Looking to escape the winter chill with a creative evening? Studio Maverik is once again bringing its relaxed Winter Life Drawing Sessions to Side Gallery in Red Hill this July. Set within the intimate surrounds of the gallery, participants will sketch from a live model while surrounded by rotating exhibitions from local artists. Designed as […]
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Jorge Mariño Brito was born in Cuba and lives and works in Brisbane. He graduated from the Queensland College of Art in Brisbane in 2024. Mariño Brito’s artistic practice encompasses painting, papermaking and printmaking. With a background in psychiatry, his artwork combines sensitive depiction of human relationships with a love for painterly materials. His incomplete
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Join PLATYPUS and Wreckers Artspace for a two-day celebration of the launch of PLATYPUS Essentials: 00–02 Energy, a new publication exploring energy, ecology, community and justice through art, writing and lived experience. The second publication in the PLATYPUS Essentials series, 00–02 Energy brings together 26 contributions from more than 30 artists, writers, poets, researchers, historians
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Sculptures and Birds is a new exhibition by James Guppy that revisits the sculptural forms which shaped his early artistic thinking. Although Guppy has spent more than fifty years working primarily as a painter, this body of work pays homage to the sculptors who inspired him, translating their physical presence into paint. Alongside these sculptural
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Presented by artisan and Metro Arts, Between Form is the first exhibition in the Small Object Spaces series, featuring Brisbane-based artist Marisa Culpo. Working across textiles and ceramics, Culpo’s practice explores the relationship between material, process and meaning. Through small-scale sculptural works that combine ceramic vessels with hand-fabricated textile plinths, the exhibition examines the shifting
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Join a public forum with influential First Nations artists and thinkers whose practices challenge, unsettle and reimagine the creative landscape, presented as part of the exhibition Leah King-Smith: rhythm wRites. The forum brings together leading First Nations artists, researchers and cultural practitioners in a series of conversations exploring image-making, memory, sovereignty, cultural authority and self-determination
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Absence is a new exhibition by Gureng Gureng/Gangulu and Kanak South Sea Islander artist Darren Blackman, presenting neon, print and digital works that confront systemic inequality, cultural memory and First Nations histories. Building on his previous exhibition Post Truth, Blackman’s latest works examine the erasure of Aboriginal histories through deeply personal connections to the Somerset
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PARKER Contemporary presents Becoming Penguin (Act II), a new exhibition by Sydney-based artist Carolyn Craig exploring identity, belonging and systems of social judgement. Centred on the symbolic figure of the penguin, Craig employs performance, printmaking and photography to examine how bodies are observed, categorised and shaped by social structures. Drawing on ideas of transformation and
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MOTH brings together eight multidisciplinary practitioners for a month-long open studio exploring themes of illumination, experimentation and creative discovery. Working across a range of disciplines, the participating artists investigate light as both material and metaphor, revealing processes, testing ideas and creating new forms through collaboration and inquiry. Throughout the month, audiences are invited to engage
Entries are now open for the 2026 Clayton Utz Art Award, an annual prize supporting emerging artists across Queensland. Presented by Clayton Utz in partnership with Lethbridge Gallery, the award recognises outstanding original artworks by Queensland-based artists or artists with a strong connection to Queensland. The winner will receive a $25,000 First Prize, while finalists
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Applications are now open for Queer Here 2026, an annual exhibition presented by QCAD Galleries in partnership with Brisbane Pride Inc. Celebrating the talents, visions and lived experiences of queer creatives from Brisbane/Meanjin, the exhibition returns this September with an open call for artists working across all mediums. There is no exhibition theme for 2026,
Jon Rafman is an anthropologist-explorer charting the dark heart of the digital world. This Canadian artist scrapes the recesses of the internet, mines 4chan greentexts, strips images from video games, and documents fringe online communities. As a seer of our networked lives, his prescient examination of online alienation offers a taste of our mortal futures.
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The Moreton Bay Art Prize returns in 2026, celebrating the diverse creative talent of artists from across the region. Held annually at Pine Rivers Art Gallery, the exhibition is a highlight of the local arts calendar and showcases a vibrant selection of contemporary works by shortlisted finalists. Following a strong response from artists, the 2026
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Full Bush is the first solo exhibition by QUT alumna Anne Kelley, bringing together new works that explore the intersections of labour, militarisation, global politics, dysphoria and “boganism” within regional Australian communities. Curated by Kelsey Woods, the exhibition employs assemblage, carving, scale, visual contrast and custom framing as critical strategies, using materiality and presentation to
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Applications are now open for the inaugural Singapore Design Biennale (SDB) 2027, taking place from 14 May – 20 June 2027 under the theme 1.35°N. Organised by the DesignSingapore Council, the Biennale succeeds Singapore Design Week with an expanded international platform for design, architecture, art and interdisciplinary practice. The theme 1.35°N references Singapore’s geographical latitude
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Join us for our next Pep Talk with painter Karla Marchesi! Pep Talks are your chance to hear from QCAD legends about their practice and career trajectory since graduating, as well as the advice they wish they’d heard along the way. Designed to be casual and engaging, there’ll be plenty of time to ask questions,
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Flying Arts Alliance presents Maintaining Momentum, a solo exhibition by moo (Sam Matthews), winner of the Remote Artist Award at the 2025 Queensland Regional Art Awards. Living and working in Far North Queensland, moo creates ceramic works inspired by the natural environment and the quiet moments of connection that emerge through close observation of place.
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Moments is a solo exhibition by Andrew K, bringing together a new body of oil and charcoal works exploring the people, places and memories that have shaped the artist’s life. From the vast landscapes of rural Australia to the streets of Paris, and portraits reflecting the weight of human experience, each work is rooted in
Container and the Institute of Modern Art present Simmer, an evening of experimental short films exploring themes of control, release and rhythm through innovative moving image practices. The two-part screening brings together works by Australian and international artists including James Edmonds, Tomonari Nishikawa, Elizabeth Price, Richard Serra with Joan Jonas, Emily Chao, and Pablo Mazzolo.
