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Meagan Streader: Spatial Situations

Meagan Streader’s work pushes the limits of light within sculpture and installation. Streader manipulates, reinterprets and extends upon the boundaries of constructed spaces. Through site-specific interventions, her multidimensional use of light re-orientates the viewer’s relationship to the pre-existing architecture and scale of a given space. In this way, Streader’s work reveals the pervasive role of

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Jun Chen

Born in Guangzhou, China, Jun Chen emigrated to Australia in 1990 and currently lives and works in Brisbane. He trained in painting at the Guangzhou Academy of Fine Arts in China, and later the Queensland University of Technology, Brisbane. Chen’s impasto oil paintings are textural observations of the landscape, nudes and still lifes with the paint thickly applied using

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MARS Video Exchange

As part of an exchange with Melbourne-based gallery MARS, Metro Arts will present the work of three innovative Melbourne video artists: Stephen Haley, Hannah Raisin and Diego Ramirez. In November 2019, a selection of Brisbane artists, curated by Metro Arts, will be exhibited in the Black Box, the dedicated video projection space at MARS, Melbourne.

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Boundless Reflections

Explore your consciousness within these bricks and bars. Boundless Reflections is a site-specific Installation of sculptural work, audio and digital visual art which invites the audience to contemplate their cognitive processes which construct the self. To contemplate how sensory stimulation, spatial navigation, bodily awareness attribute to consciousness. We invite you to this installation as the

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Goobalathaldin Dick Roughsey: Stories of this Land

‘Stories of this Land’ is the first major retrospective celebrating the work and life of Goobalathaldin Dick Roughsey (1920-1985). The exhibition brings together seventy works including barks, paintings, ceremonial and historical objects, draft illustrations from his children’s book and three story book films. Roughsey was a figurehead and pioneer of Indigenous art and culture, throughout

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Listening to Country Yarning

‘Listening to Country: Exploring the Value of Acoustic Ecology with Aboriginal and Torres Strait Islander Women in Prison.’ ‘Listening to Country’ is a pilot project exploring the value of acoustic ecology, yarning and participatory audio production with Aboriginal and Torres Strait Islander women in prison. Drs Sarah Woodland, Leah Barclay, Bianca Beetson and Vicki Saunders

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Why Jewellery?

This exhibition is an exchange exhibition of contemporary jewellery by students, staff and graduates from the Jewellery and Small Objects Department at Queensland College of Art, Griffith University Australia and the Jewellery Department at Hong Kong Baptist University. The biennial exhibition is opening at QCA before touring to Hong Kong in September. The works offer

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Lyndal Hargrave: FLORESCENCE

The overall effect of Lyndal Hargrave’s work is ethereal and otherworldly with compositional studies that drift between cloudy dreamscapes and underwater worlds. Devoid of representational forms and fixed-point perspectives, emotion is conveyed via subtle nuances of colour, tone and shape, akin to music’s ability to evoke feeling and sentiment. There is progression and impermanence across

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The Murmur of Faded Landscapes

The murmur of faded landscapes – marginal sites within the urban fringe Dennis McCart’s first solo exhibition at QCA Galleries interprets and contextualizes marginal landscapes. Consisting of three parts; a series of static representational oil paintings; an atlas of source photos from locations and animations projected on to static drawings. Using expanded painting and drawing

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Artists as Educators: Paul Bai, Dale Harding & Judy Watson

Panel Discussion: Artists as Educators: Examining relationships between art practice and learning in museum contexts Join Paul Bai, Dale Harding and Judy Watson in conversation with Shannon Brett to discuss their wide-ranging art practices, whether museums can be conceived as sites for democratic dialogue, and the potential for art to break down hierarchies of knowledge

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Interior Views

Brisbane Quarter plays host to a FREE art exhibition of digital and sculptural artworks by six contemporary artists who all have a connection to Queensland from 15 April – 8 May 2019. Brisbane Quarter, in collaboration with Innerspace Contemporary Art, present the Brisbane Quarter Queensland Art Showcase, titled Interior Views. Everywhere you go, the light

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Brisbane Art Design Festival

BRISBANE ART DESIGN (BAD) 2019 is where art, design and the city of Brisbane collide over a 17-day festival of dynamic exhibitions, performances, talks, art tours, workshops and open studios. Held from 10 – 26 May 2019, BAD showcases more than 150 Brisbane creatives, from emerging talents who are carving their mark locally, to trailblazers

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SomoS: Berlin Artist-in-Residence Program

The application period for SomoS Berlin Artist-in-Residence Program Winter/Spring 2019 is now open. Inquiries for specific periods are welcome and residents will be accepted on a rolling basis. Earliest availabilities are December 2018 and January 2019. Visiting Researchers/Academics/Writers residency periods are minimally 1 month; artists residency periods minimally 3 months. We are looking forward to

