability” by collecting materials and found objects to create an abstract mixed media assemblage artwork. Educators will be shown how to create an aesthetically harmonious collage of assembled elements by examining materials and composition.Date: Sunday 1 June Where: Brisbane Institute of Art, 41 Grafton Street, Windsor Time: 10am – 4pm

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Public Lecture – War and Peace: Australia and Germany 1860 – 2000

On the eve of the centenary of World War I, a war that pitched Australia against Germany, it might be salutary to reflect upon the history of artistic interaction between the two countries. We might begin with the arrival here of several German or German-trained artists in the 19th century (John Lindt, Eugene von Gérard

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Martin Smith: More Sex, Less Death

Martin Smith is a soulful photographer. His works reflect both the intimate and trying moments of his life, depicting meaningful moments and places, without contrivance.Smith foregoes traditional photography, incorporating text and collage within his images. Martin Smith’s works are exhibited regularly both in Australia and internationally. In 2007 Smith was included in Primavera at the MCA

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Svenja Kratz – Intersections: The Real and The Imaginary

Svenja Kratz is a contemporary Brisbane based artist interested in interdisciplinary and transdisciplinary creative practice, particularly the intersections between science and art. Svenja’s work gives rise to the complex relationships between humans and other organisms, engaging with the human endeavour to understand, manipulate and control the world around us, particularly through scientific research. Through her practice

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State of the ART Gallery

StateoftheART Gallery is inviting Australian artists currently studying or who have graduated within the last five years from a recognised higher education art or design course to apply for online representation. Artists working in any visual media can submit works for consideration. Please complete the Preliminary Application Form by following the link http://www.stateoftheartgallery.com.au/artists/join. All applications

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Exhibition Development Course

The Exhibition Development Project offers intensive training to emerging artists wanting to develop/improve their exhibition concept, planning, design and development skills to a professional level. Over five intensive workshops July – August participants will learn about the essential the principles of exhibition planning, design and development and gain valuable insight into the practicalities of how

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Freedman Foundation Travelling Scholarship for Emerging Artists

The Freedman Foundation Travelling Scholarship for Emerging Artists provides assistance towards travel (for educational purposes) and/or tuition costs for young people building a career in the visual arts broadly in the areas of painting, photography or sculpture. Four candidates will be awarded $5,000 each (excluding GST). Applications to travel overseas (preferably for the first time) to undertake formal study,

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Tim Woodward: Concertistic Life

Drawing attention to the performative, speculative and uncertain nature of creative practice, the exhibition ‘Concertistic Life’ presents a grouping of new and recent works by Tim Woodward.Moving across mediums, forms and ideas, Woodward’s practice typically engages with processes of editing, free association and re-imagining. Previously his artworks have materialised as sculpture, video, writing, installation, drawings

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Monica Rohan: Predicament

Floating transcendence and anchored realism share equal magnitude in Monica Rohan’s paintings. Inspired by a rural-idyll of a childhood in South East Queensland and the internal longing of the 19th century novel, Rohan reflects on the genre of autobiography through a mysterious form of self portraiture. Allowing her imagination free rein, Rohan represents the figure

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Gapuwiyak Calling: phone-made media from Arnhem Land

Curated by Miyarrka Media and developed for exhibition with the Anthropology Museum.  “We decided to name our exhibition Gapuwiyak Calling because we’re calling you through our phones, calling so you can connect to us.  We’re grabbing hold of new possibilities using these little things.  Maybe you’ll answer us?” – Paul Gurrumuruwuy In 2008 the introduction

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15 ARTISTS RETROSPECTIVE

15 Artists is an annual exhibition that commenced in 1997. This exhibition celebrates sixteen years of the exhibition and comprises the winning works that now feature prominently in the Moreton Bay Regional Council Art Collection. This is an exhibition featuring the past winners of the 15 Artists exhibition and competition held annually at the Redcliffe

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The University of Queensland School of Biological Sciences Artist In Residence

Are you a recent graduate or completing a higher degree in one of Queensland’s visual arts or media programs? Interested in on-the-ground experience of regional rainforests or desert outback? Wanting to deepen your knowledge of Conservation Biology and Climate Change Science? The University of Queensland’s School of Biological Sciences and UQ Art Museum are launching

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