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برزخ liminal brings together the English word “liminal” with the Farsi term برزخ (barzakh), a concept that evokes a state of suspension – a threshold between death and resurrection, presence and disappearance. While the two terms resonate with one another, they are not fully interchangeable; each carries its own cultural and philosophical weight. Sarwari’s work weaves the
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Ho Rui An’s video Ultimate Coin Test China High-Speed Rail (2018) offers a playful critique of China’s rapid modernisation and the fetish of stability within the chaos of late capitalism. Ho appropriates a viral internet phenomenon, in which passengers on Chinese bullet trains film coins standing perfectly upright on their edges at speeds exceeding 300km/h, proving the
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Join Meanjin/Brisbane architect Kevin O’Brien (BVN) and architectural historian Andrew Leach (Queensland University of Technology) for an informal lecture and discussion exploring Queensland’s architectural culture, its history, and future directions. The event is part of Off Grid, a series of architecture discussions led by Andrew Wilson (The University of Queensland) and Andrew Leach (Queensland University
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Milani Gallery presents Site, Non Site, Place, a new solo exhibition by d harding, bringing together works created in the artist’s Paris studio alongside works made on Country during a recent return home. Working across painting, installation and sculpture, harding explores the visual and social languages of their Bidjara, Ghungalu and Garingbal cultural inheritance, creating
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Side Gallery presents The Magical Muff, a bold and playful exhibition by artists Nyx and Myfanwy Gullifer that celebrates the female body through humour, storytelling and vibrant visual language. Challenging taboos while embracing bodily autonomy, the exhibition explores themes of identity, empowerment and lived experience. Through painting, illustration and contemporary visual practice, the artists transform
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Lethbridge Gallery presents Knowing, a solo exhibition by Marisa Veerman exploring clothing as an extension of identity, memory and human connection. Through photography, embroidery and textile-based processes, Veerman considers garments as material archives that carry traces of lived experience, inherited presence and personal history. Rather than functioning simply as objects, clothing becomes a shared language
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Till and Toil presents a new body of paintings by Karla Marchesi that uses the garden as both subject and metaphor for navigating uncertainty, pressure and change. The exhibition reflects on sustaining hope through periods of personal and collective turbulence. Drawing together botanical forms, produce and the human figure, Marchesi explores resilience, adaptation and growth
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Our Space Brisbane is inviting emerging and established artists to submit work for Common Ground, a three-day exhibition celebrating the studio’s fourth birthday. Open to artists working across ceramics, 2D and 3D media, the exhibition explores themes of community, belonging and shared experience. Selected works will be exhibited alongside a weekend of workshops, demonstrations and
Entries are now open for the Audrey Gibbs Art Prize 2026, presented by the Royal Queensland Art Society (RQAS). The annual prize celebrates genre painting and drawing, honouring the legacy of artist Audrey Gibbs, whose work focused on the beauty of everyday life. Artists are invited to submit works depicting ordinary people in familiar settings,
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Entries are now open for the UniSQ Biennial Art Award 2026, a national acquisitive art prize celebrating outstanding contemporary Australian art. Launched in 2024, the biennial award has quickly established itself as an exciting addition to Australia’s arts landscape, attracting artists from across the country. With a total prize pool of $24,000, the award recognises
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Entries are now open for the Portia Geach Memorial Award 2026, Australia’s most prestigious portrait prize for women artists. Presented annually by the S.H. Ervin Gallery, the $30,000 non-acquisitive award recognises the best portrait painted from life by a woman artist depicting a person distinguished in the fields of art, literature or science. Established in
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Entries are now open for the Urunga Small Sculpture Prize 2026, a national sculpture award presented by Art Space Urunga. Established in 2018, the prize celebrates original small-scale sculpture and offers $10,000 in prize money. Artists are invited to submit original freestanding or wall-mounted sculptures in any medium. Selected finalists will be exhibited at Art
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Entries are now open for the Calleen Art Award 2026, one of Australia’s longest-running acquisitive painting prizes. Established in 1977, the annual award celebrates originality, creativity and excellence in contemporary Australian painting across any style, theme or subject. Open to artists from across Australia, the winning artwork will receive the $30,000 acquisitive prize and become
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QUT Art Museum is inviting applications for LOOKOUT, an exhibition program showcasing the research and creative practice of QUT students. Open to projects across visual art, design, research and interdisciplinary practice, LOOKOUT offers selected participants the opportunity to exhibit in the Museum’s prominent window gallery at Gardens Point campus. Visible to the public 24 hours
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Philip Wolfhagen presents a new exhibition of paintings that continue his long-standing exploration of the atmospheric landscapes of northern Tasmania. Widely regarded as one of Australia’s leading contemporary landscape painters, Wolfhagen is known for his distinctive use of beeswax mixed with oil paint, creating richly textured surfaces that capture the shifting qualities of light, weather
The Korean Cultural Centre Australia (KCCAU) is inviting applications for its 2026–27 Exhibition Program, supporting contemporary visual arts projects that foster cultural exchange between Australia and Korea. Selected exhibitions will be presented at the Korean Cultural Centre Australia in Sydney between December 2026 and February 2027. Applications are welcomed from individual artists, curators, collectives and
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Entries are now open for the 2026 Mosman Art Prize, Australia’s premier open painting prize and one of the nation’s longest-running acquisitive art awards. Established in 1947, the Mosman Art Prize celebrates excellence in contemporary Australian painting, supporting artists whose work reflects the ideas, identities and stories of contemporary life. The winning artwork joins the
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