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Haunt

In an age marked by mass migration, technologically accelerated dislocation, and rapid urban development, notions of home and belonging need to be imagined anew. At once located and displaced, how to live together is one of the crucial questions of our time. These ideas have even greater urgency in settler-colonial contexts where notions of ownership

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Suspended Light

With the concept of ‘home’ as foundation, Helle Cook explores liminality and light in translucent layers of paint on canvas and sheer textile. Drawing on a heightened awareness of the difference in Nordic and Australian light and environment, Suspended Light lingers ambiguously in an illuminated threshold between sense of place, memory, abstraction and figuration. With

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Art of the Suburb

For all its supposed familiarity, our built environment has long fascinated artists working across disciplines and decades. This talk will look at how artists have used the banality and beauty of the buildings that surround us to inspire new creative works. Hear from architects Müge Belek and Frederico Fialho from [f]FLAT, artist and designer Jennifer

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The Annual

Boxcopy is excited to announce our new home, 16 Merivale Street, South Brisbane. To open the new space, we will be hosting The Annual, our yearly silent auction, on Saturday 8th June. All proceeds raised will go directly to paying artist and writers fees for the forthcoming program. Artworks have been generously donated by: Vernon

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proppaNOW Open Day

Join members of Brisbane’s leading Aboriginal art collective, proppaNOW, for an afternoon of artist talks, workshops, and demonstrations at the IMA. Hear from artists Vernon Ah Kee, Jennifer Herd, as well as Megan Cope, who will discuss her work RE FORMATION (2019), currently on display as part of the group exhibition Haunt. Take part in a hands-on banner making workshop with Gordon Hookey in

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New Eelam: Brisbane

New Eelam is a long-term artwork in the form of a start-up—a real estate technology company founded by the artist Christopher Kulendran Thomas to develop a flexible global housing subscription based on collective co-ownership rather than individually owned private property. Originated in collaboration with curator Annika Kuhlmann, the venture takes as a starting point the art field’s involvement in

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Lee Wilkes: Reflect (Refract)

In Reflect (Refract), Wilkes admires the “astonishing creations” formed by the natural world and reflects on the artist’s relationship to nature. Inspired by the glacial regions of Alberta and British Columbia in Western Canada, the artist focuses on depicting the elements of water and the intoxicating landscapes which encompass them. Wilkes’ is currently based in Brisbane and works

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Michael Muir: Proximity

Honing his studio skills through formal studies in painting and design, Muir has departed from traditional plein-air painting to describe more ambiguous visual puzzles derived from the urban landscape. In our digitally redolent culture, his exclusive use of the palette knife acts as a kind of universal leveller, flattening and de-pixilating his high-key canvases. Inspired

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Holly Anderson: Jelly Heart

Jelly Heart presents a new series of small paintings by Holly Anderson; like postcards from a beach holiday. In these pictures, surface tensions between soft and hard, squishy and crisp, jelly and ice, juicy fruits and glazed crystals, plastic sandals and squeaky sand are investigated with paint. The contrasting textures of these subjects – their

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Emma Lindsay: Life on Earth

The exhibition recreates intense personal encounters with other species in National Parks, World Heritage sites and museum archives. The work connects human narratives to disappearing biodiversity, a perspective often edited out of the nature documentaries and their images of an apparently ‘untouched’ nature. The exhibition will present these inter-species encounters via painting, digital media, and

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Chris Howlett: New Statements

QUT PhD candidate Chris Howlett will present his thesis exhibition New Statements (2016-19) at the Creative Industries Precinct in Kelvin Grove 15-17 May, 2019. New Statements is a new media exhibition that showcases an installation of interactive and screen-based Machinima works. This practice–led research project explores the operations of a ‘techno-stice’ that demonstrates digital technology’s capacity to generate dissensual space and forms of

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Scott Redford & Anthony Lister: Matches 3

Continuing FireWorks Gallery’s Matches 2019 series of paired solo exhibitions, Matches 3 will present Brisbane-born artist Anthony Lister alongside Brisbane-based artist Scott Redford under the banner BAD Boys. New (individual & collaborative) artworks displayed will showcase a diversity of mediums including printmaking, photography, sculpture, painting and installation. Lister and Redford, who are friends as well

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yoke.

yoke. is a collaborative exhibition from Queensland College of Art, Griffith University Doctoral Visual Arts Candidates Adam Anderson and Andrew Willis. Photographic portraiture frequently attracts discourse about the real and the artificial. It often pertains to the fidelity of the image to the represented identities; a complex and unstable negotiation that occurs between the subject,

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Black Dog, Blue Butterflies

Art from the Margins (AFTM) presents our third exhibition this year, Black Dog, Blue Butterflies. The exhibition, developed by Moreton Bay Regional Council, is coming to AFTM Gallery & Studios in Fortitude Valley, Brisbane this April and includes artworks created by artists from Brisbane, Southeast Queensland and Northern New South Wales. AFTM, a creative initiative

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